Transductive Wind Music: Sharing the Danish Landscape with Wind Turbines

IF 0.2 4区 艺术学 Q2 Arts and Humanities
M. Højlund, M. Riis
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引用次数: 0

Abstract

Abstract In this article the authors present their sound art project Nephew vs. Overheard as an exploration of a messy, fragile and incoherent local approach to public ecological art, an approach that aims at creating links of affectivity with technological creatures, such as large wind turbines, with which we share our landscape. Supplementing, as well as challenging, the dominant global strategy of ecological art, the authors argue that it is essential to experiment with transductive chains of local environmental data, creating sensibilities that we can relate to in our everyday environments.
转换的风音乐:与风力涡轮机分享丹麦景观
摘要在这篇文章中,作者介绍了他们的声音艺术项目《侄子与窃听者》,该项目探索了一种混乱、脆弱和不连贯的地方公共生态艺术方法,这种方法旨在创造与技术生物的情感联系,如大型风力涡轮机,我们与之共享我们的景观。作为对生态艺术主导全球战略的补充和挑战,作者认为,对当地环境数据的传导链进行实验是至关重要的,创造出我们可以在日常环境中感受到的情感。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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期刊介绍: Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.
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