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Journal of Screenwriting最新文献

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Henson and Juhl’s Tale of Sand: From lost archive to graphic novel and illustrated screenplay Henson和Juhl的《沙的故事》：从丢失的档案到平面小说和插图剧本
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-11-01 DOI: 10.1386/josc_00102_1
C. Figueiredo
{"title":"Henson and Juhl’s Tale of Sand: From lost archive to graphic novel and illustrated screenplay","authors":"C. Figueiredo","doi":"10.1386/josc_00102_1","DOIUrl":"https://doi.org/10.1386/josc_00102_1","url":null,"abstract":"In the interval between the production of the short films Time Piece (released in 1965) and The Cube (released in 1969), Jim Henson and Jerry Juhl wrote the first draft of Tale of Sand, with the aim of adapting it into a feature-length film one day. However, both Henson and Juhl eventually became involved in other projects, so their manuscript remained forgotten for several years and the film was never produced. Found after some decades in The Jim Henson Company’s archives, the screenplay was adapted into an award-winning graphic novel in 2011 and three years later it was published as an illustrated screenplay, both with illustrations by Ramon K. Pérez. In this article, I analyse the graphic novel as an adaptation of the original screenplay, briefly focusing on how it combines different media types and production paratexts. Then, I examine the illustrated screenplay, its medial characteristics as well as its relevance within the adaptive/editorial project. The investigation considers the cultural and economic contexts of production and publication of screenplays, and their impact on adaptive choices and practices.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49069374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reginald Rose and the Journey of 12 Angry Men, Phil Rosenzweig (2021) 《雷金纳德·罗斯与十二怒汉之旅》，菲尔·罗森茨威格(2021)
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-11-01 DOI: 10.1386/josc_00110_5
Rosanne Welch
{"title":"Reginald Rose and the Journey of 12 Angry Men, Phil Rosenzweig (2021)","authors":"Rosanne Welch","doi":"10.1386/josc_00110_5","DOIUrl":"https://doi.org/10.1386/josc_00110_5","url":null,"abstract":"Review of: Reginald Rose and the Journey of 12 Angry Men, Phil Rosenzweig (2021)\u0000 New York: Fordham University Press, 315 pp.,\u0000 ISBN 978-0-82329-774-0, h/bk, $18.96\u0000 ISBN 1531502962, p/bk, $19.99\u0000 ISBN 978-0-82329-774-0, e-book, $12.99","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42803735","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rethinking our protagonists: Absence on screen and meta-narratives of empire 重新思考我们的主角:银幕上的缺席和帝国的元叙事
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-11-01 DOI: 10.1386/josc_00106_1
Sheridan Humphreys
{"title":"Rethinking our protagonists: Absence on screen and meta-narratives of empire","authors":"Sheridan Humphreys","doi":"10.1386/josc_00106_1","DOIUrl":"https://doi.org/10.1386/josc_00106_1","url":null,"abstract":"In this article I argue that responsibility for diversity needs to be inbuilt at a much earlier stage in the screen drama production process – from the very moment, indeed, when protagonists and plotlines are first conceived. Genuine diversity is everyone’s responsibility, not just the ‘diversity manager’ or ‘diversity initiative’. This is an issue for screenwriters, for the education of screenwriters and it is something that screenwriting research needs to explore. My focus falls here on historical drama, for which I argue that inbuilt diversity is especially pressing. Populist ideas about the past impact the lives of ethnic minorities today, and are perpetuated by invisibility, which is then treated as evidence of that same invisibility. I explore how Britain’s relationship with colonial Australia is understood – and perpetuated – through the meta-narrative of Empire and culture and how this informs my approach to my own writing practice. This article is based on the papers presented at the 2017 Screenwriting Research Network (SRN) conference, University of Otago, Dunedin; the 2019 European Association of Studies of Australia (EASA) Conference in Toulon, and at the 2019 Australian Association of Writing Programs (AAWP) conference, University of Technology, Sydney.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42466479","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reading the docufiction script: Harnessing the thin line between facts and fiction 阅读纪录片剧本：把握事实与虚构之间的细线
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-11-01 DOI: 10.1386/josc_00107_1
J. Iwuh, Nicodemus Adai Patrick
{"title":"Reading the docufiction script: Harnessing the thin line between facts and fiction","authors":"J. Iwuh, Nicodemus Adai Patrick","doi":"10.1386/josc_00107_1","DOIUrl":"https://doi.org/10.1386/josc_00107_1","url":null,"abstract":"The ethical issues raised by merging facts and fiction in docufiction screenplays as a genre suitable for social impact storytelling still linger. Hence, for the intended message to be effectively passed, the genre, formatting and narrative technique have to be clearly established for the readership’s consumption. Therefore, this article will investigate how facts are reinforced by fiction in docufiction. Textual analysis of Nicodemus Adai Patrick and John Iwuh’s is employed in exploring narrative techniques and formatting as indicators of the proportion of facts and fiction in a docufiction screenplay. It concludes that docufiction is a deliberate document with a mission in which the fact supplies the foundation on which fiction stands. Pre-knowledge of the embedded fact is primal to a deeper appreciation of a docufiction. It concludes that the readership’s level of comprehension and satisfaction will be enhanced if the thin line between facts and fiction is spotted.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46595962","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Spinning and singing: Exploring memory and gender non-conformity through screenwriting for publication first 旋转和歌唱:通过剧本探索记忆和性别不一致性
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-11-01 DOI: 10.1386/josc_00104_1
D. Baker
