Journal of Screenwriting最新文献_第9页

The Notorious Ben Hecht: Iconoclastic Writer and Militant Zionist, Julien Gorbach (2019) 臭名昭著的本·赫克特:反传统的作家和激进的犹太复国主义者，朱利安·戈尔巴赫(2019)

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2021-03-01 DOI: 10.1386/JOSC_00052_5

Claus Tieber

引用次数: 0

Gun violence, phenomenal reality and parallel worlds: Christina Kallas’s multi-protagonist narratives in The Rainbow Experiment 枪支暴力、现象现实与平行世界——克里斯蒂娜·卡拉斯在《彩虹实验》中的多主角叙事

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2021-03-01 DOI: 10.1386/JOSC_00045_1

M. Riggio

{"title":"Gun violence, phenomenal reality and parallel worlds: Christina Kallas’s multi-protagonist narratives in The Rainbow Experiment","authors":"M. Riggio","doi":"10.1386/JOSC_00045_1","DOIUrl":"https://doi.org/10.1386/JOSC_00045_1","url":null,"abstract":"The second film in writer–director Christina Kallas’s New York trilogy, which includes 42 Seconds of Happiness (2016) and Paris is in Harlem (forthcoming), The Rainbow Experiment (2018) portrays the powerful but flawed American experiment. Its script chronicles the desires and tawdry failures of teachers, administrators, parents and students of many hues, ethnicities and gender preferences tearing at each other on one horrific day, beginning with an explosion and ending with a double shooting – or so it seems. The implication is that gun violence has become so familiar that it almost fades into the background of collective despair. However, with a world-view that recalls David Lynch and a narrative that imbeds this school saga within its densely urban setting, Kallas counters the seemingly inevitable choices available in this fractured system. An evolving alternative scenario rests its faith on the arrogant but potentially redemptive young. The comically inflected, tragic linear story is scripted in non-linear flashbacks, crosscuts and elaborate split-screens. The film provides portals to an internal reality that posits that life choices, like a movie plot, can be reversed. Overall, The Rainbow Experiment reinforces Kallas’s emergence as a potent and bold voice, redefining and recontextualizing modern film genres.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47692880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Da criação ao Roteiro: Teoria e Prática (‘From creation to script: Theory and practice’), 5th ed., Doc Comparato (2018) 从创作到剧本：理论与实践），第5版，Doc Comparato（2018）

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2021-03-01 DOI: 10.1386/JOSC_00054_5

Gláucia Davino

引用次数: 3

Serial offenders? Defining the boundaries of series and serial TV for screenwriting practice and theory 连环罪犯？为编剧实践和理论界定连续剧和连续剧的界限

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2021-03-01 DOI: 10.1386/JOSC_00048_1

M. Ianniello, C. Batty

引用次数: 2

The Art of Screen Adaptation: Top Writers Reveal Their Craft, Alistair Owen (2020) 《改编电影的艺术：顶尖作家揭示他们的技艺》，阿利斯泰尔·欧文（2020）

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2021-03-01 DOI: 10.1386/JOSC_00051_5

C. Gist

引用次数: 0

Writing/performing myself on-screen: Daniel Monks’ memory work on film 在屏幕上写作/表演自己：丹尼尔·蒙克斯在电影中的记忆工作

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2021-03-01 DOI: 10.1386/JOSC_00050_1

K. Ely-Harper

{"title":"Writing/performing myself on-screen: Daniel Monks’ memory work on film","authors":"K. Ely-Harper","doi":"10.1386/JOSC_00050_1","DOIUrl":"https://doi.org/10.1386/JOSC_00050_1","url":null,"abstract":"Performing memories is a way of working through and reconstructing the self. Films that draw on autobiographical experiences are a way of working through and constructing narratives of the self. How can memory work be applied to the writing and filmmaking process? Can memory work, with its focus on personal and embodied experience, lead us to a more truthful account of our individual histories and ourselves? In addressing these questions, I draw on sociological and memory studies into autobiographical memory in my examination of the screenwriting work of Australian actor/writer Daniel Monks. Monks’ films Marrow (2015) and Pulse (2017) are adapted and developed from the author’s personal memories and experiences. Identifying as disabled and queer, Monks’ work straddles the fact-fiction divide, enabling the social and personal to dynamically interact, producing drama narratives where the body is the primary site for retelling and sharing with an audience his need to be seen. My study includes original drafts of screenplays, produced films and interviews with Monks on his writing and development processes. Demonstrating how Monks uses and refigures his body within a cinematic landscape, I aim to promote discussion on how individual memories function as dynamic and interconnected sources for the screenwriter/filmmaker.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42030723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

