Modernist Cultures最新文献

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B.S. Johnson's Scaffolding: Form, the City, Cancer, Weeds B.S.约翰逊的《脚手架:形式、城市、巨蟹座、杂草
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2021-07-13 DOI: 10.3366/mod.2021.0336
I. Cassels
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引用次数: 0
Obituary: Professor Lawrence S. Rainey 讣告:劳伦斯·s·雷尼教授
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2021-07-13 DOI: 10.3366/mod.2021.0342
Ulrika Maude
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引用次数: 0
Modernism, Inflation and the Gold Standard in T.S. Eliot and Ezra Pound 艾略特和庞德的现代主义、通货膨胀和金本位
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2021-07-13 DOI: 10.3366/mod.2021.0337
D. Hawkes
{"title":"Modernism, Inflation and the Gold Standard in T.S. Eliot and Ezra Pound","authors":"D. Hawkes","doi":"10.3366/mod.2021.0337","DOIUrl":"https://doi.org/10.3366/mod.2021.0337","url":null,"abstract":"The great inflation of the 1920s had a dramatic effect on Anglophone literary modernism. Ezra Pound, T.S. Eliot and Ernest Hemingway all recognized that financial signs had come unmoored from any objective reference, and their work explores the literary implications of representation's newly autonomous, performative power. Pound blamed the economic and cultural crisis on ‘usury.’ Following Aristotle, he conceived of usury as the unnatural reproduction of autonomous representation, and thus as the antithesis of natural sexual and semiotic fertility. He particularly deplored the historical role played by Samuel Loyd, the Victorian head of Lloyds Bank, who had cunningly manipulated the gold standard in order to give control of the economy to ‘usurers.’ In his financial journalism for Lloyds Bank Monthly, Eliot used the gold standard as an economic logos in order to facilitate usury. Pound saw that Eliot's theory of the ‘objective correlative’ was incompatible with the referential model of representation assumed by the gold standard.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"33 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89918618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Anglo-French Poetic Exchanges in the Little Magazines, 1908–1914 《小杂志中的英法诗歌交流》,1908-1914
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2021-07-13 DOI: 10.3366/mod.2021.0338
Sze Wah Sarah Lee
{"title":"Anglo-French Poetic Exchanges in the Little Magazines, 1908–1914","authors":"Sze Wah Sarah Lee","doi":"10.3366/mod.2021.0338","DOIUrl":"https://doi.org/10.3366/mod.2021.0338","url":null,"abstract":"This article demonstrates the extent and significance of exchange between English and French poets in the years leading up to World War I, a crucial period for the development of modern Anglophone poetry. Through archival research, I trace the growing interest in French poetry of Imagist poets F. S. Flint, Ezra Pound and Richard Aldington, exhibited in various little magazines including the New Age, Poetry Review, Poetry and Drama, Poetry, the New Freewoman and the Egoist. Moreover, I show that such interest was reciprocated by contemporary French poets, notably Henri-Martin Barzun and Guillaume Apollinaire, who published works by English poets in their respective little magazines Poème et Drame and Les Soirées de Paris. This suggests that not only were modern English poets influenced by their French counterparts, but they were also given a voice in the Francophone artistic world, resulting in a unique moment of cross-channel poetic exchange before the war.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"32 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87599096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Traces of War in Virginia Woolf's Night and Day 弗吉尼亚·伍尔夫《夜与日》中的战争痕迹
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2021-07-13 DOI: 10.3366/mod.2021.0341
Michael H. Whitworth
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引用次数: 0
Bureaucracy across Borders: Administering Cosmopolitan Hospitality at the English P.E.N., 1930–1945 跨国界的官僚主义:管理世界性的款待在英国,1930-1945
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2021-07-13 DOI: 10.3366/mod.2021.0339
E. Ridge
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引用次数: 0
Beckett's Molloy, the Promise of Youth, and the Postwar 贝克特的《莫洛伊》、《青春的希望》和《战后》
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2021-07-13 DOI: 10.3366/mod.2021.0340
Stephen Ross
