Russian web series: Mastering the new format

IF 0.4 4区 艺术学 0 FILM, RADIO, TELEVISION
A. Prokhorov
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引用次数: 3

Abstract

The article studies how domestic screenwriters and directors are exploring the web series format that started actively developing in Russia only five years ago. Both series produced for major internet platforms and indie projects created by independent studios in the past five years are reviewed. The article analyses how Russian authors understand and take into account in their work the specifics of the new field, as well as the format-forming features of web series that have developed abroad. Such aspects as the lack of censorship, freedom from severe restrictions on story genres and heroes’ types have a significant impact on the dramaturgy of native web series. Those are the things that determine the attractiveness of this new format for experienced Russian authors moving to the internet from related fields: cinema and television. The results of the study show that Russian dramatists and directors rely on foreign experience of creating web series, but at the same time they try to modify certain features of this format and sometimes manage to find their own unique solutions.
俄语网络连续剧:掌握新格式
本文研究了国内编剧和导演如何探索五年前才在俄罗斯积极发展的网络连续剧形式。本文回顾了近五年来为各大网络平台制作的系列作品和独立工作室的独立项目。本文分析了俄罗斯作家在其作品中如何理解和考虑新领域的特点,以及国外发展起来的网络连续剧的格式特征。缺乏审查制度,不受故事类型和英雄类型的严格限制等方面对本土网络剧的戏剧效果产生了重大影响。正是这些因素决定了这种新形式对从电影和电视等相关领域转向互联网的经验丰富的俄罗斯作家的吸引力。研究结果表明,俄罗斯剧作家和导演在创作网络连续剧时既依赖国外的经验,又试图修改这种形式的某些特征,有时还能找到自己独特的解决方案。
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来源期刊
CiteScore
0.80
自引率
0.00%
发文量
21
期刊介绍: The Journal of Screenwriting aims to explore the nature of writing for the moving image in the broadest sense, highlighting current academic thinking around scriptwriting whilst also reflecting on this with a truly international perspective and outlook. The journal will encourage the investigation of a broad range of possible methodologies and approaches to studying the scriptwriting form, in particular: the history of the form, contextual analysis, the process of writing for the moving image, the relationship of scriptwriting to the production process and how the form can be considered in terms of culture and society. The journal also aims to encourage research in the field of screenwriting and the linking of scriptwriting practice to academic theory, and to support and promote conferences and networking events on this subject.
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