Interspecies Bodies and Watery Sonospheres: Listening in the Lab, the Archives and the Field

IF 0.2 4区 艺术学 Q2 Arts and Humanities
Janna Holmstedt
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Abstract

Abstract In this text, the author brings together scientific interspecies communication experiments, artistic practice and feminist posthumanities to inquire into the transformative role of sound and listening. Departing from an archive with recordings of human-dolphin language experiments, this research attends to sound as evidence and listening as a situated knowledge practice, with ethico-political implications that trouble Western, visually oriented knowledge systems. By imploding interfaces into situations of shared surfaces, the author directs attention to the logics of the skin to bring forth matters of care and suggest how listening might contribute to more careful and attentive modes of knowing.
种间体与水声球:在实验室、档案馆和野外聆听
摘要在本文中,作者将科学的跨物种交流实验、艺术实践和女权主义的后人道主义结合起来,探讨声音和听力的变革作用。这项研究与人类海豚语言实验的录音档案不同,将声音作为证据,将倾听作为一种情境知识实践,其伦理政治含义困扰着西方视觉导向的知识系统。通过将界面内爆为共享表面的情况,作者将注意力引向皮肤的逻辑,以提出护理问题,并建议倾听如何有助于更谨慎和专注的认知模式。
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来源期刊
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期刊介绍: Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.
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