{"title":"B.S. Johnson's Scaffolding: Form, the City, Cancer, Weeds","authors":"I. Cassels","doi":"10.3366/mod.2021.0336","DOIUrl":"https://doi.org/10.3366/mod.2021.0336","url":null,"abstract":"B.S. Johnson's fiction makes high demands both of its readers and itself. In his statement that ‘telling stories is telling lies’, and desire to ‘tell the truth’, Johnson involves his process in his writing, dismantling the novel form as he also continues to employ it. This committed slipperiness makes him difficult to write about: to pigeonhole him as a po-faced experimentalist or unorthodox social-realist would be a detrimental simplification of his work. A productive consideration of Johnson, then, might look to unusual places: for example, his writerly movements can be re-considered with Lisa Robertson's work on scaffolding in mind. Scaffolding as critical metaphor is both specific enough in its details, and flexible enough in its scope, to manage Johnson's self-effacing difficulty. Johnson's readers, I argue, are required to do their own scaffolding, whether encountering Albert Angelo's gaps, or piecing together The Unfortunates. Seen thus, reading Johnson's novels is a constructive, if messy, act, a collaboration between reader and writer.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"38 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85054095","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Obituary: Professor Lawrence S. Rainey","authors":"Ulrika Maude","doi":"10.3366/mod.2021.0342","DOIUrl":"https://doi.org/10.3366/mod.2021.0342","url":null,"abstract":"","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"44 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87232950","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Modernism, Inflation and the Gold Standard in T.S. Eliot and Ezra Pound","authors":"D. Hawkes","doi":"10.3366/mod.2021.0337","DOIUrl":"https://doi.org/10.3366/mod.2021.0337","url":null,"abstract":"The great inflation of the 1920s had a dramatic effect on Anglophone literary modernism. Ezra Pound, T.S. Eliot and Ernest Hemingway all recognized that financial signs had come unmoored from any objective reference, and their work explores the literary implications of representation's newly autonomous, performative power. Pound blamed the economic and cultural crisis on ‘usury.’ Following Aristotle, he conceived of usury as the unnatural reproduction of autonomous representation, and thus as the antithesis of natural sexual and semiotic fertility. He particularly deplored the historical role played by Samuel Loyd, the Victorian head of Lloyds Bank, who had cunningly manipulated the gold standard in order to give control of the economy to ‘usurers.’ In his financial journalism for Lloyds Bank Monthly, Eliot used the gold standard as an economic logos in order to facilitate usury. Pound saw that Eliot's theory of the ‘objective correlative’ was incompatible with the referential model of representation assumed by the gold standard.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"33 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89918618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Anglo-French Poetic Exchanges in the Little Magazines, 1908–1914","authors":"Sze Wah Sarah Lee","doi":"10.3366/mod.2021.0338","DOIUrl":"https://doi.org/10.3366/mod.2021.0338","url":null,"abstract":"This article demonstrates the extent and significance of exchange between English and French poets in the years leading up to World War I, a crucial period for the development of modern Anglophone poetry. Through archival research, I trace the growing interest in French poetry of Imagist poets F. S. Flint, Ezra Pound and Richard Aldington, exhibited in various little magazines including the New Age, Poetry Review, Poetry and Drama, Poetry, the New Freewoman and the Egoist. Moreover, I show that such interest was reciprocated by contemporary French poets, notably Henri-Martin Barzun and Guillaume Apollinaire, who published works by English poets in their respective little magazines Poème et Drame and Les Soirées de Paris. This suggests that not only were modern English poets influenced by their French counterparts, but they were also given a voice in the Francophone artistic world, resulting in a unique moment of cross-channel poetic exchange before the war.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"32 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87599096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Traces of War in Virginia Woolf's Night and Day","authors":"Michael H. Whitworth","doi":"10.3366/mod.2021.0341","DOIUrl":"https://doi.org/10.3366/mod.2021.0341","url":null,"abstract":"Katherine Mansfield's review of Virginia Woolf's Night and Day (1919) has dominated criticism of the novel and contributed to its critical neglect, but Mansfield's belief that the novel ignores the First World War has never been challenged. The present essay identifies the novel's oblique references to the war and to combat. It considers the novel's status as a historical novel: its awareness that the pre-war era is irretrievably lost, and its creation of situational ironies for its characters. It considers the themes of isolation, insulation, and near-obliviousness, and the awareness of sounds at the edge of consciousness, as symptomatic of the novel's war-time moment.