Adaptation-The Journal of Literature on Screen Studies最新文献

Animation, Adaptation, and the Plague 动画，改编和瘟疫

2区文学

Adaptation-The Journal of Literature on Screen Studies Pub Date : 2023-10-03 DOI: 10.1093/adaptation/apad029

Andrew Dix, Sara Read

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Mr. Blandings and the Advertisers’ Dream: The Role of Marketing in the Adaptation Process 布兰丁斯先生与广告主的梦想:营销在适应过程中的作用

2区文学

Adaptation-The Journal of Literature on Screen Studies Pub Date : 2023-10-03 DOI: 10.1093/adaptation/apad032

Daria Goncharova

{"title":"<i>Mr. Blandings</i> and the Advertisers’ Dream: The Role of Marketing in the Adaptation Process","authors":"Daria Goncharova","doi":"10.1093/adaptation/apad032","DOIUrl":"https://doi.org/10.1093/adaptation/apad032","url":null,"abstract":"Abstract This essay examines the role that marketing played in shaping the audience’s reception and interpretation of Eric Hodgins’ Mr. Blandings Builds His Dream House (originally published in 1946 as a short story titled ‘Mr. Blandings Builds His Castle’) and its 1948 film adaptation. It argues that while the print versions—modeled after Hodgins’ own unfortunate experience with the housing market before the war—relied on the self-deprecating humour to appeal to urban audiences and ultimately promote caution and frugality, the film adaptation, released at the onset of the suburban sprawl, targeted white families newly entering the middle class and promoted equality through mass consumption mythos. Working in conjunction with its massive advertising campaign that involved the construction of seventy-three replicas of the Blandings’ dream house across the United States, the film adaptation blurred the enormous disparity between Blandings’ dream and the suburban reality of baby boomers by creating new sites of middle-class identification. By reading each adaptation of the original story against the period-specific ideological forces, I demonstrate how marketing, by structuring the audience’s interpretation, shapes the process and the product of adaptation.","PeriodicalId":42085,"journal":{"name":"Adaptation-The Journal of Literature on Screen Studies","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135689816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Gentleman Jaggers: The Real Innovation in FX’s Great Expectations and Why Critics Didn't See It 贾格斯先生:FX《远大抱负》的真正创新，以及评论家为何没有看到它

2区文学

Adaptation-The Journal of Literature on Screen Studies Pub Date : 2023-09-28 DOI: 10.1093/adaptation/apad023

Nancy M West

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Embodying Adaptation: Character and the Body 体现适应:性格与身体

2区文学

Adaptation-The Journal of Literature on Screen Studies Pub Date : 2023-09-27 DOI: 10.1093/adaptation/apad024

Emer McHugh

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Beyond Historicity: Aesthetic Authenticity in Cinematic Adaptations of Non-/Anti-Realist Fiction 超越历史性:非/反现实主义小说电影改编中的美学真实性

2区文学

Adaptation-The Journal of Literature on Screen Studies Pub Date : 2023-09-23 DOI: 10.1093/adaptation/apad026

Yosr Dridi

{"title":"Beyond Historicity: Aesthetic Authenticity in Cinematic Adaptations of Non-/Anti-Realist Fiction","authors":"Yosr Dridi","doi":"10.1093/adaptation/apad026","DOIUrl":"https://doi.org/10.1093/adaptation/apad026","url":null,"abstract":"Abstract The literature on authenticity in adaptation studies seems to be focused almost entirely on adaptations of either historical and (auto-)biographical literary texts or non-fiction narratives. The usual case studies are often generically limited to heritage and historical films, period dramas, documentaries, and biopics, to the exclusion of non-/anti-realist genres. However, there is more to adaptation than empirically and/or historically verifiable source texts, which warrants an examination of authenticity in adaptations of fantastical, science-fictional, and gothic fictions away from the fixation on historicity and veracity. This paper proposes an aesthetic (metadiscursive and experiential) outlook on authenticity in genre adaptations, namely George Miller’s adaptation of A. S. Byatt’s ‘The Djinn in the Nightingale’s Eye’, Three Thousand Years of Longing (2022); Denis Villeneuve’s adaptation of Ted Chiang’s ‘Story of Your Life’, Arrival (2016); and the different adaptations of Mary Shelley’s Frankenstein. Metadiscursively, authenticity depends on the self-consciousness of artistic representation, the extent to which the source text and its cinematic adaptation acknowledge their status as fictional narratives and their representational, medium-specific limits and potentials. Experientially, authenticity is judged by the degree of audience immersion in the storyworld, the feeling (generated by diegetic techniques) that what they are watching is experientially plausible despite the implausibility of the genre itself. Without lapsing in excessive realism and verbatim fidelity, an authentic adaptation is heedful of the paradoxes surrounding authenticity itself in any fictional narrative, attentive to their aesthetic and thematic treatment in the source text, aware of the representational affordances of the literary and cinematic media, and capable of offering the audience an immersive experience.","PeriodicalId":42085,"journal":{"name":"Adaptation-The Journal of Literature on Screen Studies","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135959925","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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The Paper-Engineered Pumpkin King: Exposing the Movable Impulse of Tim Burton’s The Nightmare Before Christmas 纸工程南瓜王:揭露蒂姆·伯顿的《圣诞前的噩梦》中可移动的冲动

