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Journal of Screenwriting最新文献

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Editorial introduction 编辑简介
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2020-09-01 DOI: 10.1386/josc_00031_2
R. Ferrell, Rosanne Welch
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引用次数: 0
Anita Loos Rediscovered: Film Treatments and Fiction, Cari Beauchamp and Mary Anita Loos (eds) (2003) 《安妮塔·洛斯的再发现：电影处理与小说》，Cari Beauchamp和Mary Anita Loos（编辑）（2003）
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2020-09-01 DOI: 10.1386/josc_00040_5
C. Winkler
{"title":"Anita Loos Rediscovered: Film Treatments and Fiction, Cari Beauchamp and Mary Anita Loos (eds) (2003)","authors":"C. Winkler","doi":"10.1386/josc_00040_5","DOIUrl":"https://doi.org/10.1386/josc_00040_5","url":null,"abstract":"Review of: Anita Loos Rediscovered: Film Treatments and Fiction, Cari Beauchamp and Mary Anita Loos (eds) (2003)\u0000Berkeley and Los Angeles, CA: University of California Press, 322 pp.,\u0000ISBN 978-05-20228-94-8, h/bk, $32.65","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":"11 1","pages":"379-381"},"PeriodicalIF":0.2,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48993982","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tang Cheng: The first female animation screenwriter and director in the People’s Republic of China 唐成：中华人民共和国首位女性动画编剧、导演
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2020-09-01 DOI: 10.1386/josc_00032_1
Shaopeng Chen
{"title":"Tang Cheng: The first female animation screenwriter and director in the People’s Republic of China","authors":"Shaopeng Chen","doi":"10.1386/josc_00032_1","DOIUrl":"https://doi.org/10.1386/josc_00032_1","url":null,"abstract":"Tang Cheng (唐澄) (1919–86) was one of the most accomplished and versatile animation practitioners in the history of Chinese animation and the first female animation scriptwriter and director in the People’s Republic of China (PRC, 1949–present). Animation in the PRC was once famous for its ‘Chinese school’ aesthetics, in which female professionals influenced all dimensions of the form, from animation techniques to aspects of narration and artistic style. Tang Cheng was best known for directing or co-directing representative Chinese school animated films. However, her early career in animation screenwriting has been largely forgotten. This article not only highlights her role as a scenarist commissioned to write the screenplays of the didactic fairy tales Old Lady’s Jujube Tree (1958) and Radish Is Back (1959) but also analyses how the spirit of collectivism and childlike simplicity revealed in her screenwriting affected her later directorial productions such as Little Tadpoles Looking for Mother (1961), Havoc in Heaven (1961, 1964) and The Deer Bell (1982).","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":"11 1","pages":"245-264"},"PeriodicalIF":0.2,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46711998","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Battle of the sketches: Short form and feminism in the comedy mode 小品之战:喜剧模式下的短篇形式和女权主义
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2020-09-01 DOI: 10.1386/josc_00039_1
Stayci Taylor
{"title":"Battle of the sketches: Short form and feminism in the comedy mode","authors":"Stayci Taylor","doi":"10.1386/josc_00039_1","DOIUrl":"https://doi.org/10.1386/josc_00039_1","url":null,"abstract":"The screenwriting of sketch comedy and, in particular, how female writers of sketch comedy engage with this form to illuminate female experience, are topics not yet widely theorized. This article reviews the scholarship, in order to bring together histories, definitions and distribution of sketch comedy from which to investigate how this form of comedy screenwriting can contribute to feminisms that ‘engage openly and playfully with humor and irony as weapons of choice’ (Willet et al. 2012). Drawing on anecdotal accounts and available archives from A Black Lady Sketch Show (2019–present), French and Saunders (1987–present), Inside Amy Schumer (2013–present), Wood & Walters (1981–82) and others, this article considers these against the theories of writing sketch comedy to draw some conclusions on how this short form, combined with its most popular form of distribution, can accommodate multiple perspectives and serve their audiences. This article offers itself as a starting point in identifying the unique challenges and strategies for women writing sketch comedy, and the possibilities offered by the form more broadly, while highlighting the need for further empirical exploration of the creative practice of female sketch comedy writers, and further critical attention to short form comedy screenwriting.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":"11 1","pages":"363-377"},"PeriodicalIF":0.2,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47581615","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Hakawati’s Daughter: How the Syrian revolution inspired a rewrite 哈卡瓦蒂人的女儿:叙利亚革命如何激发了改写
