{"title":"YTM volume 52 Cover and Back matter","authors":"","doi":"10.1017/ytm.2020.34","DOIUrl":"https://doi.org/10.1017/ytm.2020.34","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.34","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44515103","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Stefan Fiol. Recasting Folk in the Himalayas: Indian Music, Media, and Social Mobility. Urbana: University of Illinois Press, 2017. xiii, 228 pp., list of illustrations, notes, glossary, bibliography, index. ISBN 978-0252041204 (hardcover), ISBN 978-0252082757 (paperback), and ISBN 978-0252099786 (e","authors":"Subash Giri","doi":"10.1017/ytm.2020.36","DOIUrl":"https://doi.org/10.1017/ytm.2020.36","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.36","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45008822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gamelan Joged: Bali’s Orchestra of Bamboo Marimbas. 2014. Vital Records CD 660. Recorded, annotated, and produced by Wayne Vitale. 8-page liner notes. B/W photographs. CD, 5 tracks (74:10). Recorded in Banjar Beluangan, 1991.","authors":"Elizabeth Mclean Macy","doi":"10.1017/ytm.2020.10","DOIUrl":"https://doi.org/10.1017/ytm.2020.10","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.10","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47501724","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Histories of the Ephemeral. Podcast series hosted by Katherine Butler Schofield. In English.","authors":"R. Widdess","doi":"10.1017/ytm.2020.15","DOIUrl":"https://doi.org/10.1017/ytm.2020.15","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.15","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46817838","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"From Galilee Villages to the Mountains of Al-Sham: Local and Regional Musical Networks among Palestinian Arab Wedding Musicians in Northern Israel","authors":"Abigail Wood, T. Elias, Loab Hammoud, J. Ballan","doi":"10.1017/ytm.2020.2","DOIUrl":"https://doi.org/10.1017/ytm.2020.2","url":null,"abstract":"Abstract Based on recent ethnographic work, we explore the ways in which transnational cosmopolitan music crosses, creates, and reinscribes borders as it is performed by Palestinian Arab wedding musicians in northern Israel. While Palestinian nationalism and the hard political borders between Israel and its neighbouring states frame immediate questions of identity and mobility, in describing their musical practices, musicians turn to a complex, interleaved series of geographies that highlight past and contemporary processes of musical flow. On one hand, they foreground the continuing relevance of the historic al-Sham region as an area of shared musical practice, identifying with the jabali (“mountain”) musical style of the elevated region that marks the borderlands between today’s Lebanon, Syria, and Israel. On the other hand, they embed this regional style within a series of micro- and macro-geographies, from detailed knowledge of the subtle differences in tempo and style between neighbouring Galilee villages to connections with the wider Arabic-speaking world via old and new media. While recent research on music in the Middle East has often foregrounded the role of music in constructing and reinforcing national identities, this research illustrates how transnational flows continue to shape the experience and imagination of musical borderlands in the region.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.2","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45377846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mê Thảo Thời Vang Bóng (The Glorious Time in Mê Thảo Hamlet). 2002. Directed by Việt Linh, 108 minutes. Vietnam: Hãng Phim Giải Phóng (Liberation Film Company).","authors":"Barley Norton","doi":"10.1017/ytm.2020.21","DOIUrl":"https://doi.org/10.1017/ytm.2020.21","url":null,"abstract":"This article reflects on the interpenetration of the fictive and the ethnographic in Việt Linh’s film The Glorious Time in Mê Thảo Hamlet.1 The filmmaker and theorist Trinh T. Minh-Ha has long argued “there is no such thing as documentary” (1990:76) and that “to use an image is to enter fiction” (2018). As recent writing on “documentary hybrids” brings to the fore (Ferrarini 2020), documentary filmmakers have incorporated fictional approaches in their work. Conversely, fiction films sometimes make use of real events and ethnographic sensibilities. In the digital era of transmedia (Vernallis, Rogers, and Perrott 2020) and the multimodal (Collins andDurington 2020), conventional film categories— including fiction, documentary, ethnographic, and experimental, amongst others—seem increasingly limited. Noting the overlap between different types of audiovisual work, this review explores points of convergence between fiction and ethnography, between imagination and history. The Glorious Time in Mê Thảo Hamlet is a work of fiction with a fantastical and spiritual narrative. Yet it can be appreciated for its ethnographic value, as much can be learnt from the film about traditional Vietnamese music, particularly ca trù singing.Music lies at the heart of the film; it drives the narrative and emotional arc. In the film, music has the power to influence people’s inner lives and behaviour. The interweaving of imagination and history is a hallmark of the novella Chùa Đàn by Nguyễn Tuân (1910–1987), on which The Glorious Time in Mê Thảo Hamlet is loosely based. Published in 1946, the novella is concerned with ca trù music in the early twentieth century and its uncertain future following the August Revolution of 1945. During the late colonial period, ca trù thrived as a form of entertainment in singing bars, but it became tainted by associations with prostitution and drugs. After the end of the","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.21","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49583650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Inside Llewyn Davis. Written, directed, produced, and edited by Joel and Ethan Coen (2013), 105 minutes. Paris: StudioCanal; London: Anton Capital Entertainment; New York: Scott Rudin Productions, Mike Zoss Productions.","authors":"T. Taylor","doi":"10.1017/ytm.2020.22","DOIUrl":"https://doi.org/10.1017/ytm.2020.22","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.22","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49253967","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
I. Agrimbau, A. Ahlgren, Jacqueline A. Avila, G. Biancorosso
{"title":"Contributors to this Volume","authors":"I. Agrimbau, A. Ahlgren, Jacqueline A. Avila, G. Biancorosso","doi":"10.1017/ytm.2020.40","DOIUrl":"https://doi.org/10.1017/ytm.2020.40","url":null,"abstract":"ANDREW ALTER is an Associate Professor in Music Studies at Macquarie University in Sydney. He teaches and undertakes research in a diverse range of sub-disciplines including popular music studies, ethnomusicology, composition, and music theory. His research focuses on traditional and popular music in India and Indonesia as well as world music practice in Australia. Andrew has published two books on traditional music of the Himalayas in which he explores connections between ritual action, musical sound, and geographical space.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.40","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42617839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Yi Ji-young Gayageum Compilation—Silk Butterfly. 2018. AkdangEban, Inc. ADCD012–017. Mastered by Min Ji-Yeon (Studio Paju). Design by Min Hye-jung (designtuesday). Manufactured by JungMin Printech. 75-page booklet with notes in Korean and English. 6 CDs.","authors":"Jocelyn Clark","doi":"10.1017/ytm.2020.9","DOIUrl":"https://doi.org/10.1017/ytm.2020.9","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.9","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47572570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Jessica Roda. Se réinventer au présent: Les Judéo-espagnols de France. Famille, communauté et patrimoine musical. Rennes: Presses universitaires de Rennes, 2018. 268 pp., 43 b/w figures, bibliography. ISBN 978-2753566354 (paperback, French edition).","authors":"V. Elbaz","doi":"10.1017/ytm.2020.32","DOIUrl":"https://doi.org/10.1017/ytm.2020.32","url":null,"abstract":"","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ytm.2020.32","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46196432","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}