现在我是数字化的,我的仪式在哪里?探索后数字时代的表演对象作为代理和仪式的图腾

IF 0.2 4区 艺术学 Q2 Arts and Humanities
Neal Spowage
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引用次数: 1

摘要

摘要作者认为,由于急于采用最新的、通常是谨慎的(如故意不引人注目的)技术,电子音乐表演的重要方面已经减少。他认为这些方面是代理、仪式,在较小程度上是偶然发现和混乱。通过引用他自己的作品,他建议,对演员如何创造图腾来呈现代理和启示的理解,对于重新获得并可能适应这些工具和实践至关重要,因此它们与当代技术环境中的现场电子音乐表演实践相关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Now I'm Digital, Where Is My Ritual?: Exploring Postdigital Performance Objects as Totems for Agency and Ritual
Abstract The author argues that significant aspects of electronic music performance have been diminished in the rush to incorporate the latest, often discreet (as in intentionally unobtrusive) technologies. He identifies these aspects as agency, ritual and, to a lesser extent, serendipity and mess. Using references to his own work, he suggests that applying an understanding of how actors create totems to present agency and affordance is essential to regain, and possibly acclimate, these tools and practices so they are relevant to live electronic music performance practice in a contemporary technology environment.
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来源期刊
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期刊介绍: Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.
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