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2020-09-01 DOI: 10.1386/josc_00035_1
Rana Kazkaz
{"title":"The Hakawati’s Daughter: How the Syrian revolution inspired a rewrite","authors":"Rana Kazkaz","doi":"10.1386/josc_00035_1","DOIUrl":"https://doi.org/10.1386/josc_00035_1","url":null,"abstract":"In 2009, I was living in Damascus, Syria, writing The Hakawati’s Daughter. The film told the story of the last remaining hakawati, oral storyteller, in Damascus. Like many traditions in the Arab world, the hakawati profession is an inherited one, passed on through the generations since 600 AD from father to son and so on. But in my film, the last hakawati has only one child, a daughter, and rather than adapting/modernizing this tradition and passing it on to her, he allows it to die. Two years later, the Syrian revolution broke out and the story, along with the country, fell apart. I have spent the years since reimagining what the story could be instead. Prior to the revolution, what interested me was how the film would explore the battle between tradition and modernity. What interests me today is ‘who has the right to tell the narrative of what is happening in Syria?’ Sadly, it is mostly men. This is the theme The Hakawati’s Daughter now wishes to explore. This article is an account of how the Syrian revolution inspired the rewriting of The Hakawati’s Daughter.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":"11 1","pages":"303-312"},"PeriodicalIF":0.2,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42593132","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Modern Film Dramaturgy: An Introduction, Kristen Stutterheim (2019) 《现代电影戏剧:导论》，克里斯汀·斯特特海姆(2019)
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2020-09-01 DOI: 10.1386/josc_00041_5
Andrew Wickwire
{"title":"Modern Film Dramaturgy: An Introduction, Kristen Stutterheim (2019)","authors":"Andrew Wickwire","doi":"10.1386/josc_00041_5","DOIUrl":"https://doi.org/10.1386/josc_00041_5","url":null,"abstract":"Review of: Modern Film Dramaturgy: An Introduction, Kristen Stutterheim (2019)\u0000Berlin: Peter Lang GmbH, 211 pp.,\u0000ISBN 978-3-631-79650-4, p/bk, $50.95\u0000E-ISBN 978-3-631-79874-4, E-PDF, $50.95\u0000E-ISBN 978-3-631-79875-1, EPUB, $50.95\u0000E-ISBN 978-3-631-79876-8, MOBI, $50.95","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":"11 1","pages":"382-384"},"PeriodicalIF":0.2,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48140268","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The silent women: The representation of Israeli female soldiers in Israeli women’s films 沉默的女人：以色列女性电影中的以色列女兵形象
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2020-09-01 DOI: 10.1386/josc_00036_1
Mira Moshe, Matan Aharoni
{"title":"The silent women: The representation of Israeli female soldiers in Israeli women’s films","authors":"Mira Moshe, Matan Aharoni","doi":"10.1386/josc_00036_1","DOIUrl":"https://doi.org/10.1386/josc_00036_1","url":null,"abstract":"Since the establishment of the State of Israel in 1948, Israel has known seven wars, seven prominent violent operations and numerous military conflicts. During this period (1948–2019), 86 Israeli screen stories have engaged with the motif of Israel’s military/wars. However, only two of them were written by women and focused on the female Israeli soldier. The marginal position of screen stories based on Israeli women’s experience in the military presents a unique opportunity to unravel the notions female screenwriters have of women’s conduct in a patriarchal military culture. Our findings suggest that female Israeli screenwriters (a) propose a dual vision for women – on the one hand, they are portrayed as silenced, while on the other they use silence as a coping tactic; (b) represent the hegemonic male as silencing women’s voices even though in some cases women silence hegemonic men; and (c) depict military service as an opportunity for women to unravel their femininity.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":"11 1","pages":"313-329"},"PeriodicalIF":0.2,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43713168","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Scouting for scripts: Mizuki Yōko and social issue film in post-war Japan 寻找剧本：Mizuki Yōko与战后日本的社会问题电影
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2020-09-01 DOI: 10.1386/josc_00033_1
Lauri Kitsnik
