Journal of Screenwriting最新文献

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Script Analysis 脚本分析
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-07-19 DOI: 10.4324/9781003138853
James Shelton
{"title":"Script Analysis","authors":"James Shelton","doi":"10.4324/9781003138853","DOIUrl":"https://doi.org/10.4324/9781003138853","url":null,"abstract":"Review of: Script Analysis: Deconstructing Screenplay Fundamentals, James Bang (2022)\u0000 Abingdon: Routledge, 180 pp.,\u0000 ISBN 978-1-00313-885-3, e-book, £26.99","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42552981","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Writing for instructional screens: Expanding the scope for screenwriting practitioners 为教学屏幕写作:扩大编剧从业者的范围
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-07-01 DOI: 10.1386/josc_00096_1
Susan Cake
{"title":"Writing for instructional screens: Expanding the scope for screenwriting practitioners","authors":"Susan Cake","doi":"10.1386/josc_00096_1","DOIUrl":"https://doi.org/10.1386/josc_00096_1","url":null,"abstract":"At the beginning of the pandemic, discussions in the Screenwriting Research Network questioned the validity of educating students for limited career opportunities as future screenwriters. Research into graduate pathways suggests employment opportunities for creative practitioners are far more complex with many creative practitioners embedded in diverse industries such as marketing, information technology and, primarily, the education sector. The rapid growth of online education presents a key opportunity for screenwriters to apply their craft skills and knowledge to an alternative disciplinary context. Storytelling, as a means of engaging learners or an audience, is a major area of overlap for screenwriters and designers of instructional resources. Stories that emotionally engage an audience have greater impact on the learner and assist in memory retention. A key tool for emotional engagement is the use of humour which has also been shown to facilitate learning. Writers of narrative comedy possess skills in creating humorous situations that can present challenging or serious topics through a comic perspective. This article argues that the growth in online education presents screenwriting graduates with unique opportunities to apply their skills to an alternative discipline that can streamline their transition to a career in writing for screens beyond traditional film and television.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43878810","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In defence of deus ex machina 为机器解围辩护
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-07-01 DOI: 10.1386/josc_00091_1
Veiko Vaatmann
{"title":"In defence of deus ex machina","authors":"Veiko Vaatmann","doi":"10.1386/josc_00091_1","DOIUrl":"https://doi.org/10.1386/josc_00091_1","url":null,"abstract":"The use of the deus ex machina in modern films is examined in this article. The deus ex machina is a device which is sometimes brought into play in a story as a last-resort effort to save the protagonist by an unexpected external force. Although the use of the device in ancient Greek drama has been rehabilitated, the same cannot be said about its modern use. Because the deus ex machina undermines the audience’s expectations for a story’s resolution, thus decreasing their emotional involvement, in screenwriting manuals, this device is often considered a cheap plot trick or a sign of bad writing. In this article, the functions that the device serves in ancient Greek drama are compared to some of its more successful uses in film narratives, demonstrating that it is a valuable tool which can effectively convey (among other things) a message of unity and hope.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44566353","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jenő Janovics: Michel Curtiz’s first screenwriter 詹约·雅诺维奇:米歇尔·柯蒂斯的第一位编剧
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-07-01 DOI: 10.1386/josc_00095_1
B. Zágoni
{"title":"Jenő Janovics: Michel Curtiz’s first screenwriter","authors":"B. Zágoni","doi":"10.1386/josc_00095_1","DOIUrl":"https://doi.org/10.1386/josc_00095_1","url":null,"abstract":"Jenő Janovics was Transylvania’s pioneer in film and one of the first screenwriter–producers in the Austro-Hungarian Empire. He discovered talents like Michael Curtiz and Sir Alexander Korda. He wrote 31 film scripts, of which only one has survived: A tolonc (The Exile) and the silent film made from it, is the only remaining testimony of Curtiz’s and Janovics’s collaboration. In 2022, we commemorate the 60-year anniversary of the death of the former and 150 years from the birth of the latter. While all the known articles so far focus on Janovics’s legacy as a producer or a director, this article attempts to draw a portrait of Janovics the screenwriter, demonstrating his screenwriting qualities and his joint creative process with Curtiz in the case of A tolonc.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45007074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Screenwriter’s Companion: Instruction, Opinion, Encouragement, Joseph Dougherty (2022) 编剧的伴侣:指导、意见、鼓励,约瑟夫·多尔蒂(2022)
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-07-01 DOI: 10.1386/josc_00097_5
B. Davies
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引用次数: 0
Directory of World Cinema: Africa, Blandine Stefanson and Sheila Petty (eds) (2014) 世界电影目录:非洲,布兰丁·斯蒂芬森和希拉·佩蒂(编辑)(2014)
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-07-01 DOI: 10.1386/josc_00098_5
R. Ferrell
{"title":"Directory of World Cinema: Africa, Blandine Stefanson and Sheila Petty (eds) (2014)","authors":"R. Ferrell","doi":"10.1386/josc_00098_5","DOIUrl":"https://doi.org/10.1386/josc_00098_5","url":null,"abstract":"Review of: Directory of World Cinema: Africa, Blandine Stefanson and Sheila Petty (eds) (2014)\u0000Bristol: Intellect Books, 420 pp.,\u0000ISBN 978-1-78320-391-8, p/bk, £43.00","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44675379","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The dramatization of the shepherd warrior in Christopher Marlowe’s Tamburlaine and the Jordanian drama Bedouin series Rās Ghlaiṣ (‘The head of Ghlaiṣ’) Christopher Marlowe的《Tamburlaine》和约旦戏剧贝都因人系列Rās ghlaiza(“ghlaiza的头”)中牧羊人战士的戏剧化
