LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA最新文献

{"title":"José Ángel Lamas (1775–1814) y el arte útil de Antiguo Régimen en Venezuela","authors":"David Coifman Michailos","doi":"10.7560/lamr42201","DOIUrl":"https://doi.org/10.7560/lamr42201","url":null,"abstract":"","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48508358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Revisitando a Robert Stevenson: Entre cartas, viajes, y la musicología latinoamericana del siglo XX","authors":"Laura Fahrenkrog","doi":"10.7560/lamr42202","DOIUrl":"https://doi.org/10.7560/lamr42202","url":null,"abstract":"RESUMEN:En este artículo se estudian los documentos existentes en el archivo personal de Robert Stevenson para revisar el quehacer musicológico concerniente al rescate del patrimonio musical colonial hispanoamericano, marcado por el viaje que el musicólogo norteamericano realizó en compañía de Samuel Claro Valdés a fines de 1966 por archivos eclesiásticos de Sudamérica. Mediante el análisis de las cartas que describen esta gira y sus proyecciones podemos aproximarnos a la visión que tuvo Stevenson sobre algunos aspectos de la musicología latinoamericana del siglo XX.ABSTRACT:This article studies the documents from Robert Stevenson’s personal archive to review the musicological work concerning the rescue of the Spanish-American colonial musical heritage, driven by the trip that took Stevenson and Samuel Claro Valdés through ecclesiastical archives of South America at the end of 1966. By analyzing the letters that describe this tour and its repercussions we can approach Stevenson’s vision of some aspects of Latin American musicology in the twentieth century.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"42 1","pages":"165 - 192"},"PeriodicalIF":0.1,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47665019","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Carlos Chávez in Mabel Dodge Luhan’s “Whirling around Mexico”","authors":"Christina Taylor Gibson","doi":"10.7560/lamr42203","DOIUrl":"https://doi.org/10.7560/lamr42203","url":null,"abstract":"","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45532011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Whistling, Gender, and the Aesthetic Turn in Mexico City","authors":"Anthony W. Rasmussen","doi":"10.7560/LAMR42102","DOIUrl":"https://doi.org/10.7560/LAMR42102","url":null,"abstract":"abstract:Among certain communities of rural Mexico, whistles are used to mimic the melody of spoken words in order to facilitate long-distance communication. In Mexico City, rural-urban migration has produced an aesthetic turn—there whistles endure but decoupled from their paralinguistic function, reflecting a fluid lexicon of symbolic performance in which imaginaries of gender and social class are key to their deciphering. This article proposes that a focused examination of urban whistles from a sociocultural perspective is essential in understanding precisely how these rapid social transformations are experienced and understood at the intersubjective level.resumen:Entre algunas comunidades del México rural, los silbidos se utilizan para imitar la melodía de las palabras habladas para facilitar la comunicación a larga distancia. En la Ciudad de México, la migración rural-urbano ha producido un giro estético; allí el silbido perdura, pero liberado de su función paralingüística, refleja un léxico fluido en que los imaginarios de género y clase social son clave para su desciframiento. Este artículo propone que un examen enfocado de los silbidos urbanos desde una perspectiva sociocultural es esencial para comprender precisamente cómo estas rápidas transformaciones sociales se experimentan y se entienden a un nivel intersubjetivo.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"42 1","pages":"30 - 58"},"PeriodicalIF":0.1,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43459401","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Escribir, componer, improvisar: Prácticas creativas desde la perspectiva de jóvenes raperos de La Plata","authors":"Ana Sabrina Mora","doi":"10.7560/LAMR42101","DOIUrl":"https://doi.org/10.7560/LAMR42101","url":null,"abstract":"resumen:El presente texto se basa en una investigación etnográfica con jóvenes raperos que viven en distintos barrios del partido de La Plata (capital de la provincia de Buenos Aires, Argentina). Con el objetivo de contribuir a la comprensión de los mecanismos de construcción del rap, propongo analizar, desde la perspectiva de los mismos actores, sus procesos de formación en tanto músicos, sus prácticas compositivas de improvisación y de escritura de canciones, los criterios de validación y valoración de sus producciones y los distintos espacios sociales en los que se desarrollan estas prácticas.abstract:This article is based on ethnographic fieldwork with young rappers who inhabit different neighborhoods of La Plata (capital of Buenos Aires province). With the goal of contributing to the understanding of the mechanisms of rap songs’ construction, we analyze, from the actors’ perspective, their training processes as musicians; their compositional practices, including improvisations and songwriting; the validation and valuation criteria regarding their productions; and the different social spaces in which these practices are developed.