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"22 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81831414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bureaucracy across Borders: Administering Cosmopolitan Hospitality at the English P.E.N., 1930–1945","authors":"E. Ridge","doi":"10.3366/mod.2021.0339","DOIUrl":"https://doi.org/10.3366/mod.2021.0339","url":null,"abstract":"From its inception, hospitality was inscribed in the vision of the English P.E.N., one of its stipulated aims being to provide a ‘vehicle for friendliness and hospitality’. Yet several writers who took leading administrative and representational roles during the 1930s and 1940s – Storm Jameson, E. M. Forster and J. B. Priestley, for example – were uncomfortable with the kinds of hospitality the P.E.N. sometimes purported to offer. They were concerned about the wartime propriety of elaborate lunches, dinners and parties. At the same time, this was an organisation that also tirelessly advocated for more substantial forms of refuge for displaced writers. Drawing on extensive archival material, this essay will examine some of the ambiguities embedded in the P.E.N.’s conception of hospitality during this period: the perceived clash between a social etiquette of hospitality (expressed through P.E.N. social gatherings) and a wider politics of hospitality (expressed in its drive to facilitate refugee reception in Britain).","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"17 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81856367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Beckett's Molloy, the Promise of Youth, and the Postwar","authors":"Stephen Ross","doi":"10.3366/mod.2021.0340","DOIUrl":"https://doi.org/10.3366/mod.2021.0340","url":null,"abstract":"This paper argues that Samuel Beckett's Molloy charts the historical transition of the postwar moment in generational terms – terms that themselves had real historical significance in the years immediately following the Allied victory in World War II – ultimately, and uncharacteristically, advancing a youthful figure of promise in young Jacques Moran, Jr. Though Beckett is much more commonly read as an allegorist of existential ambivalence – if not despair – I contend that his first postwar novel must properly be understood as staging history in its confused, agonistic, and frustrating family dynamics. Beckett's rendering of authority, history, and hierarchy in terms of perversion, queerness, and sterility ultimately preserves a futurity centred not precisely on the child per se, but on the emergent figure of the adolescent – the teenager, even, I will venture to claim – avant la lettre: Jacques Moran, Jr.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87817290","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Puppet of skeletal escapade’: Dance Dialogues in Mina Loy and Carl Van Vechten","authors":"Megan Girdwood","doi":"10.3366/MOD.2021.0331","DOIUrl":"https://doi.org/10.3366/MOD.2021.0331","url":null,"abstract":"In an undated letter, likely composed in late 1914, Mina Loy reflected on the recent aesthetic experiences that had greatly affected her, writing that the ‘things that have made [her] gasp were a few Picassos, Windham [ sic] Lewis, Nijinski dancing – perfection is infrequent’. The letter was addressed to her American agent Carl Van Vechten, a dance and music critic at the New York Times, who played a highly influential role in shaping discourses around ballet and modern dance both in the US and internationally. This article conjoins Loy and Van Vechten's modernist oeuvres – crossing genres including poetry, novels, newspaper reviews, and photography – in order to reveal the importance of dance to their shifting aesthetic commitments and shared interest in the expressive capacities of the human form. Dancing bodies, moving fluently across the work of this modernist pair, variously transcribe Futurist satires, Decadent revivals, and a primitivist fascination with the erotic aspects of dance, crystallising in Loy and Van Vechten's responses to the Harlem Renaissance.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"2002 1","pages":"265-288"},"PeriodicalIF":0.1,"publicationDate":"2021-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82862201","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reading Ray: Avant-Garde and Transnationalism in Interwar Britain","authors":"Matt Somers, Sami Sjöberg","doi":"10.3366/MOD.2021.0329","DOIUrl":"https://doi.org/10.3366/MOD.2021.0329","url":null,"abstract":"The British modernist little magazine Ray: Art Miscellany (1926–1927) pioneered the combination of text and image in the vein of the Continental avant-gardes. Amid the surge of interest in periodic...","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"77 1","pages":"216-241"},"PeriodicalIF":0.1,"publicationDate":"2021-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80965878","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rural Ritual, Gardened Faith: Ford Madox Ford's Memorial Plots","authors":"Harriet Walters","doi":"10.3366/MOD.2021.0330","DOIUrl":"https://doi.org/10.3366/MOD.2021.0330","url":null,"abstract":"This article examines the importance of the working country garden to the memorial narratives of Ford Madox Ford. It begins with a study of Ford before the Great War; considering how his particular...","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"42 1","pages":"242-264"},"PeriodicalIF":0.1,"publicationDate":"2021-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84824984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}