How narrative techniques attract young parents: The refiguration of Logger Vick in the Chinese 3D animated film, Boonie Bears: To the Rescue 叙事技巧如何吸引年轻父母：中国3D动画电影《小熊维尼：营救》中Logger Vick的形象重塑

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2021-03-01 DOI: 10.1386/JOSC_00049_1

Shaopeng Chen

{"title":"How narrative techniques attract young parents: The refiguration of Logger Vick in the Chinese 3D animated film, Boonie Bears: To the Rescue","authors":"Shaopeng Chen","doi":"10.1386/JOSC_00049_1","DOIUrl":"https://doi.org/10.1386/JOSC_00049_1","url":null,"abstract":"This article analyses the screenwriting of Boonie Bears: To the Rescue (2014), a film version of the Chinese 3D animated adventure TV series, Boonie Bears. The child-oriented principle of storytelling is one of the most distinctive features of full-length Chinese animated films, especially those produced over the past decade. Within this context, Boonie Bears: To the Rescue epitomizes how Chinese animators are striving to expand the scope of their target audience from children to parent–child groups through the development of narrative competence. This article explores how the arrangement of narrative techniques helps to attract young parents (in their late 20s and early 30s) to cinemas while also retaining the child audience. These endeavours are primarily represented by the refiguration of Logger Vick, the main antagonist in the Boonie Bears animated TV series, who is transformed from a thoroughly wicked villain to a living, ordinary person who could be considered to be the ‘spokesperson’ for young Chinese adults. In this way, the screenwriting techniques in the film strike a responsive chord in the hearts of its adult viewers, thereby broadening the range of its original (TV series) target audience.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47813964","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Collaborative self-translation in the screenplays of The Godfather trilogy 《教父》三部曲剧本中的合作自译

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2021-03-01 DOI: 10.1386/JOSC_00047_1

Rina Gefen, R. Weissbrod

{"title":"Collaborative self-translation in the screenplays of The Godfather trilogy","authors":"Rina Gefen, R. Weissbrod","doi":"10.1386/JOSC_00047_1","DOIUrl":"https://doi.org/10.1386/JOSC_00047_1","url":null,"abstract":"This study examines the adaptation of the novel The Godfather into screenplays by author Mario Puzo and director Francis Ford Coppola. Combining translation and adaptation studies, we regard this adaptation as a case of ‘collaborative self-translation’, a concept that has so far been rarely applied beyond translations studies, and use a model designed for the study of adaptation to analyse it. However, we expand the model by applying it to screenplays, and examining prequel and sequel, which are mainly present in the second and third screenplays of the trilogy. In addition to calling attention to the screenplay as a vital stage in the transformation of a literary work into a film, this article shows that the adaptation model can be a valuable tool to systematically analyse adapted screenplays, thus expanding the methodological repertoire of both adaptation and screenwriting studies. Moreover, it was found that the combined discussion of adaptation, sequel and prequel may contribute to an understanding of the complex relations between them and the source. Based on these theoretical insights, we show that through merging the creative powers of Puzo and Coppola, the screenplays shed new light on social, family and cultural themes that appear to some extent in the novel, taking the conventions of the crime genre in new and surprising directions.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43332594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Russian web series: Mastering the new format 俄语网络连续剧:掌握新格式

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2021-03-01 DOI: 10.1386/JOSC_00046_1

A. Prokhorov

引用次数: 3

Slay the Dragon: Writing Great Video Games, Robert Denton Bryant and Keith Giglio (2015) 《屠龙记：书写伟大的电子游戏》，Robert Denton Bryant和Keith Giglio（2015）

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2021-03-01 DOI: 10.1386/JOSC_00053_5

Yousif Nash

引用次数: 9