用Virtutes Ocltae的音乐生成软件进行音乐创作

IF 0.2 4区艺术学 Q2 Arts and Humanities

LEONARDO MUSIC JOURNAL Pub Date : 2020-12-01 DOI:10.1162/lmj_a_01086

Taylor Brook

{"title":"用Virtutes Ocltae的音乐生成软件进行音乐创作","authors":"Taylor Brook","doi":"10.1162/lmj_a_01086","DOIUrl":null,"url":null,"abstract":"Abstract This article explores concepts of compositional meaning that arise from cocreative composing with music-generation software. Drawing from an analysis of the 2017 electroacoustic composition Virtutes Occultae, the composer discusses the implications of computer-generated music for the role of the composer. After an overview of how the music-generation software he developed contributed to the creation of Virtutes Occultae, the composer makes comparisons between his process and the use of generative commercial music software to create music, in order to draw distinctions between creating computer-generated music to extend aesthetic sensibilities and creating computer-generated music that iterates based on established commercial styles. Finally, the composer proposes future paths for further investigation involving the development of new musical styles through computer-generated music and reactive computer improvisation.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":"30 1","pages":"3-7"},"PeriodicalIF":0.2000,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Musicking with Music-Generation Software in Virtutes Occultae\",\"authors\":\"Taylor Brook\",\"doi\":\"10.1162/lmj_a_01086\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article explores concepts of compositional meaning that arise from cocreative composing with music-generation software. Drawing from an analysis of the 2017 electroacoustic composition Virtutes Occultae, the composer discusses the implications of computer-generated music for the role of the composer. After an overview of how the music-generation software he developed contributed to the creation of Virtutes Occultae, the composer makes comparisons between his process and the use of generative commercial music software to create music, in order to draw distinctions between creating computer-generated music to extend aesthetic sensibilities and creating computer-generated music that iterates based on established commercial styles. Finally, the composer proposes future paths for further investigation involving the development of new musical styles through computer-generated music and reactive computer improvisation.\",\"PeriodicalId\":42662,\"journal\":{\"name\":\"LEONARDO MUSIC JOURNAL\",\"volume\":\"30 1\",\"pages\":\"3-7\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"LEONARDO MUSIC JOURNAL\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1162/lmj_a_01086\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"LEONARDO MUSIC JOURNAL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1162/lmj_a_01086","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}

引用次数: 1

摘要

摘要本文探讨了与音乐生成软件共同创作所产生的创作意义概念。根据对2017年电声作品《伪装者》的分析，作曲家讨论了计算机生成音乐对作曲家角色的影响。在概述了他开发的音乐生成软件如何为《伪装者》的创作做出贡献后，作曲家将他的过程与使用生成性商业音乐软件创作音乐进行了比较，以便区分创建计算机生成的音乐以扩展美感和创建基于已建立的商业风格迭代的计算机生成音乐。最后，作曲家提出了未来进一步研究的途径，包括通过计算机生成的音乐和反应式计算机即兴创作来发展新的音乐风格。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Musicking with Music-Generation Software in Virtutes Occultae

Abstract This article explores concepts of compositional meaning that arise from cocreative composing with music-generation software. Drawing from an analysis of the 2017 electroacoustic composition Virtutes Occultae, the composer discusses the implications of computer-generated music for the role of the composer. After an overview of how the music-generation software he developed contributed to the creation of Virtutes Occultae, the composer makes comparisons between his process and the use of generative commercial music software to create music, in order to draw distinctions between creating computer-generated music to extend aesthetic sensibilities and creating computer-generated music that iterates based on established commercial styles. Finally, the composer proposes future paths for further investigation involving the development of new musical styles through computer-generated music and reactive computer improvisation.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

LEONARDO MUSIC JOURNAL MUSIC-

自引率

0.00%

发文量

期刊介绍： Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.