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"42 1","pages":"1 - 29"},"PeriodicalIF":0.1,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45937063","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Zapateado en sones de Xantolo y sones huastecos: Sensación físicamente encarnada","authors":"Raquel Román Paraíso, Raquel Román Güemes Jiménez","doi":"10.7560/LAMR42104","DOIUrl":"https://doi.org/10.7560/LAMR42104","url":null,"abstract":"abstract:Taking into account both the argument that body and movement are cultural and social constructions and the notion of (social) dances as structured movement systems, this work deals with the dancing of sones huastecos, which are performed mostly in social occasions, and sones de Xantolo, which are performed during All Saints’ Day celebrations. Improvised or choreographed, zapateado, the particular footwork used in the dance, is central to both types of sones. Zapateado builds community and embodies aesthetic values shared by the members of the community. A worldview rich in symbolism is particularly embedded in sones de Xantolo and reflected in the dance.resumen:Teniendo en cuenta que el cuerpo y el movimiento son construcciones sociales y culturales, y considerando el baile como un sistema de movimiento estructurado, este trabajo estudia el zapateado en el baile de sones huastecos—los cuales se ejecutan en diferentes ocasiones festivas—y sones de Xantolo—que se bailan, principalmente, durante la celebración de Todos Santos—. Analizando varios aspectos de corporeidad involucrados en el baile de estos sones, investigamos cómo el movimiento y los cuerpos en movimiento encarnan valores estéticos compartidos por determinados grupos humanos. El movimiento es significativo, indicador de elementos idiomáticos particulares a cada sistema cultural. Una estética especialmente cargada de simbolismo incrustada en los sones de Xantolo se refleja en el baile.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"42 1","pages":"111 - 84"},"PeriodicalIF":0.1,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45838641","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Back to the Neighborhood: Musical Contributions to the Study of Locality in Latin American Cities","authors":"Christian Spencer-Espinosa","doi":"10.7560/LAMR42103","DOIUrl":"https://doi.org/10.7560/LAMR42103","url":null,"abstract":"abstract:This article is an attempt to build an initial methodological framework for the study of the relationship between space and popular or traditional music in Latin American cities. The main argument posits that locality in Latin America can be constructed by music through the development of rootedness and sense of place—via elective belonging—to create place in a given time and space (place making). The article explains the concepts of place, rootedness, and sense of place; introduces the idea of stability and instability in the appropriation of space; and proposes that festivalization and musical scene are the unifying aspects of the debate. The conclusion offers elements to build a theoretical and methodological proposal that facilitates the analysis of the relationship between music and space in this large global region.resumen:El presente texto pretende construir un primer marco metodológico para el estudio de la relación entre espacio y música en las ciudades latinoamericanas. El argumento principal sostiene que lo local (locality) puede construirse por medio de la música a través del desarrollo del arraigo y el sentido de lugar, pero por medio de elecciones informadas (elective belonging) que creen lugar en un tiempo y espacio determinados (place making) vinculados a la música. El texto está dividido en cuatro partes: la primera explica los conceptos de lugar, arraigo y sentido de lugar; la segunda introduce la idea de estabilidad e inestabilidad en la apropiación del espacio; la tercera propone los conceptos de festivalización y escena musical como aspectos unificadores del debate; y las conclusiones resumen el texto entregando algunos elementos para construir una propuesta teórico-metodológica que facilite el análisis de la relación entre música y espacio en esta región.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"42 1","pages":"59 - 83"},"PeriodicalIF":0.1,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339720","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Musical Experience of Diasporas: The Return of a Ghanaian Tabom Master Drummer to Bahia","authors":"J. D. Díaz","doi":"10.7560/lamr41201","DOIUrl":"https://doi.org/10.7560/lamr41201","url":null,"abstract":"ABSTRACT:This article studies the construction of transatlantic diasporic identities through musical and religious experience. The case study is of a recent visit to Bahia (Brazil) of the Ghanaian master drummer Eric Odarkwei Morton, a self-declared descendant of freed slaves who resettled from Bahia to West Africa in the nineteenth century. It explores the role of memories, beliefs, expectations, and musical aesthetics during Morton's encounters with local musicians and devotees of Afro-Brazilian religions. I frame Morton's visits to Afro-Brazilian Candomblé worship houses as the encounter of two worlds that idealize each other in their desire to connect with an ancestry rooted at the other side of the Atlantic. I argue that the potential of these encounters to be felt as a confirmation and a celebration of a common ancestry is actualized only in the context of musical experiences in which participants are deeply moved and feel understood.RESUMO:Este artigo explora a construção de identidades diaspóricas transatlânticas através de experiências musicais e religiosas. O foco é numa recente visita à Bahia (Brasil) do mestre percussionista ganês Eric Odarkwei Morton, um descendente de escravos libertos que migraram da Bahia para a África Ocidental no século XIX. O artigo explora o papel das memórias, crenças, expectativas e estética musical durante os seus encontros com músicos locais e devotos da religião afro-brasileira Candomblé. Eu enquadro as visitas de Morton às casas de culto de Candomblé como o encontro de dois mundos que se idealizam mutuamente em seu desejo de se conectar com uma ancestralidade enraizada no lado oposto do Atlântico. Argumento que o potencial destes encontros serem entendidos como confirmações e celebrações de ancestralidades compartilhadas só se concretiza por medio de experiencias musicais intensas aonde os participantes se sentem profundamente comovidos e entendidos.