探索视觉音乐创作中全息与全息术的联系

IF 0.2 4区艺术学 Q2 Arts and Humanities

LEONARDO MUSIC JOURNAL Pub Date : 2020-12-01 DOI:10.1162/lmj_a_01093

M. Rhoades

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引用次数: 1

摘要

在这篇文章中，作者探讨了全息和虚拟全息由于它们共同的三维性质，非常适合作为视觉音乐创作的媒介。这对组合充满了创造性的机会，同时在美学和技术实现方面也充满了挑战。正好位于现象学研究和创造性实践的前沿，这种新颖的媒介是触手可及的。在这里，一种方法管道被描绘出来，它采用全息、虚拟全息和超级计算的融合来创作用于头戴式显示器或大型3D/360度投影屏幕和高密度扬声器阵列的视觉音乐作品。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Exploring the Nexus of Holography and Holophony in Visual Music Composition

Abstract In this article the author explores the idea that, owing to their shared three-dimensional nature, holophons and virtual holograms are well suited as mediums for visual music composition. This union is ripe with creative opportunity and fraught with challenges in the areas of aesthetics and technical implementation. Squarely situated upon the bleeding edge of phenomenological research and creative practice, this novel medium is within reach. Here, one methodological pipeline is delineated that employs the convergence of holophony, virtual holography and supercomputing toward the creation of visual music compositions intended for head-mounted displays or large-scale 3D/360-degree projection screens and high-density loudspeaker arrays.

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来源期刊

LEONARDO MUSIC JOURNAL MUSIC-

自引率

0.00%

发文量

期刊介绍： Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.