《小杂志中的英法诗歌交流》,1908-1914

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Sze Wah Sarah Lee
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引用次数: 0

摘要

本文论述了第一次世界大战前英法两国诗人交流的程度和意义,这是现代英语诗歌发展的关键时期。通过档案研究,我发现意象派诗人f·s·弗林特、埃兹拉·庞德和理查德·阿尔丁顿对法国诗歌的兴趣日益浓厚,他们的作品在各种小杂志上发表,包括《新时代》、《诗歌评论》、《诗歌与戏剧》、《诗歌》、《新自由妇女》和《利己主义者》。此外,我指出,这种兴趣得到了当代法国诗人的回报,特别是亨利-马丁·巴尔赞和纪尧姆·阿波利奈尔,他们在各自的小杂志《诗坛与戏剧》和《巴黎的社会》上发表了英国诗人的作品。这表明,现代英国诗人不仅受到法国诗人的影响,而且在法语艺术界也获得了发言权,这导致了战前跨海峡诗歌交流的独特时刻。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Anglo-French Poetic Exchanges in the Little Magazines, 1908–1914
This article demonstrates the extent and significance of exchange between English and French poets in the years leading up to World War I, a crucial period for the development of modern Anglophone poetry. Through archival research, I trace the growing interest in French poetry of Imagist poets F. S. Flint, Ezra Pound and Richard Aldington, exhibited in various little magazines including the New Age, Poetry Review, Poetry and Drama, Poetry, the New Freewoman and the Egoist. Moreover, I show that such interest was reciprocated by contemporary French poets, notably Henri-Martin Barzun and Guillaume Apollinaire, who published works by English poets in their respective little magazines Poème et Drame and Les Soirées de Paris. This suggests that not only were modern English poets influenced by their French counterparts, but they were also given a voice in the Francophone artistic world, resulting in a unique moment of cross-channel poetic exchange before the war.
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来源期刊
Modernist Cultures
Modernist Cultures HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.20
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发文量
19
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