A Tale of Two Coasts: H.D.’s ‘Mira-Mare’ and Robert Herring’s Cactus Coast

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Polly Hember
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引用次数: 0

Abstract

This article looks at the presence of Monte Carlo in two neglected texts: H.D.’s short story ‘Mira-Mare’ (1934) and her close friend Robert Herring’s novel Cactus Coast (1934). Read alongside autobiographical essays and archival correspondence, a rich dialogue forms between H.D. and Herring’s texts, which narrates the inner workings of the POOL group. I argue for the consideration of ‘Mira-Mare’ and Cactus Coast as POOL texts, as they document crucial moments that shaped POOL’s networks of queer intimacy and engage with POOL’s central questions of identity and relationality. Written by two central members of the POOL group’s network, ‘Mira-Mare’ and Cactus Coast were supported by the same funds, editorial presence, and printer as POOL’s labelled outputs. By tracing the connections between H.D. and Herring’s texts, further insight into the POOL group’s activity can be mapped, positioning Monte Carlo as a crucial locus within POOL’s artistic production.
两个海岸的故事:h.d.的“米拉-马雷”和罗伯特·赫林的仙人掌海岸
本文着眼于蒙特卡洛在两个被忽视的文本中的存在:h.d.的短篇小说《米拉-马雷》(1934)和她的密友罗伯特·赫林的小说《仙人掌海岸》(1934)。与自传体散文和档案通信一起阅读,H.D.和赫林的文本之间形成了丰富的对话,讲述了POOL小组的内部运作。我主张将《Mira-Mare》和《Cactus Coast》作为《POOL》的文本,因为它们记录了塑造《POOL》酷儿亲密关系网络的关键时刻,并涉及《POOL》关于身份和关系的核心问题。《Mira-Mare》和《Cactus Coast》由POOL集团网络的两位核心成员撰写,与POOL的标签输出一样,得到了同样的资金、编辑和打印机的支持。通过追踪H.D.和赫林的文本之间的联系,可以进一步了解POOL集团的活动,将蒙特卡洛定位为POOL艺术生产的关键地点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Modernist Cultures
Modernist Cultures HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.20
自引率
0.00%
发文量
19
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