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-07-01 DOI: 10.1386/josc_00092_1
Hussein A. Alhawamdeh, Feras M. Alwaraydat
{"title":"The dramatization of the shepherd warrior in Christopher Marlowe’s Tamburlaine and the Jordanian drama Bedouin series Rās Ghlaiṣ (‘The head of Ghlaiṣ’)","authors":"Hussein A. Alhawamdeh, Feras M. Alwaraydat","doi":"10.1386/josc_00092_1","DOIUrl":"https://doi.org/10.1386/josc_00092_1","url":null,"abstract":"Parts 1 and 2 of the Arab Jordanian series Rās Ghlaiṣ (‘The head of Ghlaiṣ’) (2006–08), written by Jordanian screenwriter Muṣṭafā Ṣāliḥ and directed by Aḥmad D‘aibis and Sha‘lān al-Dabbās, share three ‘common denominators’, in Haun Saussy’s terminology, with Christopher Marlowe’s Tamburlaine the Great, Parts 1 and 2 (1587): (1) the shepherd character as a monstrous despot, (2) pastoral love of the shepherds and (3) the mobilization of nations/tribes to take revenge against Tamburlaine/Ghlaiṣ. Ṣāliḥ’s delineation of the nomadic hero Ghlaiṣ is similar to the Marlovian model of Tamburlaine in a time of war and love. Ghlaiṣ, as an Arab Jordanian Tamburlaine, seeks in a Machiavellian manner an ultimate rule and control over all nomadic tribes in the Jordanian desert and behaves as a monstrous lover. This article takes two pieces of literature from two different cultures as an example of the adaptability of screen narrative to the scope of comparative literature and appropriation studies, showing simultaneously the experience of Jordanian screenwriters as one example of what Craig Batty calls the ‘screenwriting turn’ (2014: 1). Both Marlowe and Ṣāliḥ dramatize the shepherd despots to warn against the threat of colonial and imperial ambitions and models.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41963207","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The biopic screenplay as a research output: Towards a working definition of narrative fiction filmmaking methodology 作为研究成果的传记电影剧本:走向叙事小说电影制作方法的工作定义
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-07-01 DOI: 10.1386/josc_00093_1
Michael Bentham
{"title":"The biopic screenplay as a research output: Towards a working definition of narrative fiction filmmaking methodology","authors":"Michael Bentham","doi":"10.1386/josc_00093_1","DOIUrl":"https://doi.org/10.1386/josc_00093_1","url":null,"abstract":"Can the writing of a screenplay or the making of a narrative fiction film be considered a form of academic research? This will be a familiar question for those professional filmmakers entering the academy. To answer this question, scholars of screenwriting and screen production face the difficulty of articulating their creative practice as research within the broader institutional research cultures of the academy. This article seeks to overcome this difficulty by reflecting on the methods employed in the process of screenwriting a biopic about British boxer Randolph Turpin. To demonstrate how screenwriting and screen production practice generates and disseminates new knowledge, I offer a working definition of narrative fiction filmmaking as methodology, where mise en scène is shown to operate as a core reflective strategy.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47341499","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
How we role: The collaborative role-playing poetics of the Secret Story Network 我们的角色扮演:秘密故事网络的合作角色扮演诗学
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-07-01 DOI: 10.1386/josc_00094_1
Brad Gyori, A. Zaluczkowska
{"title":"How we role: The collaborative role-playing poetics of the Secret Story Network","authors":"Brad Gyori, A. Zaluczkowska","doi":"10.1386/josc_00094_1","DOIUrl":"https://doi.org/10.1386/josc_00094_1","url":null,"abstract":"In 2018, a group of ten academics and industry professionals created ‘The Secret Story Network’. This practice-research initiative produced ten 60–90-minute role-playing games conducted on the social media platform WhatsApp. In the process, we worked to identify and refine design strategies that incentivize engagement with the type of narrative collaboration that media scholars commonly call ‘collective storytelling’. Via the participatory action research methodology, this study evolved through cycles of prototyping, testing, feedback, reflection and modification. This article analyses our study in relation to the ‘Threefold Word Model’ for RPGs proposed by Kim. Based on the affordances of the WhatsApp interface, we suggest a modification of this conceptual frame, in line with scholars such as Edwards, Bøckman and Bowman that extends investigations into four theoretical lenses that we use to examine the stories in our study. These modes are (1) drama, (2) game, (3) simulation and (4) immersion. The observations made also suggest new avenues for ‘writing’ and creating interactive digital narratives.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49593342","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Creative Practice Research in the Age of Neoliberal Hopelessness, Agnieszka Piotrowska (ed.) (2020) 《新自由主义绝望时代的创造性实践研究》,Agnieszka Piotrowska(编)(2020)
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-07-01 DOI: 10.1386/josc_00099_5
James Shelton
{"title":"Creative Practice Research in the Age of Neoliberal Hopelessness, Agnieszka Piotrowska (ed.) (2020)","authors":"James Shelton","doi":"10.1386/josc_00099_5","DOIUrl":"https://doi.org/10.1386/josc_00099_5","url":null,"abstract":"Review of: Creative Practice Research in the Age of Neoliberal Hopelessness, Agnieszka Piotrowska (ed.) (2020)\u0000Edinburgh: Edinburgh University Press, 326 pp.,\u0000ISBN 978-1-47446-356-0, h/bk, £85.00","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44386701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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