{"title":"Scouting for scripts: Mizuki Yōko and social issue film in post-war Japan","authors":"Lauri Kitsnik","doi":"10.1386/josc_00033_1","DOIUrl":"https://doi.org/10.1386/josc_00033_1","url":null,"abstract":"During the heyday of the studio system in Japan in the 1950s, Mizuki Yōko (1910–2003) was one of Japan’s most prominent and celebrated screenwriters. Despite screenwriting being a markedly homosocial profession, Mizuki forged a remarkable career as a freelance writer, working both for major studios and independent productions. Her collaboration with directors such as Naruse Mikio and, above all, Imai Tadashi resulted in a string of critically acclaimed films. While Imai’s films were lauded by contemporary critics, his approach to directing has subsequently been regarded, especially by western scholars, as somewhat impersonal and his sympathies too leftist. Conversely, these social issue (shakaiha) films, often based on original screenplays by Mizuki, scrupulously displayed the anxieties and ambiguities of the post-war era when the social fabric of Japan was radically reconfigured as its people embraced the newly imported values of democracy and consumerism. In this article, I examine the contributions of Mizuki to the oft-neglected oeuvre of Imai and social issue film in particular. I argue that besides pointing at the capacity and bounds of narrative cinema to engage with timely and sensitive social topics, Mizuki’s working methods underline a screenwriter’s awareness of her own agency in filmmaking.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":"11 1","pages":"265-285"},"PeriodicalIF":0.2,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46236352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Creativity and the unconscious in the screenwriting classroom: A review of the literature 编剧课堂中的创造力与无意识——文学评论
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2020-06-01 DOI: 10.1386/josc_00022_1
Nell Greenwood, Robyn Gibson
{"title":"Creativity and the unconscious in the screenwriting classroom: A review of the literature","authors":"Nell Greenwood, Robyn Gibson","doi":"10.1386/josc_00022_1","DOIUrl":"https://doi.org/10.1386/josc_00022_1","url":null,"abstract":"Screenwriting pedagogy is a small but growing field of scholarly enquiry grappling with the challenges of a writing mode that demands a high level of creativity in order to render complex human experiences in a visual form bound by industrialized structures. Prominent screenwriters\u0000 argue that engagement with unconscious thought is critical to achieving the high level of creativity required for this kind of writing. However, the unconscious remains a neglected area of enquiry in the fields of creativity and screenwriting research. This review of literature corrals existing\u0000 research in both fields to synthesize insights for screenwriting and creative writing teachers on the engagement of unconscious thought as a means to enhance students’ creativity.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46906260","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Expanding practice: Script development with new Deaf screenwriting talent 扩展实践:与新的聋人编剧人才的剧本开发
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2020-06-01 DOI: 10.1386/josc_00023_1
A. Davies
{"title":"Expanding practice: Script development with new Deaf screenwriting talent","authors":"A. Davies","doi":"10.1386/josc_00023_1","DOIUrl":"https://doi.org/10.1386/josc_00023_1","url":null,"abstract":"In Deaf1 film and television, modest production budgets and limited training opportunities present considerable challenges for emerging screenwriting talent. This article argues that orthodox approaches to developing screenplays must be expanded when working in this context.\u0000 The analysis focuses on an individual case study: the development of a half-hour television drama between a professional hearing script editor and a novice Deaf screenwriter. The article discusses the creative and cultural complexity of the editor‐writer relationship, drawing on Schon’s\u0000 ‘reflective practitioner’ concept, Ladd’s analysis of Deaf culture, Gramsci’s elaboration of the subaltern and the theories of Bourdieu, Foucault and Freire. More specifically, Macdonald’s Screen Idea Work Group is employed to explore the dialogical process of\u0000 shared creation, which expands out to include production team, actors and interpreters via a uniquely adapted ‘table read’ situated at the heart of the development process. Reflecting on the value of this powerful encounter, the aim of the study is to address a gap in knowledge\u0000 about this practice phenomenon and to contribute to Deaf filmmaking practice by proposing an original methodology. Overall, it is contended that greater investment is required to develop assured screenwriting voices to serve Deaf film and television audiences.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":"11 1","pages":"157-174"},"PeriodicalIF":0.2,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48670948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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