郝维仙小姐的愤怒:对狄更斯名角改编中“愤怒的女人”的想象

IF 0.5 2区 文学 0 FILM, RADIO, TELEVISION
C. Nelson
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引用次数: 0

摘要

郝维仙小姐是一个萦绕在西方想象中的老处女,是表面上“不合理”和“不合理的”女性愤怒的象征,是男性对女性、年龄、性取向和权力的恐惧和幻想的宝库。这篇文章探讨了郝维仙小姐在电影、时尚、媚俗和互联网上作为恐怖对象的转变,以及最近在托尼·乔丹的电视剧《狄更斯》中作为女性抵抗的修正人物的转变。在这样做的过程中,它描绘了郝维仙小姐的传统形象之间存在的紧张关系,这些形象将她描绘成一个非理性、痛苦和自恋的老妇人,而那些形象则将她塑造成女性对父权制、资本主义和“有毒男子气概”交叉力量的合理愤怒的形象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Miss Havisham’s Rage: Imagining the ‘Angry Woman’ in Adaptations of Dickens’ Famous Character
Miss Havisham is a spectral spinster figure that haunts the western imagination, an emblem of an ostensibly ‘unjustified’ and ‘unjustifiable’ female rage, a repository for masculine fears and fantasies about women, age, sexuality, and power. This article examines the shifting visions of Miss Havisham as an object of horror in film, fashion, kitsch, on the internet, and, more recently, as a revisionary figure of female resistance in Tony Jordan’s television series, Dickensian. In so doing, it maps the tensions that exist between conventional representations of Miss Havisham that envisage her as an irrational, embittered, and narcissistic old woman and those that construct her as a representation of justified female rage against the intersecting forces of patriarchy, capitalism, and ‘toxic masculinity’.
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CiteScore
0.60
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