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"41 1","pages":"131 - 166"},"PeriodicalIF":0.1,"publicationDate":"2020-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43117700","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La era del vinilo en Argentina: Expansión y retracción de la industria discográfica nacional, 1964–1984","authors":"Julián Delgado","doi":"10.7560/lamr41202","DOIUrl":"https://doi.org/10.7560/lamr41202","url":null,"abstract":"ABSTRACT:This article systematizes and analyzes statistical reports from the Instituto Nacional de Estadísticas y Censos (INDEC) on music records production in Argentina between 1964 and 1984. The first section presents the evidence of the economic cycle of expansion and retraction that the Argentine recording industry experienced throughout the period, in full accordance with Latin American and global dynamics. The second section looks to understand this economic process not as a mere \"cold fact\" but also as both a factor and a sign of profound sociocultural transformations. The coincidence between the period considered by INDEC and the emergent phenomenon of youth music can be seen, in this regard, as completely symptomatic. Similar considerations should be made regarding the increasing importance of the recording format that the new rock culture chose as its own: the LP. As in many other places, Argentine youth music and culture represented one of the most distinctive expressions of the new economic and sociocultural forms of global capitalism in the second half of the twentieth century.RESUMEN:Este artículo sistematiza y analiza la información sobre discos de música producidos en Argentina entre 1964 y 1984 recogida por el Instituto Nacional de Estadísticas y Censos (INDEC) en sus informes estadísticos. En la primera parte, se exponen los datos que manifiestan el fuerte proceso de expansión y posterior retracción económica que atravesó la industria discográfica argentina durante todo el período, en clara sintonía con la dinámica latinoamericana y global. En la segunda parte, se plantea que, lejos de ser un mero dato frío, este proceso económico puede ser interpretado a la vez como factor e indicio de transformaciones socioculturales de largo alcance. La coincidencia entre el período relevado por el INDEC y la emergencia del fenómeno de la música juvenil resulta, en este sentido, totalmente sintomática. También lo es el permanente crecimiento a lo largo de todo el período de la importancia relativa del formato que la naciente cultura roquera reivindicaría como propio: el disco long-play (LP). Como en muchos otros lugares, la música y la cultura juveniles argentinas representaron una de las expresiones locales más distintivas de las nuevas formas económicas y socioculturales del capitalismo global de la segunda mitad del siglo XX.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"41 1","pages":"167 - 195"},"PeriodicalIF":0.1,"publicationDate":"2020-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41730242","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Calle 13 and Ana Tijoux's Joyous Rebellion: Modeling Transnational Protest through Lyric and Song","authors":"R. Pinchot","doi":"10.7560/lamr41203","DOIUrl":"https://doi.org/10.7560/lamr41203","url":null,"abstract":"ABSTRACT:In 2014—in the wake of a global eruption of protests including YoSoy132, 15M, the Arab Spring, and Occupy Wall Street—the Chilean rapera Ana Tijoux and the Puerto Rican rap duo Calle 13 both released songs notable for calling their listeners to political activism. In this article, I argue that the songs \"Somos Sur\" and \"Multi_Viral\" disseminate a critique of that wave of social movements by insisting upon greater transnational cooperation between activist groups to collectively confront social and economic oppression born out of Western hegemony.RESUMEN:En 2014—tras el estallido internacional de protestas que incluyeron YoSoy132, 15M, la Primavera Árabe y Occupy Wall Street—la rapera chilena Ana Tijoux y el dúo de rap puertorriqueño Calle 13 estrenaron dos canciones notables por hacer un llamado a que sus oyentes se comprometan con el activismo político. En este artículo, sostengo que las canciones \"Somos Sur\" y \"Multi_Viral\" difunden una crítica de esa ola de movimientos sociales al insistir en una mayor cooperación transnacional entre grupos activistas para enfrentar colectivamente la opresión social y económica nacida de la hegemonía occidental.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"41 1","pages":"196 - 225"},"PeriodicalIF":0.1,"publicationDate":"2020-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42415570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}