{"title":"Empire, Nation, Tribe: The Imagined Communities of The Te Kooti Trail in New Zealand, 1927","authors":"Annabel Cooper","doi":"10.3366/mod.2020.0298","DOIUrl":"https://doi.org/10.3366/mod.2020.0298","url":null,"abstract":"Benedict Anderson's concept of ‘imagined community’ is crafted around the work of the newspaper and the novel as the critical media through which peoples came to imagine themselves as nations in a modernising world. In this article I extend this inquiry to silent cinema, and specifically Rudall Hayward's The Te Kooti Trail, a modern artefact of a late colonial setting: the Bay of Plenty, New Zealand, in 1927. Hayward's nation-forming aim is explicit, but his apparent intentions and his community-centred practice of film-making created a film in which imperialist, nationalist and local concerns jostle for priority. This article first undertakes a textual analysis which investigates the discrepancy between an imperial, often paternalist narrative, and an aspirational, national ethos embodying kinship among different settler groups and Māori. Second, an archival and oral historical investigation into the production process reveals that the film's recreation of the past brought together iwi, or tribes, with diverse histories of negotiating with the new world of settler colonialism, and contrasting engagements with modernity. These histories can be read both on the screen, and in the brief censorship of the film before its release. The film provides a compelling case of diverse Māori engagement with nationhood-in-formation through the medium of film, both in the evidence of the text and in the circumstances of the film's production and release.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"17 1","pages":"295-315"},"PeriodicalIF":0.1,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79497170","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hearing Voices: The Extended Mind in Evelyn Waugh's The Ordeal of Gilbert Pinfold","authors":"Yuexi Liu","doi":"10.3366/mod.2020.0289","DOIUrl":"https://doi.org/10.3366/mod.2020.0289","url":null,"abstract":"Waugh's last comic novel The Ordeal of Gilbert Pinfold (1957) takes ‘exterior modernism’ to a new height, no longer avoiding interiority – as in his interwar fiction – but exteriorising the interio...","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"2 1","pages":"202-224"},"PeriodicalIF":0.1,"publicationDate":"2020-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91103285","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Syncopated Nerves’: Jazz and the Pathology of Modern Youth in Noël Coward's 1920s Theatre","authors":"Rebecca Cameron","doi":"10.3366/mod.2020.0288","DOIUrl":"https://doi.org/10.3366/mod.2020.0288","url":null,"abstract":"This paper explores the intersection of jazz culture and popular discourse on nervous disorders in Britain in the 1920s through Noel Coward's plays and revues. In the wake of the First World War, a...","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"10 1","pages":"179-201"},"PeriodicalIF":0.1,"publicationDate":"2020-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74889877","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘within the reach of all’: Bringing Art to the People in Interwar Britain","authors":"Emma West","doi":"10.3366/MOD.2020.0290","DOIUrl":"https://doi.org/10.3366/MOD.2020.0290","url":null,"abstract":"The years during and after the Great War saw an explosion in arts organisations attempting ‘to bring the Arts into everyday life’.1 This essay argues that arts organisations should be seen alongsid...","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"65 1","pages":"225-252"},"PeriodicalIF":0.1,"publicationDate":"2020-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79772582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Humphrey Jennings's ‘Film Fables’: Democracy and Image in The Silent Village","authors":"M. Hoshino","doi":"10.3366/mod.2020.0286","DOIUrl":"https://doi.org/10.3366/mod.2020.0286","url":null,"abstract":"This essay explores modernism's aesthetic and political implications through examining the works of Humphrey Jennings. The essay takes as a starting point the tension inherent to the democratic aes...","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"61 1","pages":"133-154"},"PeriodicalIF":0.1,"publicationDate":"2020-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89368595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Interwar Imaginings of Collective Cognition","authors":"Rebecah Pulsifer","doi":"10.3366/mod.2020.0287","DOIUrl":"https://doi.org/10.3366/mod.2020.0287","url":null,"abstract":"Scholarship on interwar understandings of ‘collective cognition’ – experiences of intellectual union with others – tends to focus on its capacity to threaten individuality. I counter this trend by ...","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"39 1","pages":"155-178"},"PeriodicalIF":0.1,"publicationDate":"2020-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76858973","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Susan Cannon Harris, Irish Drama and the Other Revolutions: Playwrights, Sexual Politics and the International Left, 1892–1964","authors":"Daniel Gomes","doi":"10.3366/mod.2020.0292","DOIUrl":"https://doi.org/10.3366/mod.2020.0292","url":null,"abstract":"","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"24 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86948250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Modernism on the Punch Tape: Editing the 1984 Ulysses","authors":"R. Crowley, Joshua Schäuble","doi":"10.3366/mod.2020.0278","DOIUrl":"https://doi.org/10.3366/mod.2020.0278","url":null,"abstract":"This article explores the set of interlocking and overlapping institutional, pedagogical, and commercial developments that led to the critical editing of James Joyce's Ulysses by Hans Walter Gabler...","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"38 1","pages":"29-47"},"PeriodicalIF":0.1,"publicationDate":"2020-02-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73280066","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}