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Musiker als Heroen einer österreichischen Identität und Kulturpolitik in der Zwischenkriegszeit 大体上，他们在二战时期的奥地利身份和文化政策范畴之中，演奏出了他的乐手
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2022-09-15 DOI: 10.52412/mf.2022.h3.3058
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引用次数: 0
Unter die Lupe genommen: Kompositorische Auseinandersetzungen mit Ludwig van Beethoven seit 2010 近距离观察：自2010年以来与路德维希·范·贝多芬的创作活动
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2022-09-15 DOI: 10.52412/mf.2022.h3.3059
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引用次数: 0
Mendelssohns Sololieder
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2022-09-15 DOI: 10.52412/mf.2022.h3.3056
{"title":"Mendelssohns Sololieder","authors":"","doi":"10.52412/mf.2022.h3.3056","DOIUrl":"https://doi.org/10.52412/mf.2022.h3.3056","url":null,"abstract":"","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44194912","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Wagners Mythos 瓦格纳神话
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2022-06-15 DOI: 10.52412/mf.2022.h2.3041
{"title":"Wagners Mythos","authors":"","doi":"10.52412/mf.2022.h2.3041","DOIUrl":"https://doi.org/10.52412/mf.2022.h2.3041","url":null,"abstract":"","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44455243","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
„dovute grazie in musica“ “感谢音乐”
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2022-06-15 DOI: 10.52412/mf.2022.h2.3043
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引用次数: 0
Sprachlosigkeit und Trauma in Toshio Hosokawas "Voiceless Voice in Hiroshima" (1989/2001) 细川俊夫《广岛无声的声音》(1989/2001)中的精神与创伤
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2022-06-15 DOI: 10.52412/mf.2022.h2.3042
{"title":"Sprachlosigkeit und Trauma in Toshio Hosokawas \"Voiceless Voice in Hiroshima\" (1989/2001)","authors":"","doi":"10.52412/mf.2022.h2.3042","DOIUrl":"https://doi.org/10.52412/mf.2022.h2.3042","url":null,"abstract":"","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47658931","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
„Auff das ich die Kunst der Musices vollkomlicher alda begreifen möchte…“ 虽然我很想要了解悦耳的alda艺术
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2022-03-15 DOI: 10.52412/mf.2022.h1.3029
Michael Chizzali
{"title":"„Auff das ich die Kunst der Musices vollkomlicher alda begreifen möchte…“","authors":"Michael Chizzali","doi":"10.52412/mf.2022.h1.3029","DOIUrl":"https://doi.org/10.52412/mf.2022.h1.3029","url":null,"abstract":"","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46496461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fluchtpunkt Techno? 消失点技术？
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2021-12-15 DOI: 10.52412/mf.2021.h4.3021
Matthias Pasdzierny
{"title":"Fluchtpunkt Techno?","authors":"Matthias Pasdzierny","doi":"10.52412/mf.2021.h4.3021","DOIUrl":"https://doi.org/10.52412/mf.2021.h4.3021","url":null,"abstract":"The term “conexión chilena” is regularly used in print media and internet articles to describe a group of DJs, some of them very successful, who fled as children with their families to Europe during the Chilean military dictatorship (1973–1990) and have become part of the growing EDM scene there since the 1990s. Names that are often mentioned in this context include Matías Aguayo, Andrés and Pier Bucci, Luciano (Lucien Nicolet), Martin Schopf/DJ Dandy Jack, Paula Schopf/DJ Chica Paula, Ricardo Villalobos and Cristian Vogel. Based on interviews and the analytical study of selected tracks by three of these artists, this article explores the question of the role that the “conexión” actually played. On the one hand, this question is applied to the work and career of the artists themselves, especially in light of developments in Chilean memory culture. On the other hand, it is applied to the early internationalization and transatlantic exchange in the field of techno and EDM. (Vorlage)","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42661512","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Export von (Militär-)Musikinstrumenten von Berlin nach Zentral- und Südamerika um 1900 出口乐器在1900年左右从柏林到中美洲和南美洲
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2021-12-15 DOI: 10.52412/mf.2021.h4.3016
Christian Breternitz
{"title":"Export von (Militär-)Musikinstrumenten von Berlin nach Zentral- und Südamerika um 1900","authors":"Christian Breternitz","doi":"10.52412/mf.2021.h4.3016","DOIUrl":"https://doi.org/10.52412/mf.2021.h4.3016","url":null,"abstract":"The article outlines the significance of Prussian military music of the 19th and early 20th centuries in an international context. It focuses on deliveries of musical instruments and sheet music by the Berlin company C. W. Moritz to Central and South America around 1900. The delivery lists of 1897/98 for the Colombian military bands show that they were equipped according to the Prussian model, which goes back to the ideas of Wilhelm Wieprecht. He reformed and standardised the Prussian military music system between the 1830s and 1860s, thus creating the basis for its success. The sheet music enclosed with the musical instruments gives an insight into the popular musical taste of the period around 1900, which was increasingly introduced to Central and South America. Future research will ask what impact such imports of music and musical instruments had on the development of music in Central and South America. (Vorlage)","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70968450","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
„In naives Plaudern“ geraten? “天真的闲聊”？
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2021-12-15 DOI: 10.52412/mf.2021.h4.3019
Christina Richter-Ibáñez
{"title":"„In naives Plaudern“ geraten?","authors":"Christina Richter-Ibáñez","doi":"10.52412/mf.2021.h4.3019","DOIUrl":"https://doi.org/10.52412/mf.2021.h4.3019","url":null,"abstract":"Kurt Pahlen’s activities in the Ibero-American region from 1939 to approximately 1970 were based on his musicological studies and musical activities in Vienna until 1938. Certificates of his studies at the university or press reports on his engagements in Vienna’s musical life shed light on Pahlen’s formation before his emigration to Switzerland, Argentina and Uruguay. In exile, he transmitted his knowledge of classical music to the Spanish-speaking world via articles and books on music history or radio and television broadcasts. His writings were commercially successful and, after their first edition in Latin America, they were often translated into German. As a result, Pahlen acted as translator between cultural contexts, audiences and media. An analysis of selected paragraphs of the books demonstrates, however, that he mainly transmitted his particular view of music, which was extremely time-bound and lost its relevance in later reprints. The reason for the divergent opinions of Kurt Pahlen’s work Spanish- and German-speaking scientific communities can be found in his rejection of academic musicology as he had got to know it in Vienna, and the increasingly superficial and subjective prose in his German reeditions. (Vorlage)","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45938218","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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