Adaptation-The Journal of Literature on Screen Studies最新文献_第10页

Queer/Adaptation: A Collection of Critical Essays 酷儿/改编：评论文集

IF 0.3 2区文学

Adaptation-The Journal of Literature on Screen Studies Pub Date : 2020-08-14 DOI: 10.1093/adaptation/apaa029

Davide Pellegrini

引用次数: 1

Hacking Adaptation: Updating, Porting, and Forking the Shakespearean Source Code 黑客改编:更新、移植和分叉莎士比亚的源代码

IF 0.3 2区文学

Adaptation-The Journal of Literature on Screen Studies Pub Date : 2020-08-14 DOI: 10.1093/adaptation/apaa026

Reto Winckler

引用次数: 2

Literature and Other White-Man Tricks: Borges and Jarmusch Imagine the Frontier 文学和其他白人把戏:博尔赫斯和贾木许想象边疆

IF 0.3 2区文学

Adaptation-The Journal of Literature on Screen Studies Pub Date : 2020-08-04 DOI: 10.1093/adaptation/apaa027

Gonzalo Montero

{"title":"Literature and Other White-Man Tricks: Borges and Jarmusch Imagine the Frontier","authors":"Gonzalo Montero","doi":"10.1093/adaptation/apaa027","DOIUrl":"https://doi.org/10.1093/adaptation/apaa027","url":null,"abstract":"\u0000 In this article, I analyze the representation of the Frontier in the short story ‘El Sur’ by the Argentine Jorge Luis Borges and the movie Dead Man by American director Jim Jarmusch. Going beyond explicit plot similarities, I argue that Jarmusch’s movie carries out an implicit form of adaptation of Borges’s literary text. Both works not only narrate the violent encounter of urban subjects with an unknown and threatening space, but also underscore how the ‘civilized’ subjectivity experiences a crisis that challenges foundational cultural assumptions. Due to its relevance in the process of nation formation, the Frontier served as a source for symbolic discourses, literary representations, and cultural imaginaries. In the case of Argentina and the United States, specific artistic genres fictionalized the life on the Frontier. Stylistically, both Borges and Jarmusch use tropes and narrative devices from these seemingly outdated genres—gauchesca literature and Western movies—but the use of these devices is highly experimental and installs a much more complex depiction of the symbolic space of the Frontier, thus challenging hegemonic accounts of processes of territorial expansion and racial superiority.","PeriodicalId":42085,"journal":{"name":"Adaptation-The Journal of Literature on Screen Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/adaptation/apaa027","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44953411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Writing as if for Life: Armando Iannucci’s The Personal History of David Copperfield (2019) 为生活而写作:阿曼多·伊安努奇的《大卫·科波菲尔的个人历史》(2019)

IF 0.3 2区文学

Adaptation-The Journal of Literature on Screen Studies Pub Date : 2020-07-27 DOI: 10.1093/adaptation/apaa023

Chris Louttit

引用次数: 0

Romantic Poetry and the TV Series Form: The Rhyme of John Logan’s Penny Dreadful 浪漫主义诗歌与电视剧形式——约翰·洛根《佩妮恐怖》的韵律

IF 0.3 2区文学

Adaptation-The Journal of Literature on Screen Studies Pub Date : 2020-07-27 DOI: 10.1093/adaptation/apz026

Nina Farizova

引用次数: 0

Miss Havisham’s Rage: Imagining the ‘Angry Woman’ in Adaptations of Dickens’ Famous Character 郝维仙小姐的愤怒：对狄更斯名角改编中“愤怒的女人”的想象

IF 0.3 2区文学

Adaptation-The Journal of Literature on Screen Studies Pub Date : 2020-07-27 DOI: 10.1093/adaptation/apz027

C. Nelson

引用次数: 0

‘I Am Also Having Mother Once, and She Is Loving Me’: Reading Cary Joji Fukunaga’s Beasts of No Nation in a Post-Network Era “我也有过一次母亲，她爱我”：阅读福永嘉治的《后网络时代的无国之兽》

IF 0.3 2区文学

Adaptation-The Journal of Literature on Screen Studies Pub Date : 2020-07-27 DOI: 10.1093/adaptation/apz031

