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The Definitive Editor: Alfred Kreymborg and the Others Magazine-Anthology Duo 权威编辑:阿尔弗雷德·克雷姆伯格和其他杂志选集二人组
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2020-11-01 DOI: 10.3366/mod.2020.0311
Leah Budke
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引用次数: 0
Keri Hulme's Breath Poetics Keri Hulme的呼吸诗学
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2020-08-04 DOI: 10.3366/mod.2020.0303
Arthur Rose
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引用次数: 0
Modernisms: Aotearoa New Zealand–Australia–Fiji, 1926–1986
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2020-08-03 DOI: 10.3366/mod.2020.0296
Erin G. Carlston, Matthew C. Hayward, B. Reed
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引用次数: 0
Front matter 前页
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2020-08-01 DOI: 10.3366/mod.2020.0294
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引用次数: 0
‘For I have fed on foreign bread’: Modernism, Colonial Education and Fijian Literature “因为我以外国面包为食”:现代主义、殖民教育与斐济文学
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2020-08-01 DOI: 10.3366/mod.2020.0302
Maebh Long, Matthew C. Hayward
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引用次数: 0
The Linocuts of Ethel Spowers: A Vision Apart 埃塞尔·斯鲍尔斯的油毡:一个远景
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2020-08-01 DOI: 10.3366/mod.2020.0301
Lorraine Sim
{"title":"The Linocuts of Ethel Spowers: A Vision Apart","authors":"Lorraine Sim","doi":"10.3366/mod.2020.0301","DOIUrl":"https://doi.org/10.3366/mod.2020.0301","url":null,"abstract":"This essay discusses the colour linocuts of the Melbourne-born artist and illustrator Ethel Spowers. Although Spowers was a key figure in modern art and design in Australia during the 1920s and 1930s, to date her linocuts have received little critical attention and are appraised only briefly and collectively as part and parcel of the Grosvenor School of Modern Art in London, where she studied for several months under the guidance of Iain Macnab and Claude Flight. This essay argues that her modernism provides an important contrast and supplement to accounts of modern everyday life offered by her British and European colleagues at the School, and canonical British and Anglo-American modernism more generally. Rejecting a view of modern life defined in terms of homogenisation, social alienation and adult experience, I discuss how Spowers's rhythmic compositions express choreographies of community and positive affect, and focus on the experience of children.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"2 1","pages":"354-376"},"PeriodicalIF":0.1,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88274742","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Back matter 回到问题
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2020-08-01 DOI: 10.3366/mod.2020.0304
{"title":"Back matter","authors":"","doi":"10.3366/mod.2020.0304","DOIUrl":"https://doi.org/10.3366/mod.2020.0304","url":null,"abstract":"","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"12 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78661340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘An Inverted Eden’: Modernity and Anti-Modernism in D'Arcy Cresswell's The Forest “颠倒的伊甸园”:达西·克雷斯韦尔《森林》中的现代性与反现代主义
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2020-08-01 DOI: 10.3366/mod.2020.0300
Erin G. Carlston
{"title":"‘An Inverted Eden’: Modernity and Anti-Modernism in D'Arcy Cresswell's The Forest","authors":"Erin G. Carlston","doi":"10.3366/mod.2020.0300","DOIUrl":"https://doi.org/10.3366/mod.2020.0300","url":null,"abstract":"In 1952, D'Arcy Cresswell published a verse play, The Forest, set in New Zealand's forested Southern Alps. In what Cresswell called a ‘tremendous defense of homosexuality’, The Forest depicts a pair of gay male poets pitted against the archangel Lucifer and women, who are in league together to force men to work the land and thereby desacralize it. Cresswell argues that the pressures on Pākehā men to be economically productive and heterosexually reproductive are manifestations of a literally Satanic plot to alienate men from one another and Nature. While many of Cresswell's New Zealand literary contemporaries espoused a Pākehā masculinity involving matey comradeship and a life spent working the land, Cresswell celebrates a New Zealand wilderness he perceives as the last refuge of male love and inspired poetry. Simultaneously queering Milton, inverting Judeo-Christian history by relocating Eden in the Antipodes, and reversing New Zealand history by undoing the modernity that settler colonialism had created, Cresswell counters the terms of his own exclusion from the literary canon by imagining a world upside-down – and inside-out.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"86 1","pages":"341-353"},"PeriodicalIF":0.1,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89016422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
‘A Masterpiece of Camouflage’: Modernism and Interwar Australia “伪装的杰作”:现代主义与两次世界大战之间的澳大利亚
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2020-08-01 DOI: 10.3366/mod.2020.0299
M. Cooper
{"title":"‘A Masterpiece of Camouflage’: Modernism and Interwar Australia","authors":"M. Cooper","doi":"10.3366/mod.2020.0299","DOIUrl":"https://doi.org/10.3366/mod.2020.0299","url":null,"abstract":"Interwar Australia has often been seen as geographically and culturally distant from the centres of modernity, with 1930s Australian literary culture viewed through the tropes of isolation, insularity and quarantine. Through a reading of Eleanor Dark's experimental novel Prelude to Christopher (1934), I contest this idea, arguing that interwar Australia contained its own latent modernisms and modernities, which were often hidden alongside anti-modernist positions and inside other discourses such as cultural nationalism. This essay contributes to recent reinvestigations of the cosmopolitanism/nationalism binary and calls for these categories to be rethought in more interconnected terms. It also examines Dark's modernist and gendered critique of eugenics in light of the larger project of settler colonialism.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"7 1","pages":"316-340"},"PeriodicalIF":0.1,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87484381","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Fanfrolico and After: The Lindsay Aesthetic in the Cultural Cold War
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2020-08-01 DOI: 10.3366/mod.2020.0297
J. Connor
{"title":"Fanfrolico and After: The Lindsay Aesthetic in the Cultural Cold War","authors":"J. Connor","doi":"10.3366/mod.2020.0297","DOIUrl":"https://doi.org/10.3366/mod.2020.0297","url":null,"abstract":"This article follows Jack Lindsay (1900–1990) in his transformation from an Australian anti-modernist to a British-based Communist and cultural Cold Warrior. Lindsay was the driving force behind a cluster of initiatives in 1920s Sydney and London to propagate the art and ideas of his father, the painter Norman Lindsay. These included the deluxe limited edition Fanfrolico Press and the little magazines Vision and The London Aphrodite. The article reconstructs the terms of Lindsay's anti-modernist polemics and the paradoxically modernist forms they took, but it also attends to his change of heart. In the two decades after the Second World War, Lindsay found himself defending modernism against both its Cold War co-optation as the in-house aesthetic of the capitalist ‘Free World’ and its reflex denigration within Soviet and international Communist aesthetics. Against the elevation of modernism in the Anglo-American academy and its cultural-diplomatic deployment by agencies of the state, against the uncritical celebration of realism and its Soviet-sphere derivatives, Lindsay proposed a subaltern tradition of experimental art characterised by its utopian symbolism and national-popular inflection. For Lindsay, this tradition reached back to Elizabethan times, but it included modernism as one of its moments. From the vantage of the Cold War, Lindsay now identified the Fanfrolico project as itself an ‘Australian modernism,’ elements of which might yet fuse to form a more perfect socialist realism.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"13 1","pages":"276-294"},"PeriodicalIF":0.1,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72722193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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