2区文学

Adaptation-The Journal of Literature on Screen Studies Pub Date : 2023-09-23 DOI: 10.1093/adaptation/apad031

Jodie Coates

{"title":"The Paper-Engineered Pumpkin King: Exposing the Movable Impulse of <i>Tim Burton’s The Nightmare Before Christmas</i>","authors":"Jodie Coates","doi":"10.1093/adaptation/apad031","DOIUrl":"https://doi.org/10.1093/adaptation/apad031","url":null,"abstract":"Abstract The Nightmare Before Christmas’ director, Henry Selick, tells us that watching the film should be like opening a pop-up book. Clean-cut silhouettes, fingerprints and grooves, hidden surprises, and playful subversiveness are as integral to Nightmare’s production design as they are typical of the pop-up book form. In this article, I will examine this symmetry and discuss how Selick’s vision of a living illustration connects to the range of paper-engineered transmedia toys, books, and seasonal tokens that the film inspired. An early example is A Super Pop-Up (1993)—a charming gift book which positions the reader as a pseudo-stop-motion-animator, bending over doublespread dioramas to slide paper-cut characters into position. More recently, Reinhart’s elaborate Petrifying Pop-Up for the Holidays (2018) showcases several contemporary devices that re-create specific filmic shots. Other notable Disney-endorsed merchandise includes a Pop-Up Advent Calendar (2019), featuring an impressively tall Gothmas-esque tree, and elegant pop-up Halloween and Valentine’s cards produced by Hallmark and Lovepop. Each item treads the line between spirited plaything and fragile ornament, theatrical spectacle, and interactive artwork—a blurring of binaries that echoes the experimental artistry of Nightmare and continues to delight both young fans and adult collectors. Perhaps unsurprisingly, creative fans also appreciate Nightmare’s suitability for paper-craft, sharing printable DIY templates and paper-cut fan-art. I will demonstrate how the Victorian flavour of Nightmare, the affordances of stop-motion, and the film’s stylistic and branding choices combine to emulate and elevate the nostalgic practice of ‘making Christmas’ from the humblest of materials—paper.","PeriodicalId":42085,"journal":{"name":"Adaptation-The Journal of Literature on Screen Studies","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135966730","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Authenticity and Adaptation: Reflections on the Association of Adaptation Studies Conference 2023, University of Birmingham 真实性和适应:对适应研究协会2023年会议的反思，伯明翰大学

2区文学

Adaptation-The Journal of Literature on Screen Studies Pub Date : 2023-09-22 DOI: 10.1093/adaptation/apad027

Ryan Borochovitz

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Becky Thatcher’s Literary Half-life: Appropriating Mark Twain’s Good Girl 贝基·撒切尔的文学半衰期:改编马克·吐温的《好女孩》

2区文学

Adaptation-The Journal of Literature on Screen Studies Pub Date : 2023-09-15 DOI: 10.1093/adaptation/apad030

Edward A Shannon

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Theorising the Uncanny Adaptation through Hamlet 从《哈姆雷特》看《离奇改编》的理论化

2区文学

Adaptation-The Journal of Literature on Screen Studies Pub Date : 2023-09-12 DOI: 10.1093/adaptation/apad028

Mckenzie Bergan

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Adaptation Before Cinema: Literary and Visual Convergence from Antiquity through the Nineteenth Century 电影之前的改编:从古代到19世纪的文学和视觉融合

2区文学

Adaptation-The Journal of Literature on Screen Studies Pub Date : 2023-09-07 DOI: 10.1093/adaptation/apad025

Joe Kember

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