{"title":"Beckett's Molloy, the Promise of Youth, and the Postwar","authors":"Stephen Ross","doi":"10.3366/mod.2021.0340","DOIUrl":"https://doi.org/10.3366/mod.2021.0340","url":null,"abstract":"This paper argues that Samuel Beckett's Molloy charts the historical transition of the postwar moment in generational terms – terms that themselves had real historical significance in the years immediately following the Allied victory in World War II – ultimately, and uncharacteristically, advancing a youthful figure of promise in young Jacques Moran, Jr. Though Beckett is much more commonly read as an allegorist of existential ambivalence – if not despair – I contend that his first postwar novel must properly be understood as staging history in its confused, agonistic, and frustrating family dynamics. Beckett's rendering of authority, history, and hierarchy in terms of perversion, queerness, and sterility ultimately preserves a futurity centred not precisely on the child per se, but on the emergent figure of the adolescent – the teenager, even, I will venture to claim –  avant la lettre: Jacques Moran, Jr.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87817290","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Puppet of skeletal escapade’: Dance Dialogues in Mina Loy and Carl Van Vechten “骨骼出轨的木偶”:米娜·洛伊和卡尔·范·韦彻滕的舞蹈对话
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2021-05-10 DOI: 10.3366/MOD.2021.0331
Megan Girdwood
{"title":"‘Puppet of skeletal escapade’: Dance Dialogues in Mina Loy and Carl Van Vechten","authors":"Megan Girdwood","doi":"10.3366/MOD.2021.0331","DOIUrl":"https://doi.org/10.3366/MOD.2021.0331","url":null,"abstract":"In an undated letter, likely composed in late 1914, Mina Loy reflected on the recent aesthetic experiences that had greatly affected her, writing that the ‘things that have made [her] gasp were a few Picassos, Windham [ sic] Lewis, Nijinski dancing – perfection is infrequent’. The letter was addressed to her American agent Carl Van Vechten, a dance and music critic at the New York Times, who played a highly influential role in shaping discourses around ballet and modern dance both in the US and internationally. This article conjoins Loy and Van Vechten's modernist oeuvres – crossing genres including poetry, novels, newspaper reviews, and photography – in order to reveal the importance of dance to their shifting aesthetic commitments and shared interest in the expressive capacities of the human form. Dancing bodies, moving fluently across the work of this modernist pair, variously transcribe Futurist satires, Decadent revivals, and a primitivist fascination with the erotic aspects of dance, crystallising in Loy and Van Vechten's responses to the Harlem Renaissance.","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"2002 1","pages":"265-288"},"PeriodicalIF":0.1,"publicationDate":"2021-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82862201","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reading Ray: Avant-Garde and Transnationalism in Interwar Britain 阅读雷:两次世界大战之间英国的先锋派和跨国主义
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2021-05-07 DOI: 10.3366/MOD.2021.0329
Matt Somers, Sami Sjöberg
{"title":"Reading Ray: Avant-Garde and Transnationalism in Interwar Britain","authors":"Matt Somers, Sami Sjöberg","doi":"10.3366/MOD.2021.0329","DOIUrl":"https://doi.org/10.3366/MOD.2021.0329","url":null,"abstract":"The British modernist little magazine Ray: Art Miscellany (1926–1927) pioneered the combination of text and image in the vein of the Continental avant-gardes. Amid the surge of interest in periodic...","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"77 1","pages":"216-241"},"PeriodicalIF":0.1,"publicationDate":"2021-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80965878","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Rural Ritual, Gardened Faith: Ford Madox Ford's Memorial Plots 乡村仪式,花园信仰:福特·马多克斯·福特的纪念地块
IF 0.1 4区 社会学
Modernist Cultures Pub Date : 2021-05-07 DOI: 10.3366/MOD.2021.0330
Harriet Walters
{"title":"Rural Ritual, Gardened Faith: Ford Madox Ford's Memorial Plots","authors":"Harriet Walters","doi":"10.3366/MOD.2021.0330","DOIUrl":"https://doi.org/10.3366/MOD.2021.0330","url":null,"abstract":"This article examines the importance of the working country garden to the memorial narratives of Ford Madox Ford. It begins with a study of Ford before the Great War; considering how his particular...","PeriodicalId":41937,"journal":{"name":"Modernist Cultures","volume":"42 1","pages":"242-264"},"PeriodicalIF":0.1,"publicationDate":"2021-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84824984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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