音乐逻辑的融合:记忆、历史与SLANT的即兴音乐

IF 0.2 4区艺术学 Q2 Arts and Humanities

LEONARDO MUSIC JOURNAL Pub Date : 2020-12-01 DOI:10.1162/lmj_a_01095

Dave Wilson

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引用次数: 1

摘要

作者讨论了他与钢琴家兼新音乐专家理查德·瓦里图托共同构思、录制并演奏的男中音萨克斯管即兴作品《斜面》。该项目解构了19世纪晚期的浪漫主义、前卫/自由爵士、微调性光谱主义和东南欧乡村音乐等声音世界。本文借鉴乔治·刘易斯的即兴音乐体系，从社会音乐经验的角度来分析《斜面》。作者从多民族、多文化的即兴音乐历史中呈现出对话式的即兴音乐创作，展示了非洲学、欧洲学和其他音乐性系统是如何共同参与的。

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A Conflux of Musical Logics: Memory, History and the Improvisative Music of SLANT

Abstract The author discusses SLANT, an improvisation-based project he coconceived, recorded and performed on tenor saxophone in duo with pianist and new music specialist Richard Valitutto. The project deconstructs sound worlds such as late nineteenth-century Romanticism, avant-garde/free jazz, microtonal spectralism and southeast European rural music. Drawing on George Lewis's systems of improvisative musicality, the article analyzes SLANT through the lens of sociomusical experience. The author shows how Afrological, Eurological and other systems of musicality participate together, manifesting in dialogical improvisative music-making that emerges from multiethnic and multicultural histories of improvised music.

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来源期刊

LEONARDO MUSIC JOURNAL MUSIC-

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0.00%

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期刊介绍： Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.