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‘Strange Growths’?: Jean Rhys’s Second World War Material “奇怪的增生”?Jean Rhys的二战资料
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2023-02-01 DOI: 10.3366/mod.2023.0384
Sue Thomas
{"title":"‘Strange Growths’?: Jean Rhys’s Second World War Material","authors":"Sue Thomas","doi":"10.3366/mod.2023.0384","DOIUrl":"https://doi.org/10.3366/mod.2023.0384","url":null,"abstract":"Jean Rhys’s stories ‘Temps Perdi’ (1967), ‘I Spy the Stranger’ (1966), ‘A Solid House,’ (1963), and ‘The Insect World’ (1973) do not figure in current scholarship on Second World War fiction. Versions of the first three were offered for publication in 1946. Rhys began writing ‘The Insect World’ in the mid-1940s. Rhys’s perspective in the fiction is that of an expatriate white Creole from Dominica, an island with formative Indigenous and French and British imperial histories. Focusing on ‘The Insect World’, ‘I Spy a Stranger’, and ‘Temps Perdi’, I analyse Rhys’s representations of temporalities of memory, ruin, loss of bearings, and hallucination and draw out the distinctive significance of the complex allusive and political reach of the fiction.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"45 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85554382","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review of What Was Literary Impressionism? by Michael Fried 回顾什么是文学印象派?迈克尔·弗里德
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2023-02-01 DOI: 10.3366/mod.2023.0388
Max Saunders
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引用次数: 0
Review of Andrew Thacker, Modernism, Space and the City: Outsiders and Affect in Paris, Vienna, Berlin and London 安德鲁·塞克尔:《现代主义、空间与城市:巴黎、维也纳、柏林和伦敦的局外人与影响》书评
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2022-11-01 DOI: 10.3366/mod.2022.0379
Beci Carver
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引用次数: 0
Review of Katherine Ebury, Modern Literature and the Death Penalty, 1890–1950 凯瑟琳·埃伯里:《现代文学与死刑，1890-1950》
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2022-11-01 DOI: 10.3366/mod.2022.0380
Mimi Lu
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引用次数: 0
Shangri-La on the Popular Front: ‘China’, the Global Left, and Auden and Isherwood’s Journey to a War 人民阵线上的香格里拉:“中国”，全球左派，以及奥登和伊舍伍德的战争之旅
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2022-11-01 DOI: 10.3366/mod.2022.0376
Julia Chan
{"title":"Shangri-La on the Popular Front: ‘China’, the Global Left, and Auden and Isherwood’s Journey to a War","authors":"Julia Chan","doi":"10.3366/mod.2022.0376","DOIUrl":"https://doi.org/10.3366/mod.2022.0376","url":null,"abstract":"This article examines W. H. Auden and Christopher Isherwood’s co-authored travelogue, Journey to a War (1939), as a product of the interwar global left culture, exemplified by the Popular Front campaign that spanned Europe and Asia (1936–1939). Set out to observe and report on the Sino-Japanese War (1937–1945), a less popular but more exotic alternative to the contemporaneous Spanish Civil War, the two writers found themselves caught in the impossible task of reconciling the ravages of war with images of Shangri-La that mediated Popular Front discourses on wartime China. Nonetheless, Auden and Isherwood’s difficult negotiations with Orientalist discourses also made the text a generative site for translations, exchanges and appropriations. This essay offers an account of the travelogue’s composition and contemporary reception in China, how it became a composite, mobile text.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88196016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Surveillance, Security, and Wartime Propaganda: John Lehmann at the BBC 监视、安全和战时宣传:约翰·莱曼在BBC报道
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2022-11-01 DOI: 10.3366/mod.2022.0377
James Smith
{"title":"Surveillance, Security, and Wartime Propaganda: John Lehmann at the BBC","authors":"James Smith","doi":"10.3366/mod.2022.0377","DOIUrl":"https://doi.org/10.3366/mod.2022.0377","url":null,"abstract":"John Lehmann was one of the most influential figures to emerge in 1930s British literary life, with his editorial work at venues such as New Writing and the Hogarth Press connecting him to many of the key cultural networks of the era. During the Second World War he was blocked from staff roles in intelligence and information agencies, but still managed to undertake a range of broadcasting for the BBC. Drawing on the archives of MI5, the BBC, and the Political Warfare Executive, this article sheds new light on Lehmann's war work and the often-covert debates occurring between agencies as they assessed Lehmann's potential for such work. Through this, this article shows how tensions over politics, sexuality, and class affected Lehmann's access to the BBC, and more broadly it illustrates the roles of state security and propaganda agencies in the recruitment of prominent authors to new wartime broadcasting networks.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"25 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85106454","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Tale of Two Coasts: H.D.’s ‘Mira-Mare’ and Robert Herring’s Cactus Coast 两个海岸的故事:h.d.的“米拉-马雷”和罗伯特·赫林的仙人掌海岸
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2022-11-01 DOI: 10.3366/mod.2022.0378
Polly Hember
