Fluchtpunkt Techno?

IF 0.1 3区 艺术学 0 MUSIC
Matthias Pasdzierny
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引用次数: 0

Abstract

The term “conexión chilena” is regularly used in print media and internet articles to describe a group of DJs, some of them very successful, who fled as children with their families to Europe during the Chilean military dictatorship (1973–1990) and have become part of the growing EDM scene there since the 1990s. Names that are often mentioned in this context include Matías Aguayo, Andrés and Pier Bucci, Luciano (Lucien Nicolet), Martin Schopf/DJ Dandy Jack, Paula Schopf/DJ Chica Paula, Ricardo Villalobos and Cristian Vogel. Based on interviews and the analytical study of selected tracks by three of these artists, this article explores the question of the role that the “conexión” actually played. On the one hand, this question is applied to the work and career of the artists themselves, especially in light of developments in Chilean memory culture. On the other hand, it is applied to the early internationalization and transatlantic exchange in the field of techno and EDM. (Vorlage)
消失点技术?
“conexión chilena”这个词经常出现在纸媒和网络文章中,用来描述一群dj,其中一些非常成功,他们在智利军事独裁时期(1973-1990),小时候随家人逃到欧洲,自20世纪90年代以来,他们成为智利不断发展的EDM舞台的一部分。在这种情况下经常提到的名字包括Matías Aguayo, andr和Pier Bucci, Luciano (Lucien Nicolet), Martin Schopf/DJ Dandy Jack, Paula Schopf/DJ Chica Paula, Ricardo Villalobos和Cristian Vogel。本文通过对其中三位艺术家所选曲目的采访和分析研究,探讨了“conexión”到底扮演了什么角色。一方面,这个问题适用于艺术家本身的工作和职业生涯,特别是考虑到智利记忆文化的发展。另一方面,它适用于早期的国际化和跨大西洋交流在技术和EDM领域。(滑雪的前倾姿势)
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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