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Radierter Patriotismus Radierter爱国主义
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2023-06-15 DOI: 10.52412/mf.2023.h2.3087
Rainer Nonnenmann
{"title":"Radierter Patriotismus","authors":"Rainer Nonnenmann","doi":"10.52412/mf.2023.h2.3087","DOIUrl":"https://doi.org/10.52412/mf.2023.h2.3087","url":null,"abstract":"In his late novel Doktor Faustus (1947) – written in exile in the USA during the Second World War – Thomas Mann has the fictional “German composer” Adrian Leverkühn “take back” Beethoven’s Ninth Symphony with his last cantata “Dr. Fausti Weheklag”. The humanism of the “Ode to Joy” with its final exultation “Alle Menschen werden Brüder” had been discredited by dictatorship, terror, war and the Holocaust, and by patriotic and nationalistic appropriations by various political systems. In the course of Germany’s coming to terms with its past – the so-called “Vergangenheitsbewältigung” – from the mid-1960s onwards, a number of composers reacted to the scandal of the misuse of this major classical work of art and its liberating message with compositions whose direct reference to Beethoven’s Ninth can also be understood as “retractions” of this symphony. This article investigates different approaches to Beethoven’s controversial work in Bernd Alois Zimmermann’s Requiem für einen jungen Dichter (1967–1969), Hans Werner Henze’s Sinfonia N. 9 (1995–1997), Andreas F. Staffel’s Beethoven off set – oder: ich nehme sie zurück die neunte Symphonie (2015–2019) and many other works.","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44436232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fake News in der Bach- und Graupner-Forschung: Die Besetzung des Thomaskantorats 1722/1723 als unilaterale Überlieferung "巴克新闻"和"灰蒙蒙"研究
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2023-03-15 DOI: 10.52412/mf.2023.h1.3082
Beate Sorg
{"title":"Fake News in der Bach- und Graupner-Forschung: Die Besetzung des Thomaskantorats 1722/1723 als unilaterale Überlieferung","authors":"Beate Sorg","doi":"10.52412/mf.2023.h1.3082","DOIUrl":"https://doi.org/10.52412/mf.2023.h1.3082","url":null,"abstract":"","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42406005","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Maki Ishii und sein Engagement bei den Darmstädter Ferienkursen und dem Deutsch-Japanischen Festival für Neue Musik in Tokio 石井真纪和他对达姆施塔特假日课程和东京德日新音乐节的承诺
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2023-03-15 DOI: 10.52412/mf.2023.h1.3083
Joevan de Mattos Caitano
{"title":"Maki Ishii und sein Engagement bei den Darmstädter Ferienkursen und dem Deutsch-Japanischen Festival für Neue Musik in Tokio","authors":"Joevan de Mattos Caitano","doi":"10.52412/mf.2023.h1.3083","DOIUrl":"https://doi.org/10.52412/mf.2023.h1.3083","url":null,"abstract":"","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41372613","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Zum Gedenken an Artur Kurt Simon (1938–2022) 纪念亚瑟·库尔特·西蒙（1938–2022）
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2023-03-15 DOI: 10.52412/mf.2023.h1.3080
Dorit Klebe
{"title":"Zum Gedenken an Artur Kurt Simon (1938–2022)","authors":"Dorit Klebe","doi":"10.52412/mf.2023.h1.3080","DOIUrl":"https://doi.org/10.52412/mf.2023.h1.3080","url":null,"abstract":"","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42961324","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Kindlich experimentelles Komponieren wider die Schablonen 结束了
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2023-03-15 DOI: 10.52412/mf.2023.h1.3081
Peter Sühring
{"title":"Kindlich experimentelles Komponieren wider die Schablonen","authors":"Peter Sühring","doi":"10.52412/mf.2023.h1.3081","DOIUrl":"https://doi.org/10.52412/mf.2023.h1.3081","url":null,"abstract":"","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43425189","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ein musikalisches Denkmal gegen das Vergessen: Musikwissenschaftliche Erinnerungsforschung am Beispiel von Roger Moreno Rathgebs Requiem für Auschwitz 罗杰·莫雷诺·拉奇的奥斯维辛安魂曲
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2022-12-14 DOI: 10.52412/mf.2022.h4.3071
Martin Ringsmut, Monika E. Schoop
{"title":"Ein musikalisches Denkmal gegen das Vergessen: Musikwissenschaftliche Erinnerungsforschung am Beispiel von Roger Moreno Rathgebs Requiem für Auschwitz","authors":"Martin Ringsmut, Monika E. Schoop","doi":"10.52412/mf.2022.h4.3071","DOIUrl":"https://doi.org/10.52412/mf.2022.h4.3071","url":null,"abstract":"","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46881090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Die Werkstatt der „petite phrase“: Henze, Schlöndorf und Prousts Un amour de Swann “小金口”纪念馆:汉斯，城堡，普鲁斯特，永生难忘
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2022-12-14 DOI: 10.52412/mf.2022.h4.3070
B. Lessmann
{"title":"Die Werkstatt der „petite phrase“: Henze, Schlöndorf und Prousts Un amour de Swann","authors":"B. Lessmann","doi":"10.52412/mf.2022.h4.3070","DOIUrl":"https://doi.org/10.52412/mf.2022.h4.3070","url":null,"abstract":"","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48962679","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Musikhistorische Frauenforschung und Nachschlagewerke zu Komponistinnen 女性音乐研究和参考书
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2022-12-14 DOI: 10.52412/mf.2022.h4.3072
Anna Maria Olivari
{"title":"Musikhistorische Frauenforschung und Nachschlagewerke zu Komponistinnen","authors":"Anna Maria Olivari","doi":"10.52412/mf.2022.h4.3072","DOIUrl":"https://doi.org/10.52412/mf.2022.h4.3072","url":null,"abstract":"","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47478247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
„… die Schaffung von Werken anzuregen, die sich nach Inhalt und Form für die Verfassungsfeiern besonders eignen.“ .鼓励创作适合于派对内容与形式的作品。"
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2022-12-14 DOI: 10.52412/mf.2022.h4.3069
Christoph Henzel
{"title":"„… die Schaffung von Werken anzuregen, die sich nach Inhalt und Form für die Verfassungsfeiern besonders eignen.“","authors":"Christoph Henzel","doi":"10.52412/mf.2022.h4.3069","DOIUrl":"https://doi.org/10.52412/mf.2022.h4.3069","url":null,"abstract":"","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43169657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Vom Menuett zum „Balladenton“ 从小步舞曲到“民谣音调”
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2022-09-15 DOI: 10.52412/mf.2022.h3.3057
{"title":"Vom Menuett zum „Balladenton“","authors":"","doi":"10.52412/mf.2022.h3.3057","DOIUrl":"https://doi.org/10.52412/mf.2022.h3.3057","url":null,"abstract":"","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49402597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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