{"title":"Spinning and singing: Exploring memory and gender non-conformity through screenwriting for publication first","authors":"D. Baker","doi":"10.1386/josc_00104_1","DOIUrl":"https://doi.org/10.1386/josc_00104_1","url":null,"abstract":"This article discusses a short screenplay written for publication first, rather than production, and how this approach enabled the writer to explore fringe or non-commercial topics, specifically male gender non-conformity and queer identity formation. Shifting the focus of screenwriting from the sole goal of production to a twin goal of publication first and then production opened up a number of creative and scholarly avenues for the writer and means that the script will find an audience (a readership) irrespective of production. It also means that the textual qualities of the script are foregrounded. The script and this article explore the notion of effeminacy as a non-normative gender of considerable discursive potency that simultaneously disrupts both masculinity and femininity. The screenplay and this article also explore the relationship between memory and identity, arguing that interventions into memory contribute to the shaping of queer identity. The screenplay foregrounds dialogue as a textual strategy to enhance the readability of the screenplay and position it firmly as a textual or literary artefact.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44410419","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Script Analysis 脚本分析
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-07-19 DOI: 10.4324/9781003138853
James Shelton
{"title":"Script Analysis","authors":"James Shelton","doi":"10.4324/9781003138853","DOIUrl":"https://doi.org/10.4324/9781003138853","url":null,"abstract":"Review of: Script Analysis: Deconstructing Screenplay Fundamentals, James Bang (2022)\u0000 Abingdon: Routledge, 180 pp.,\u0000 ISBN 978-1-00313-885-3, e-book, £26.99","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42552981","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Writing for instructional screens: Expanding the scope for screenwriting practitioners 为教学屏幕写作：扩大编剧从业者的范围
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-07-01 DOI: 10.1386/josc_00096_1
Susan Cake
{"title":"Writing for instructional screens: Expanding the scope for screenwriting practitioners","authors":"Susan Cake","doi":"10.1386/josc_00096_1","DOIUrl":"https://doi.org/10.1386/josc_00096_1","url":null,"abstract":"At the beginning of the pandemic, discussions in the Screenwriting Research Network questioned the validity of educating students for limited career opportunities as future screenwriters. Research into graduate pathways suggests employment opportunities for creative practitioners are far more complex with many creative practitioners embedded in diverse industries such as marketing, information technology and, primarily, the education sector. The rapid growth of online education presents a key opportunity for screenwriters to apply their craft skills and knowledge to an alternative disciplinary context. Storytelling, as a means of engaging learners or an audience, is a major area of overlap for screenwriters and designers of instructional resources. Stories that emotionally engage an audience have greater impact on the learner and assist in memory retention. A key tool for emotional engagement is the use of humour which has also been shown to facilitate learning. Writers of narrative comedy possess skills in creating humorous situations that can present challenging or serious topics through a comic perspective. This article argues that the growth in online education presents screenwriting graduates with unique opportunities to apply their skills to an alternative discipline that can streamline their transition to a career in writing for screens beyond traditional film and television.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43878810","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jenő Janovics: Michel Curtiz’s first screenwriter 詹约·雅诺维奇:米歇尔·柯蒂斯的第一位编剧
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-07-01 DOI: 10.1386/josc_00095_1
B. Zágoni
{"title":"Jenő Janovics: Michel Curtiz’s first screenwriter","authors":"B. Zágoni","doi":"10.1386/josc_00095_1","DOIUrl":"https://doi.org/10.1386/josc_00095_1","url":null,"abstract":"Jenő Janovics was Transylvania’s pioneer in film and one of the first screenwriter–producers in the Austro-Hungarian Empire. He discovered talents like Michael Curtiz and Sir Alexander Korda. He wrote 31 film scripts, of which only one has survived: A tolonc (The Exile) and the silent film made from it, is the only remaining testimony of Curtiz’s and Janovics’s collaboration. In 2022, we commemorate the 60-year anniversary of the death of the former and 150 years from the birth of the latter. While all the known articles so far focus on Janovics’s legacy as a producer or a director, this article attempts to draw a portrait of Janovics the screenwriter, demonstrating his screenwriting qualities and his joint creative process with Curtiz in the case of A tolonc.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45007074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In defence of deus ex machina 为机器解围辩护
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-07-01 DOI: 10.1386/josc_00091_1
Veiko Vaatmann
{"title":"In defence of deus ex machina","authors":"Veiko Vaatmann","doi":"10.1386/josc_00091_1","DOIUrl":"https://doi.org/10.1386/josc_00091_1","url":null,"abstract":"The use of the deus ex machina in modern films is examined in this article. The deus ex machina is a device which is sometimes brought into play in a story as a last-resort effort to save the protagonist by an unexpected external force. Although the use of the device in ancient Greek drama has been rehabilitated, the same cannot be said about its modern use. Because the deus ex machina undermines the audience’s expectations for a story’s resolution, thus decreasing their emotional involvement, in screenwriting manuals, this device is often considered a cheap plot trick or a sign of bad writing. In this article, the functions that the device serves in ancient Greek drama are compared to some of its more successful uses in film narratives, demonstrating that it is a valuable tool which can effectively convey (among other things) a message of unity and hope.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44566353","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Screenwriter’s Companion: Instruction, Opinion, Encouragement, Joseph Dougherty (2022) 编剧的伴侣:指导、意见、鼓励，约瑟夫·多尔蒂(2022)
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-07-01 DOI: 10.1386/josc_00097_5
B. Davies
{"title":"A Screenwriter’s Companion: Instruction, Opinion, Encouragement, Joseph Dougherty (2022)","authors":"B. Davies","doi":"10.1386/josc_00097_5","DOIUrl":"https://doi.org/10.1386/josc_00097_5","url":null,"abstract":"Review of: A Screenwriter’s Companion: Instruction, Opinion, Encouragement, Joseph Dougherty (2022)\u0000Columbus, OH: Fayetteville Mafia Press, 222 pp.,\u0000ISBN 978-1-94902-439-5, p/bk, $19.99","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48084998","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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