“因为我以外国面包为食”:现代主义、殖民教育与斐济文学

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Maebh Long, Matthew C. Hayward
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引用次数: 0

摘要

本文探讨斐济作家Vanessa Griffen、Pio Manoa和Subramani在建构当地后殖民文学时,如何修正和重新创作现代主义文本。这些作家是在殖民教育体系中接受教育的,到20世纪50年代和60年代,随着英语教学大纲中的沙文主义、帝国主义文本开始让位于文学现代主义的危机和自我拷问,殖民教育体系陷入了意识形态混乱。从这些课程中毕业的学生继续用英语创作了斐济的第一波创意写作。正如这篇文章所展示的,Griffen、Manoa和Subramani将他们被要求死记硬背的文本片段和形式带入他们的写作中,并将它们重新塑造成新的整体。在20世纪60年代末和70年代初的短篇小说和诗歌中,这些作家将过去帝国崩溃的文学转向了现在和未来的需要,改编了零碎的、透视的和多声音的文本,以应对仍然被殖民带来的问题所撕裂的后殖民独立。最终,我们认为,这种新文学的创造表明教育系统未能给其殖民地臣民留下英国优越性的印象,而次等人则成功地收回了表达方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘For I have fed on foreign bread’: Modernism, Colonial Education and Fijian Literature
This article examines the ways in which the Fijian authors Vanessa Griffen, Pio Manoa, and Subramani revised and reworked modernist texts in their construction of a local postcolonial literature. These writers were schooled in a colonial education system that was, by the 1950s and 60s, in ideological disarray, as the jingoistic, imperial texts of the English syllabus began to give way to the crisis and self-interrogation of literary modernism. The students who graduated from these classes went on to create a first wave of Fijian creative writing in English. As this article shows, Griffen, Manoa, and Subramani carried into their writing fragments and forms of the texts they had been required to learn by rote, and they refashioned these into new wholes. In their short stories and poems of the late 1960s and early 70s, these writers turned the literature of past imperial breakdown towards present and future needs, adapting fragmentary, perspectival and multivocal texts towards a postcolonial independence still riven by colonially introduced problems. Ultimately, we argue, the creation of this new literature denotes the failure of the education system to impress British superiority upon its colonial subjects, and the success of the subaltern in reclaiming the means of expression.
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来源期刊
Modernist Cultures
Modernist Cultures HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.20
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