{"title":"Keri Hulme的呼吸诗学","authors":"Arthur Rose","doi":"10.3366/mod.2020.0303","DOIUrl":null,"url":null,"abstract":"Breath plays a small, but important, role in the work of Keri Hulme. My interest in this essay is to consider what happens when Hulme's representation of breath is brought into conversation with the respiratory poetics of modernism, modernist anthropology, and planetary modernism to address Hulme's contribution to an Aotearoa New Zealand modernism. This conversation is played out in Keri Hulme's treatment of hau or ‘breath’. The essay argues that Keri Hulme, in her prose works the bone people (1984) and Te kaihau/The windeater (1986), develops a respiratory poetics: an interrogation of anthropology through experimentations with form.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"87 15 1","pages":"399-417"},"PeriodicalIF":0.1000,"publicationDate":"2020-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Keri Hulme's Breath Poetics\",\"authors\":\"Arthur Rose\",\"doi\":\"10.3366/mod.2020.0303\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Breath plays a small, but important, role in the work of Keri Hulme. My interest in this essay is to consider what happens when Hulme's representation of breath is brought into conversation with the respiratory poetics of modernism, modernist anthropology, and planetary modernism to address Hulme's contribution to an Aotearoa New Zealand modernism. This conversation is played out in Keri Hulme's treatment of hau or ‘breath’. The essay argues that Keri Hulme, in her prose works the bone people (1984) and Te kaihau/The windeater (1986), develops a respiratory poetics: an interrogation of anthropology through experimentations with form.\",\"PeriodicalId\":41937,\"journal\":{\"name\":\"Modernist Cultures\",\"volume\":\"87 15 1\",\"pages\":\"399-417\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-08-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Modernist Cultures\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/mod.2020.0303\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Modernist Cultures","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/mod.2020.0303","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Breath plays a small, but important, role in the work of Keri Hulme. My interest in this essay is to consider what happens when Hulme's representation of breath is brought into conversation with the respiratory poetics of modernism, modernist anthropology, and planetary modernism to address Hulme's contribution to an Aotearoa New Zealand modernism. This conversation is played out in Keri Hulme's treatment of hau or ‘breath’. The essay argues that Keri Hulme, in her prose works the bone people (1984) and Te kaihau/The windeater (1986), develops a respiratory poetics: an interrogation of anthropology through experimentations with form.
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