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‘Cheerful AND Profound!’: Elizabeth Bishop’s Buster Keaton “欢快而深刻!”——伊丽莎白·毕晓普饰演的巴斯特·基顿
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2023-05-01 DOI: 10.3366/mod.2023.0394
Alicia Ye Sul Oh
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引用次数: 0
More Swallows to Follow: Sweeping, Swirling, Wheeling Turns in H.D.’s Asphodel 更多的燕子跟随:在h.d.的水仙花中横扫，旋转，旋转
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2023-05-01 DOI: 10.3366/mod.2023.0396
Maria Trejling
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引用次数: 0
Notes on Contributors 投稿人说明
4区 社会学
Modernist Cultures Pub Date : 2023-05-01 DOI: 10.3366/mod.2023.0393
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引用次数: 0
Review of Modernism and Theology: Rainer Maria Rilke, T. S. Eliot, Czesław Miłosz by Joanna Rzepa 回顾现代主义和神学:雷纳·玛丽亚·里尔克，t·s·艾略特，Czesław Miłosz乔安娜·泽帕
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2023-02-01 DOI: 10.3366/mod.2023.0389
H. Mead
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引用次数: 0
Displacements: Current Work on Japanese Modernism 位移:日本现代主义的当前工作
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2023-02-01 DOI: 10.3366/mod.2023.0390
Ryan S. Johnson
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引用次数: 0
Notes on Contributors 投稿人说明
4区 社会学
Modernist Cultures Pub Date : 2023-02-01 DOI: 10.3366/mod.2023.0383
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引用次数: 0
Front matter 前页
4区 社会学
Modernist Cultures Pub Date : 2023-02-01 DOI: 10.3366/mod.2023.0382
{"title":"Front matter","authors":"","doi":"10.3366/mod.2023.0382","DOIUrl":"https://doi.org/10.3366/mod.2023.0382","url":null,"abstract":"","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135146588","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Permission to Wonder: The Palimpsestic Interplay of H.D. & Freud 允许好奇:H.D.和弗洛伊德的改写相互作用
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2023-02-01 DOI: 10.3366/mod.2023.0385
V. Papa
{"title":"Permission to Wonder: The Palimpsestic Interplay of H.D. & Freud","authors":"V. Papa","doi":"10.3366/mod.2023.0385","DOIUrl":"https://doi.org/10.3366/mod.2023.0385","url":null,"abstract":"The modernist writer H.D. was Freud’s analysand in 1933 and 1934 and friend until his death in 1939. This article examines letters, biographies, memoirs, and archival material to trace the interplay between H.D.’s palimpsestic poetics in Trilogy (1973) and Freud’s writing of his last book, Moses and Monotheism (1939) – a work that he was composing throughout the duration of his friendship with the poet. In this book, Freud situates Jewish history as a survival narrative centred on the figure of Moses. Known as one of his most ‘literary’ texts, Moses and Monotheism retraces the life of Moses in a multi-layered narrative that shares in the palimpsestic impulses of H.D.’s writing. This article argues that Freud draws from the revisionist strategies so central to H.D.’s worldview and writerly ethos in order to place creativity and resilience at the heart of Moses and Monotheism.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"8 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86176180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Peculiar Kind of Particularity: Plants and Animals in Marianne Moore’s Early Poetry 一种特殊的特殊性:玛丽安·摩尔早期诗歌中的植物和动物
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2023-02-01 DOI: 10.3366/mod.2023.0386
Emma Felin
{"title":"A Peculiar Kind of Particularity: Plants and Animals in Marianne Moore’s Early Poetry","authors":"Emma Felin","doi":"10.3366/mod.2023.0386","DOIUrl":"https://doi.org/10.3366/mod.2023.0386","url":null,"abstract":"As an undergraduate studying biology at Bryn Mawr College in the messy aftermath of Charles Darwin’s theory of evolution, Marianne Moore found herself surrounded by renowned biologists like Thomas Hunt Morgan, Jacques Loeb, Nettie Maria Stevens, and David Hilt Tennent – all of whom were highly invested in debates concerning the epistemological validity of empiricist and essentialist approaches to the natural world. As her biology class manuscripts reveal, these debates had a profound influence on Moore’s early poetry (1908–1924), especially when it involved plants and animals. Eager to perceive other living organisms with precision, Moore rejected the demands of wider vision and focused her inquisitive intensity on the particular properties of individuals. The more that Moore attended to these particulars in her poetry, the more pressure she was able to place on the categorical structures that biologists impose upon organisms for the sake of a stable scientific nomenclature.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"187 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77604328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Concrete Poetics and Non-Art in John Cage and Dom Sylvester Houédard 约翰·凯奇和多姆·西尔维斯特·胡萨姆达德的具体诗学与非艺术
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2023-02-01 DOI: 10.3366/mod.2023.0387
B. Gillott
{"title":"Concrete Poetics and Non-Art in John Cage and Dom Sylvester Houédard","authors":"B. Gillott","doi":"10.3366/mod.2023.0387","DOIUrl":"https://doi.org/10.3366/mod.2023.0387","url":null,"abstract":"This essay considers the work of John Cage and Dom Sylvester Houédard (dsh) as both concrete poetry and non- or anti-art, paying special attention to their statements of poetics from the early Fifties through to the early Seventies. Although their contribution to the various manifestations of mid-century concrete poetics is well recognised, this recognition has served to obscure their concurrent commitment to anti-art and ‘Neo-Dada’. The inclusion of concrete poetry among the movements of poetic modernism is much debated, and I argue that the accompanying anti-art gestures of these two writers further troubles that designation; for them, concrete poetry as non-art intimated a rejection of their modernist inheritance.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"49 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86459565","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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