‘Polite, no chill’ for the win: How Emily Andras engaged fans and overcame problematic tropes in Wynonna Earp

IF 0.4 4区 艺术学 0 FILM, RADIO, TELEVISION
Tanya N. Cook
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引用次数: 0

Abstract

Like other successful genre shows, Wynonna Earp features a strong female lead character. Wynonna, however, is so much more than a ‘girl with a big ass gun’. In this case study of Emily Andras, I explore how women-centred writing and Andras’s engagement with fans, transformed Wynonna Earp from an overly sexualized comic book character, to a feminist icon, layered with nuance and breaking gender norms faster than revenants can make their peace. Andras’s leadership, her inclusion of LGBTQIA representation and refusal to succumb to the ‘bury your gays’ trope, also helped amass a passionate, loyal fan base that successfully lobbied producers for a fourth season after the show faced cancellation. The success of Wynonna Earp and the ‘Fight for Wynonna’, bolsters the legitimacy of women-led genre shows, women showrunners and producers, and the largely women-identified fan base, who have long loved science fiction, but have not felt accurately represented in male-centric products. Through qualitative analysis of interviews with Andras and Wynonna Earp fans, this article shows how Andras’s voice as screenwriter, leadership as showrunner, and engagement with fans on social media, demonstrates respect for fans as active and valued media partners, rather than market to be exploited.
获胜“礼貌,不寒而栗”:艾米丽·安德拉斯如何吸引粉丝,并在《薇诺娜·厄普》中克服有问题的比喻
和其他成功的类型剧一样,《温诺娜·厄普》也有一个强势的女主角。然而,维诺娜不仅仅是一个“拿着一把大屁股枪的女孩”。在这个艾米丽·安德拉斯的案例研究中,我探讨了以女性为中心的写作和安德拉斯与粉丝的互动,是如何将维诺娜·厄普从一个过度性感的漫画人物转变为一个女权主义者的偶像,她充满了细微差别,打破性别规范的速度比复仇者还快。安德拉斯的领导能力,她加入了LGBTQIA的代表,拒绝屈服于“埋葬你的同性恋”的隐喻,也帮助聚集了一个充满激情、忠诚的粉丝群,在节目面临被取消后,成功地说服了制片人拍摄第四季。《薇诺娜·厄普》和《为薇诺娜而战》的成功,巩固了女性主导的类型剧、女性制片人和女性粉丝群的合法性。长期以来,女性粉丝一直喜欢科幻小说,但她们觉得自己在以男性为中心的产品中没有得到准确的体现。通过对Andras和Wynonna Earp粉丝的访谈进行定性分析,本文展示了Andras作为编剧的声音,作为制片人的领导力,以及在社交媒体上与粉丝的互动,如何表现出对粉丝作为活跃和有价值的媒体合作伙伴的尊重,而不是被利用的市场。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.80
自引率
0.00%
发文量
21
期刊介绍: The Journal of Screenwriting aims to explore the nature of writing for the moving image in the broadest sense, highlighting current academic thinking around scriptwriting whilst also reflecting on this with a truly international perspective and outlook. The journal will encourage the investigation of a broad range of possible methodologies and approaches to studying the scriptwriting form, in particular: the history of the form, contextual analysis, the process of writing for the moving image, the relationship of scriptwriting to the production process and how the form can be considered in terms of culture and society. The journal also aims to encourage research in the field of screenwriting and the linking of scriptwriting practice to academic theory, and to support and promote conferences and networking events on this subject.
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