{"title":"A Tale of Two Coasts: H.D.’s ‘Mira-Mare’ and Robert Herring’s Cactus Coast","authors":"Polly Hember","doi":"10.3366/mod.2022.0378","DOIUrl":"https://doi.org/10.3366/mod.2022.0378","url":null,"abstract":"This article looks at the presence of Monte Carlo in two neglected texts: H.D.’s short story ‘Mira-Mare’ (1934) and her close friend Robert Herring’s novel Cactus Coast (1934). Read alongside autobiographical essays and archival correspondence, a rich dialogue forms between H.D. and Herring’s texts, which narrates the inner workings of the POOL group. I argue for the consideration of ‘Mira-Mare’ and Cactus Coast as POOL texts, as they document crucial moments that shaped POOL’s networks of queer intimacy and engage with POOL’s central questions of identity and relationality. Written by two central members of the POOL group’s network, ‘Mira-Mare’ and Cactus Coast were supported by the same funds, editorial presence, and printer as POOL’s labelled outputs. By tracing the connections between H.D. and Herring’s texts, further insight into the POOL group’s activity can be mapped, positioning Monte Carlo as a crucial locus within POOL’s artistic production.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"16 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82693877","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Re-gendering Smart Classicism: Franklin P. Adams, Dorothy Parker, and the Middlebrow Classical Verse Revival 重新性别化聪明的古典主义:富兰克林·p·亚当斯，多萝西·帕克，和中产阶级古典诗歌复兴
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2022-05-01 DOI: 10.3366/mod.2022.0369
Paul Peppis
{"title":"Re-gendering Smart Classicism: Franklin P. Adams, Dorothy Parker, and the Middlebrow Classical Verse Revival","authors":"Paul Peppis","doi":"10.3366/mod.2022.0369","DOIUrl":"https://doi.org/10.3366/mod.2022.0369","url":null,"abstract":"This essay analyses a strain of modern classicism other than the high modernist classicism of Hulme, Pound, and Eliot. Its practitioners were middlebrow writers associated with the newspaper columns and ‘smart magazines’ thriving in New York City during the 1910s and 1920s. Led by the columnist, popular poet, and Algonquin Round Table fixture, Franklin P. Adams, ‘smart classicism’ took its inspiration from ancient Rome's elegists, satirists, and epigrammatists. Adams's smart classicist poems complicate current accounts of early twentieth-century American poetry, of modern(ist) classicism, and of the literary legacy of the smart writers and the Round Table. Dorothy Parker's poetic rejoinders to smart classicism re-gender the masculinist speakers and attitudes of Adams's light verse – and the verse of the ancient poets he emulates and translates. This contextualisation clarifies neglected aspects of Parker's poetic achievements: her erudition, critiques of literary gender politics ancient and modern, and role in articulating a female counterpart to the smart magazines’ suffering Little Man figure.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89713917","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Alexandra Ksenofontova, The Modernist Screenplay: Experimental Writing for Silent Film 亚历山德拉·克森诺夫托娃，《现代主义剧本:无声电影的实验性写作》
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2022-05-01 DOI: 10.3366/mod.2022.0372
Anna Torres-Cacoullos
{"title":"Alexandra Ksenofontova, The Modernist Screenplay: Experimental Writing for Silent Film","authors":"Anna Torres-Cacoullos","doi":"10.3366/mod.2022.0372","DOIUrl":"https://doi.org/10.3366/mod.2022.0372","url":null,"abstract":"","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"50 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85713306","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Bombing Cultural Heritage: Nancy Cunard, Art Humanitarianism, and Primitivist Wars in Morocco, Ethiopia, and Spain 轰炸文化遗产:南希·库纳德、艺术人道主义和摩洛哥、埃塞俄比亚和西班牙的原始主义战争
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2022-05-01 DOI: 10.3366/mod.2022.0368
Ameya Tripathi
{"title":"Bombing Cultural Heritage: Nancy Cunard, Art Humanitarianism, and Primitivist Wars in Morocco, Ethiopia, and Spain","authors":"Ameya Tripathi","doi":"10.3366/mod.2022.0368","DOIUrl":"https://doi.org/10.3366/mod.2022.0368","url":null,"abstract":"This article examines Nancy Cunard's later writing on Spain as a direct legacy of her previous projects as a modernist poet, publisher and black rights activist. Cunard was a rare analyst of the links between total war, colonial counter-insurgency, and cultural destruction. Noting the desire of both the air power theorist and art collector to stereotype peoples, from Morocco to Ethiopia to Spain, as ‘primitive’, the article brings original archival materials from Cunard's notes into dialogue with her journalism, and published and unpublished poetry, to examine how she reclaimed and repurposed primitivism. Her poems devise a metonymic and palimpsestic literary geopolitics, juxtaposing fragments from ancient cultures atop one another to argue, simultaneously, for Spain's essential dignity as both a primitive and a civilised nation. Cunard reconciles Spain's liminal status, between Africa and Europe, to argue for Spain's art, and people, as part of a syncretic, universal human cultural heritage, anticipating the art humanitarianism of organisations such as UNESCO.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"51 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86911248","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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