Modernist Cultures最新文献

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Black lives and peripatetic practice in Sylvia Townsend Warner’s Summer Will Show and David Garnett’s The Sailor’s Return 西尔维娅·汤森·华纳的《夏日意志秀》和大卫·加内特的《水手归来》中黑人的生活和流浪实践
4区 社会学
Modernist Cultures Pub Date : 2023-08-01 DOI: 10.3366/mod.2023.0402
Milena Schwab-Graham
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引用次数: 0
Review of Russomania: Russian Culture and the Creation of British Modernism, 1881–1992 by Rebecca Beasley 《俄国狂热:俄国文化与英国现代主义的创造,1881-1992》,丽贝卡·比斯利著
4区 社会学
Modernist Cultures Pub Date : 2023-08-01 DOI: 10.3366/mod.2023.0404
Claire Davison
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引用次数: 0
Outside Joke: Virginia Woolf’s Freshwater and Coterie Insularity 外面的笑话:弗吉尼亚·伍尔夫的淡水和小圈子的孤立
4区 社会学
Modernist Cultures Pub Date : 2023-08-01 DOI: 10.3366/mod.2023.0403
Michelle Alexis Taylor
{"title":"Outside Joke: Virginia Woolf’s <i>Freshwater</i> and Coterie Insularity","authors":"Michelle Alexis Taylor","doi":"10.3366/mod.2023.0403","DOIUrl":"https://doi.org/10.3366/mod.2023.0403","url":null,"abstract":"This essay reads Virginia Woolf’s play Freshwater as a coterie parlour theatrical, focusing on both the 1923 draft and the 1935 playscript. Scholars of both Woolf’s writings and of Bloomsbury’s coterie culture have long read the play as a modernist’s satire of the aesthetics and politics of Victorian culture. My reading challenges such a straightforward understanding of Woolf’s satire, suggesting that the play’s mockery is in fact directed inward, at Bloomsbury and at the insularity of coterie culture itself. I argue that attending to both scripts as coterie texts – i.e., texts meant for restricted consumption and production, defined by both their limited circulation and their metacommunicative capacity – recuperates these critiques, which are specific not only to Woolf’s restricted audience, but to the players for whom her roles were designed. By looking at the evolution of the play between its first 1923 draft and its 1935 performance text, too, I trace a narrative of Woolf’s disappointed hopes, one that wraps up the ‘failure’ of modernism with the failure of coterie’s queer kinship to displace the classed, heteronormative Victorian family, as well as the failure of modernism’s other social experiments to effect broader social and cultural change.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135004119","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Front matter 前页
4区 社会学
Modernist Cultures Pub Date : 2023-08-01 DOI: 10.3366/mod.2023.0399
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引用次数: 0
‘The novel is going to rediscover itself’: Dorothy Richardson, The Freewoman, and Individual Expression “小说将重新发现自己”:多萝西·理查森,《自由女人》和《个人表达
4区 社会学
Modernist Cultures Pub Date : 2023-08-01 DOI: 10.3366/mod.2023.0401
Thomas Haughton
{"title":"‘The novel is going to rediscover itself’: Dorothy Richardson, <i>The Freewoman</i>, and Individual Expression","authors":"Thomas Haughton","doi":"10.3366/mod.2023.0401","DOIUrl":"https://doi.org/10.3366/mod.2023.0401","url":null,"abstract":"This article examines Dorothy Richardson’s engagement with The Freewoman’s discussion of women’s individuality. Of Marsden’s three periodicals, The Freewoman, the New Freewoman, and The Egoist, it is her final periodical that is best associated with Richardson’s work. It was in The Egoist that May Sinclair published her influential review of Richardson, which referred to Richardson’s style as ‘stream of consciousness’. However, Richardson’s most engaged interaction with the Marsden periodicals was actually The Freewoman. Indeed, Richardson’s Pilgrimage series represents a literary example of the periodical’s call for a new type of literature that depicts the individual’s unfiltered and uncensored thoughts.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135005511","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Notes on Contributors 投稿人说明
4区 社会学
Modernist Cultures Pub Date : 2023-08-01 DOI: 10.3366/mod.2023.0400
