沉默的女人:以色列女性电影中的以色列女兵形象

IF 0.4 4区 艺术学 0 FILM, RADIO, TELEVISION
Mira Moshe, Matan Aharoni
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引用次数: 3

摘要

自1948年以色列国成立以来,以色列经历了七次战争、七次突出的暴力行动和无数军事冲突。在这一时期(1948年至2019年),86个以色列银幕故事以以色列的军事/战争为主题。然而,其中只有两本是女性写的,重点是这位以色列女士兵。基于以色列女性在军队中的经历的银幕故事的边缘地位提供了一个独特的机会,可以解开女性编剧对父权制军事文化中女性行为的观念。我们的研究结果表明,以色列女编剧(a)对女性提出了双重愿景——一方面,她们被描绘成沉默的人,另一方面,他们将沉默作为一种应对策略;(b) 代表霸权男性压制女性的声音,尽管在某些情况下女性压制霸权男性;(c)将服兵役描述为妇女展现女性气质的机会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The silent women: The representation of Israeli female soldiers in Israeli women’s films
Since the establishment of the State of Israel in 1948, Israel has known seven wars, seven prominent violent operations and numerous military conflicts. During this period (1948–2019), 86 Israeli screen stories have engaged with the motif of Israel’s military/wars. However, only two of them were written by women and focused on the female Israeli soldier. The marginal position of screen stories based on Israeli women’s experience in the military presents a unique opportunity to unravel the notions female screenwriters have of women’s conduct in a patriarchal military culture. Our findings suggest that female Israeli screenwriters (a) propose a dual vision for women – on the one hand, they are portrayed as silenced, while on the other they use silence as a coping tactic; (b) represent the hegemonic male as silencing women’s voices even though in some cases women silence hegemonic men; and (c) depict military service as an opportunity for women to unravel their femininity.
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来源期刊
CiteScore
0.80
自引率
0.00%
发文量
21
期刊介绍: The Journal of Screenwriting aims to explore the nature of writing for the moving image in the broadest sense, highlighting current academic thinking around scriptwriting whilst also reflecting on this with a truly international perspective and outlook. The journal will encourage the investigation of a broad range of possible methodologies and approaches to studying the scriptwriting form, in particular: the history of the form, contextual analysis, the process of writing for the moving image, the relationship of scriptwriting to the production process and how the form can be considered in terms of culture and society. The journal also aims to encourage research in the field of screenwriting and the linking of scriptwriting practice to academic theory, and to support and promote conferences and networking events on this subject.
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