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LEONARDO MUSIC JOURNAL最新文献

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Now I'm Digital, Where Is My Ritual?: Exploring Postdigital Performance Objects as Totems for Agency and Ritual 现在我是数字化的，我的仪式在哪里?探索后数字时代的表演对象作为代理和仪式的图腾
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2020-12-01 DOI: 10.1162/lmj_a_01094
Neal Spowage
{"title":"Now I'm Digital, Where Is My Ritual?: Exploring Postdigital Performance Objects as Totems for Agency and Ritual","authors":"Neal Spowage","doi":"10.1162/lmj_a_01094","DOIUrl":"https://doi.org/10.1162/lmj_a_01094","url":null,"abstract":"Abstract The author argues that significant aspects of electronic music performance have been diminished in the rush to incorporate the latest, often discreet (as in intentionally unobtrusive) technologies. He identifies these aspects as agency, ritual and, to a lesser extent, serendipity and mess. Using references to his own work, he suggests that applying an understanding of how actors create totems to present agency and affordance is essential to regain, and possibly acclimate, these tools and practices so they are relevant to live electronic music performance practice in a contemporary technology environment.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":"30 1","pages":"68-72"},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42176354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Transductive Wind Music: Sharing the Danish Landscape with Wind Turbines 转换的风音乐:与风力涡轮机分享丹麦景观
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2020-12-01 DOI: 10.1162/lmj_a_01098
M. Højlund, M. Riis
{"title":"Transductive Wind Music: Sharing the Danish Landscape with Wind Turbines","authors":"M. Højlund, M. Riis","doi":"10.1162/lmj_a_01098","DOIUrl":"https://doi.org/10.1162/lmj_a_01098","url":null,"abstract":"Abstract In this article the authors present their sound art project Nephew vs. Overheard as an exploration of a messy, fragile and incoherent local approach to public ecological art, an approach that aims at creating links of affectivity with technological creatures, such as large wind turbines, with which we share our landscape. Supplementing, as well as challenging, the dominant global strategy of ecological art, the authors argue that it is essential to experiment with transductive chains of local environmental data, creating sensibilities that we can relate to in our everyday environments.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":"30 1","pages":"90-94"},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42793263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Minding the Gap: Conceptualizing “Perceptualized” Timbre in Music Analysis 关注差距：音乐分析中的“感知”音色概念化
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2020-12-01 DOI: 10.1162/lmj_a_01088
Nora Engebretsen
{"title":"Minding the Gap: Conceptualizing “Perceptualized” Timbre in Music Analysis","authors":"Nora Engebretsen","doi":"10.1162/lmj_a_01088","DOIUrl":"https://doi.org/10.1162/lmj_a_01088","url":null,"abstract":"Abstract In the past decade, a growing music-analytic practice has emerged around timbre, a parameter long considered either irrelevant to musical structure or too unwieldy to tackle. This new practice centers on an understanding of timbre as a perceptual rather than physical (acoustical) attribute and privileges timbre as a bearer of musical meaning. Through a focused survey of scholarship on timbre from the 1980s to present, this article considers theoretical commitments and challenges that have attended the shift toward this subjective, “perceptualized” conception of timbre, particularly in light of music theory's objectivist and structuralist disciplinary leanings.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":"30 1","pages":"14-17"},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1162/lmj_a_01088","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42800236","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Musicking with Music-Generation Software in Virtutes Occultae 用Virtutes Ocltae的音乐生成软件进行音乐创作
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2020-12-01 DOI: 10.1162/lmj_a_01086
Taylor Brook
{"title":"Musicking with Music-Generation Software in Virtutes Occultae","authors":"Taylor Brook","doi":"10.1162/lmj_a_01086","DOIUrl":"https://doi.org/10.1162/lmj_a_01086","url":null,"abstract":"Abstract This article explores concepts of compositional meaning that arise from cocreative composing with music-generation software. Drawing from an analysis of the 2017 electroacoustic composition Virtutes Occultae, the composer discusses the implications of computer-generated music for the role of the composer. After an overview of how the music-generation software he developed contributed to the creation of Virtutes Occultae, the composer makes comparisons between his process and the use of generative commercial music software to create music, in order to draw distinctions between creating computer-generated music to extend aesthetic sensibilities and creating computer-generated music that iterates based on established commercial styles. Finally, the composer proposes future paths for further investigation involving the development of new musical styles through computer-generated music and reactive computer improvisation.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":"30 1","pages":"3-7"},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48026989","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
30 Years of Leonardo Music Journal 列奥纳多音乐30年纪要
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2020-12-01 DOI: 10.1162/lmj_e_01109
Erica Hruby
{"title":"30 Years of Leonardo Music Journal","authors":"Erica Hruby","doi":"10.1162/lmj_e_01109","DOIUrl":"https://doi.org/10.1162/lmj_e_01109","url":null,"abstract":"","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":"30 1","pages":"ii-ii"},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42487428","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