{"title":"Notes on Contributors","authors":"","doi":"10.3366/mod.2023.0400","DOIUrl":"https://doi.org/10.3366/mod.2023.0400","url":null,"abstract":"","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135004118","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review of Modernism at the Beach: Queer Ecologies & the Coastal Commons by Hannah Freed-Thall 海滩上的现代主义:酷儿生态学《海岸公地》,汉娜·弗里德-索尔著
4区 社会学
Modernist Cultures Pub Date : 2023-08-01 DOI: 10.3366/mod.2023.0405
James Reath
{"title":"Review of <i>Modernism at the Beach: Queer Ecologies &amp; the Coastal Commons</i> by Hannah Freed-Thall","authors":"James Reath","doi":"10.3366/mod.2023.0405","DOIUrl":"https://doi.org/10.3366/mod.2023.0405","url":null,"abstract":"","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135005513","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Front matter 前页
4区 社会学
Modernist Cultures Pub Date : 2023-05-01 DOI: 10.3366/mod.2023.0392
{"title":"Front matter","authors":"","doi":"10.3366/mod.2023.0392","DOIUrl":"https://doi.org/10.3366/mod.2023.0392","url":null,"abstract":"","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"38 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135289655","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘The dawn, the dawn, it comes too soon!’: The Medieval Alba in Ford Madox Ford's Parade's End “黎明,黎明,它来得太快了!”:《福特·马多克斯·福特的游行终点》中的中世纪阿尔巴
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2023-05-01 DOI: 10.3366/mod.2023.0397
Tali Banin
{"title":"‘The dawn, the dawn, it comes too soon!’: The Medieval Alba in Ford Madox Ford's Parade's End","authors":"Tali Banin","doi":"10.3366/mod.2023.0397","DOIUrl":"https://doi.org/10.3366/mod.2023.0397","url":null,"abstract":"This paper argues for the importance of the alba, a medieval genre of courtly love poetry, to Ford Madox Ford's oeuvre and particularly to his tetralogy Parade's End. While the influence of troubadour songs and culture on Ford is widely recognised, no work has yet been devoted to the presence of the alba in his work. Describing a scene in which a knight and lady's adulterous love affair is interrupted by the coming of dawn, the alba invests daybreak with erotic and dramatic potential. Ford co-opts the conventions of this poetic form to illuminate and intensify one of the tetralogy's central themes: the analogy between love and war. In Parade's End daybreak repeatedly spells the interruption of the lovers' bliss and the end of the soldiers' vigil. The alba shows the motif to be key to the work's treatment of the love/war parallelism.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"3 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86948586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Philological Experience in Finnegans Wake 《芬尼根守灵夜》的语言学经验
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2023-05-01 DOI: 10.3366/mod.2023.0395
J. Green
{"title":"The Philological Experience in Finnegans Wake","authors":"J. Green","doi":"10.3366/mod.2023.0395","DOIUrl":"https://doi.org/10.3366/mod.2023.0395","url":null,"abstract":"This essay discusses two well-established medievalist sources for Finnegans Wake, French philologist Joseph Bédier’s Roman de Tristan et Iseut and Sir Edward Sullivan’s manuscript study The Book of Kells. Asking how Joyce interprets this material, the article establishes a relationship whereby the text strategically corrupts his sources to engender the experience of encountering a text as a philologist. By discussing the ideological commitments of these scholars, in particular Joseph Bédier, the essay posits that this philological experience has a democratizing effect: it inverts the nationalistic logic underpinning the discipline, evinced even in Bédier’s ‘best-text method’. Finnegans Wake’s own ‘worst-text method’, contrastingly, displays a commitment to re-envisioning and modifying readerly experience by renewing medieval textuality for a contemporary readership.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"55 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79427496","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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