Journal of Screenwriting最新文献_第8页

Creating Australian Television Drama: A Screenwriting History, Susan Lever (2020) 《创造澳大利亚电视剧:编剧史》，Susan Lever (2020)

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2021-06-01 DOI: 10.1386/josc_00062_5

Philippa Burne

引用次数: 1

The not so universal hero’s journey 不那么普遍的英雄之旅

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2021-06-01 DOI: 10.1386/josc_00056_1

G. Hambly

{"title":"The not so universal hero’s journey","authors":"G. Hambly","doi":"10.1386/josc_00056_1","DOIUrl":"https://doi.org/10.1386/josc_00056_1","url":null,"abstract":"Since the 1990s, Joseph Campbell’s research into mythology has become a cornerstone of the most influential and deeply entrenched model of screenwriting practised and taught internationally. Campbell’s finding that the quest myth, the hero’s journey, is ubiquitous\u0000 around the globe, across human time, and therefore universal is constantly cited to prove the universality of what Robert McKee calls ‘classical design’; the story of a protagonist facing obstacles in pursuit of a goal. However, a close analysis of three of the myths and rituals,\u0000 which Campbell cites to prove his theory, demonstrate he misinterpreted the meaning of the myths. Knowingly or not, he projected Anglo-Western storytelling and cultural values onto Indigenous mythic narratives, which in fact have very different storytelling norms and serve a very different\u0000 purpose to the individualistic striving for self-fulfilment which he identified. Given this, it is time for practitioners and teachers to stop claiming that the hero’s journey and by default classical design are universal. Given the current struggle for inclusion of diverse, multi-cultural\u0000 and marginalized voices into mainstream storytelling, this corrective is well overdue.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":"3 4","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41257464","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 7

Renegotiating the screenplay: Drawing as a method for narrative development in a short film 重新协商剧本:在短片中，绘画作为叙事发展的一种方法

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2021-06-01 DOI: 10.1386/josc_00057_1

Welby Ings

引用次数: 0

The Modernist Screenplay: Experimental Writing for the Silent Film, Alexandra Ksenofontova (2020) 《现代主义剧本：无声电影的实验写作》，Alexandra Ksenofontova（2020）

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2021-06-01 DOI: 10.1386/josc_00063_5

Lee Lowry

引用次数: 0

Language and Television Series: A Linguistic Approach to TV Dialogue, Monika Bednarek (2018) 《语言与电视连续剧：电视对话的语言学方法》，莫妮卡·贝德纳雷克（2018）

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2021-06-01 DOI: 10.1386/josc_00064_5

Xiaoyi Yang, Yuan Ping

引用次数: 0

The Notorious Ben Hecht: Iconoclastic Writer and Militant Zionist, Julien Gorbach (2019) 臭名昭著的本·赫克特:反传统的作家和激进的犹太复国主义者，朱利安·戈尔巴赫(2019)

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2021-03-01 DOI: 10.1386/JOSC_00052_5

Claus Tieber

引用次数: 0

Da criação ao Roteiro: Teoria e Prática (‘From creation to script: Theory and practice’), 5th ed., Doc Comparato (2018) 从创作到剧本：理论与实践），第5版，Doc Comparato（2018）

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2021-03-01 DOI: 10.1386/JOSC_00054_5

Gláucia Davino

引用次数: 3

Gun violence, phenomenal reality and parallel worlds: Christina Kallas’s multi-protagonist narratives in The Rainbow Experiment 枪支暴力、现象现实与平行世界——克里斯蒂娜·卡拉斯在《彩虹实验》中的多主角叙事

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2021-03-01 DOI: 10.1386/JOSC_00045_1

M. Riggio

{"title":"Gun violence, phenomenal reality and parallel worlds: Christina Kallas’s multi-protagonist narratives in The Rainbow Experiment","authors":"M. Riggio","doi":"10.1386/JOSC_00045_1","DOIUrl":"https://doi.org/10.1386/JOSC_00045_1","url":null,"abstract":"The second film in writer–director Christina Kallas’s New York trilogy, which includes 42 Seconds of Happiness (2016) and Paris is in Harlem (forthcoming), The Rainbow Experiment (2018) portrays the powerful but flawed American experiment. Its script chronicles the desires and tawdry failures of teachers, administrators, parents and students of many hues, ethnicities and gender preferences tearing at each other on one horrific day, beginning with an explosion and ending with a double shooting – or so it seems. The implication is that gun violence has become so familiar that it almost fades into the background of collective despair. However, with a world-view that recalls David Lynch and a narrative that imbeds this school saga within its densely urban setting, Kallas counters the seemingly inevitable choices available in this fractured system. An evolving alternative scenario rests its faith on the arrogant but potentially redemptive young. The comically inflected, tragic linear story is scripted in non-linear flashbacks, crosscuts and elaborate split-screens. The film provides portals to an internal reality that posits that life choices, like a movie plot, can be reversed. Overall, The Rainbow Experiment reinforces Kallas’s emergence as a potent and bold voice, redefining and recontextualizing modern film genres.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":"12 1","pages":"5-24"},"PeriodicalIF":0.2,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47692880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Serial offenders? Defining the boundaries of series and serial TV for screenwriting practice and theory 连环罪犯？为编剧实践和理论界定连续剧和连续剧的界限

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2021-03-01 DOI: 10.1386/JOSC_00048_1

M. Ianniello, C. Batty

引用次数: 2

Writing/performing myself on-screen: Daniel Monks’ memory work on film 在屏幕上写作/表演自己：丹尼尔·蒙克斯在电影中的记忆工作

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2021-03-01 DOI: 10.1386/JOSC_00050_1

K. Ely-Harper

{"title":"Writing/performing myself on-screen: Daniel Monks’ memory work on film","authors":"K. Ely-Harper","doi":"10.1386/JOSC_00050_1","DOIUrl":"https://doi.org/10.1386/JOSC_00050_1","url":null,"abstract":"Performing memories is a way of working through and reconstructing the self. Films that draw on autobiographical experiences are a way of working through and constructing narratives of the self. How can memory work be applied to the writing and filmmaking process? Can memory work, with its focus on personal and embodied experience, lead us to a more truthful account of our individual histories and ourselves? In addressing these questions, I draw on sociological and memory studies into autobiographical memory in my examination of the screenwriting work of Australian actor/writer Daniel Monks. Monks’ films Marrow (2015) and Pulse (2017) are adapted and developed from the author’s personal memories and experiences. Identifying as disabled and queer, Monks’ work straddles the fact-fiction divide, enabling the social and personal to dynamically interact, producing drama narratives where the body is the primary site for retelling and sharing with an audience his need to be seen. My study includes original drafts of screenplays, produced films and interviews with Monks on his writing and development processes. Demonstrating how Monks uses and refigures his body within a cinematic landscape, I aim to promote discussion on how individual memories function as dynamic and interconnected sources for the screenwriter/filmmaker.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":"12 1","pages":"95-111"},"PeriodicalIF":0.2,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42030723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0