LMJ30 Audio Tracklist LMJ30音频跟踪列表
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2020-12-01 DOI: 10.1162/LMJ_A_01104
Andy Meyerson
{"title":"LMJ30 Audio Tracklist","authors":"Andy Meyerson","doi":"10.1162/LMJ_A_01104","DOIUrl":"https://doi.org/10.1162/LMJ_A_01104","url":null,"abstract":"","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":"30 1","pages":"119-119"},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48932378","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Exploring the Nexus of Holography and Holophony in Visual Music Composition 探索视觉音乐创作中全息与全息术的联系
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2020-12-01 DOI: 10.1162/lmj_a_01093
M. Rhoades
{"title":"Exploring the Nexus of Holography and Holophony in Visual Music Composition","authors":"M. Rhoades","doi":"10.1162/lmj_a_01093","DOIUrl":"https://doi.org/10.1162/lmj_a_01093","url":null,"abstract":"Abstract In this article the author explores the idea that, owing to their shared three-dimensional nature, holophons and virtual holograms are well suited as mediums for visual music composition. This union is ripe with creative opportunity and fraught with challenges in the areas of aesthetics and technical implementation. Squarely situated upon the bleeding edge of phenomenological research and creative practice, this novel medium is within reach. Here, one methodological pipeline is delineated that employs the convergence of holophony, virtual holography and supercomputing toward the creation of visual music compositions intended for head-mounted displays or large-scale 3D/360-degree projection screens and high-density loudspeaker arrays.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":"30 1","pages":"61-67"},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1162/lmj_a_01093","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45569842","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Study in three phases: An Adaptive Sound Installation 研究分为三个阶段:自适应声音装置
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2020-12-01 DOI: 10.1162/lmj_a_01092
C. Panariello
{"title":"Study in three phases: An Adaptive Sound Installation","authors":"C. Panariello","doi":"10.1162/lmj_a_01092","DOIUrl":"https://doi.org/10.1162/lmj_a_01092","url":null,"abstract":"Abstract Study in three phases is an adaptive site-specific sound installation that includes 22 solenoids placed on metallic arches that surround visitors and react to environmental perturbations, creating a self-regulating soundscape of metallic hits that serves to renew the visitors’ acoustic perspective. Adaptivity is a crucial aspect of the work: Similar perturbations will not generally cause similar reactions from the installation based on past interactions, thus allowing evolution over time to play a key role artistically and technically. This article discusses the author's position on adaptivity in music interaction and composition and reports on the technical and artistic aspects of the installation.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":"30 1","pages":"44-49"},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49103156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
A Conflux of Musical Logics: Memory, History and the Improvisative Music of SLANT 音乐逻辑的融合:记忆、历史与SLANT的即兴音乐
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2020-12-01 DOI: 10.1162/lmj_a_01095
Dave Wilson
{"title":"A Conflux of Musical Logics: Memory, History and the Improvisative Music of SLANT","authors":"Dave Wilson","doi":"10.1162/lmj_a_01095","DOIUrl":"https://doi.org/10.1162/lmj_a_01095","url":null,"abstract":"Abstract The author discusses SLANT, an improvisation-based project he coconceived, recorded and performed on tenor saxophone in duo with pianist and new music specialist Richard Valitutto. The project deconstructs sound worlds such as late nineteenth-century Romanticism, avant-garde/free jazz, microtonal spectralism and southeast European rural music. Drawing on George Lewis's systems of improvisative musicality, the article analyzes SLANT through the lens of sociomusical experience. The author shows how Afrological, Eurological and other systems of musicality participate together, manifesting in dialogical improvisative music-making that emerges from multiethnic and multicultural histories of improvised music.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":"30 1","pages":"79-83"},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"64407615","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Interspecies Bodies and Watery Sonospheres: Listening in the Lab, the Archives and the Field 种间体与水声球：在实验室、档案馆和野外聆听
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2020-12-01 DOI: 10.1162/lmj_a_01099
Janna Holmstedt
{"title":"Interspecies Bodies and Watery Sonospheres: Listening in the Lab, the Archives and the Field","authors":"Janna Holmstedt","doi":"10.1162/lmj_a_01099","DOIUrl":"https://doi.org/10.1162/lmj_a_01099","url":null,"abstract":"Abstract In this text, the author brings together scientific interspecies communication experiments, artistic practice and feminist posthumanities to inquire into the transformative role of sound and listening. Departing from an archive with recordings of human-dolphin language experiments, this research attends to sound as evidence and listening as a situated knowledge practice, with ethico-political implications that trouble Western, visually oriented knowledge systems. By imploding interfaces into situations of shared surfaces, the author directs attention to the logics of the skin to bring forth matters of care and suggest how listening might contribute to more careful and attentive modes of knowing.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":"30 1","pages":"95-98"},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49634561","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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