Heather Snell

{"title":"‘I Am Also Having Mother Once, and She Is Loving Me’: Reading Cary Joji Fukunaga’s Beasts of No Nation in a Post-Network Era","authors":"Heather Snell","doi":"10.1093/adaptation/apz031","DOIUrl":"https://doi.org/10.1093/adaptation/apz031","url":null,"abstract":"\u0000 This article examines Cary Joji Fukunaga’s film adaptation of Uzodinma Iweala’s Beasts of No Nation, with a special focus on the final scene, in which a counsellor is assigned to help the protagonist deal with the trauma of having been a child soldier. While the casting of a black African actor as the counsellor in Fukunaga’s film may appear to detract from the novel’s interrogation of the uneven power relations between Africa and America, an interpretation oscillating between novel and film reveals that there may be some benefits to erasing the white saviour figure from the scene. The erasure of a white American character not only redirects the focus to relations among Africans but also comments indirectly on the circulation of transnational films via streaming services such as Netflix. Reading in between adapted text and adaptation also yields some important insights about Beasts’ critical engagement with the politics of circulation, reception, and consumption of child-soldier narratives at a time when such narratives have become popular among transnational audiences.","PeriodicalId":42085,"journal":{"name":"Adaptation-The Journal of Literature on Screen Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/adaptation/apz031","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49363058","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Picturing Charlotte Brontë’s Artistic Rebellion? Myths of the Woman Artist in Postfeminist Jane Eyre Screen Adaptations 描绘夏洛特Brontë的艺术叛逆?后女权主义《简·爱》银幕改编中女性艺术家的神话

IF 0.3 2区文学

Adaptation-The Journal of Literature on Screen Studies Pub Date : 2020-07-27 DOI: 10.1093/adaptation/apz034

C. Han

{"title":"Picturing Charlotte Brontë’s Artistic Rebellion? Myths of the Woman Artist in Postfeminist Jane Eyre Screen Adaptations","authors":"C. Han","doi":"10.1093/adaptation/apz034","DOIUrl":"https://doi.org/10.1093/adaptation/apz034","url":null,"abstract":"Charlotte Bronte’s Jane Eyre: An Autobiography (1847) has been regularly adapted for the screen since the silent era. During the 1990s, a trend emerged in which cinematic and television versions of Bronte’s novel paid increased attention to the protagonists’ identities as amateur artists. To explain this phenomenon, this article examines Jane Eyre (Franco Zeffirelli, 1996), Jane Eyre (ITV/A&E, 1997), Jane Eyre (BBC, 2006), and Jane Eyre (Cary Fukunaga, 2011). It proposes that these productions contribute to the evolution of Bronte’s authorial mythology by heightening their heroines’ similarities with the writer, another amateur artist. In so doing, these adaptations benefit from the reputations of Bronte and her work as rebelliously feminist. Nevertheless, these women artists’ rebellions are distinctly postfeminist. To demonstrate its argument, the article contextualizes contemporary Jane Eyre adaptations within their postfeminist cultural landscape. Postfeminism, however, is a contested term. Hence, this analysis participates in broader debates that interrogate postfeminism as a concept and its persistent fascination with nineteenth-century creative women. Through comparisons of the adaptations, this article will delineate the development of the woman artist trope to reveal how postfeminist conceptualizations of women’s creativity have shifted since the 1990s. In particular, the woman artist displays an increased desire to ‘return home’. Such retreatist narratives exploit but also obscure the fact that Bronte has long signified the perceived tension between traditional, highly domestic female gender roles and women’s creativity. As such, these postfeminist adaptations have a shaping effect on the myths that continue to circulate about Bronte’s feminism and authorship.","PeriodicalId":42085,"journal":{"name":"Adaptation-The Journal of Literature on Screen Studies","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/adaptation/apz034","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48562642","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

An Ironic Overlay: The Use of Voice-Over Narration in The Age of Innocence, by Martin Scorsese 讽刺的叠加:马丁·斯科塞斯《纯真年代》中旁白的使用

IF 0.3 2区文学

Adaptation-The Journal of Literature on Screen Studies Pub Date : 2020-07-27 DOI: 10.1093/adaptation/apz022

Cynthia Beatrice Costa

引用次数: 1

Is Adaptation Studies Sustainable? 适应研究可持续吗?

IF 0.3 2区文学

Adaptation-The Journal of Literature on Screen Studies Pub Date : 2020-07-21 DOI: 10.1093/adaptation/apaa022

Kyle Meikle

引用次数: 1