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Journal of Screenwriting最新文献

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Beyond the Hero’s Journey: Creating Powerful and Original Character Arcs for the Screen, Anthony Mullins (2022) 《超越英雄之旅:为银幕创造强大而原创的人物弧》，安东尼·马林斯(2022)
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2023-04-13 DOI: 10.1386/josc_00117_5
R. Ferrell
{"title":"Beyond the Hero’s Journey: Creating Powerful and Original Character Arcs for the Screen, Anthony Mullins (2022)","authors":"R. Ferrell","doi":"10.1386/josc_00117_5","DOIUrl":"https://doi.org/10.1386/josc_00117_5","url":null,"abstract":"Review of: Beyond the Hero’s Journey: Creating Powerful and Original Character Arcs for the Screen, Anthony Mullins (2022)\u0000 Harpenden: Kamera Books, 320 pp.,\u0000 ISBN 978-0-85730-511-4, p/bk, AUD 27.95","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42454889","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Re-defining the Character Arc through Berger and Luckmann’s The Social Construction of Reality 从伯杰和卢克曼的《现实的社会建构》重新定义人物弧线
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2023-04-13 DOI: 10.1386/josc_00116_1
Michael Welles Schock
{"title":"Re-defining the Character Arc through Berger and Luckmann’s The Social Construction of Reality","authors":"Michael Welles Schock","doi":"10.1386/josc_00116_1","DOIUrl":"https://doi.org/10.1386/josc_00116_1","url":null,"abstract":"Although a prominent characteristic of western cinematic narratives, the structure of psychological transformation known as the Character Arc remains ill-defined. Currently popular models based on value judgements demonstrate significant shortcomings, particularly the inability to account for the relativity of such judgements from one narrative context to the next. To rectify such issues, this article proposes a re-definition of the cinematic Character Arc using concepts obtained from Peter L. Berger and Thomas Luckmann’s book, The Social Construction of Reality. This new definition reframes the Character Arc as a dialectic between the ‘subjective reality’ of the protagonist and the ‘objective reality’ of the primary sphere of diegetic action. Through environmental friction and the acquisition of new knowledge, a protagonist’s initially incongruent mental model undergoes a process of re-socialization, creating a more objective comprehension of the demands or necessities of the story world and its social phenomena. The drama of a Character Arc is frequently informed by a clash of multiple ‘realities’, producing various complexities in form.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48905421","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editorial 社论
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2023-04-13 DOI: 10.1386/josc_00111_2
Craig Batty
{"title":"Editorial","authors":"Craig Batty","doi":"10.1386/josc_00111_2","DOIUrl":"https://doi.org/10.1386/josc_00111_2","url":null,"abstract":"This editorial introduces the 14.1 issue of the Journal of Screenwriting. It provides an overview of the articles in the issue and makes reference to the 2022 Screenwriting Research Network (SRN) conference held at the University of Vienna, which was the first face-to-face conference of the SRN in three years.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42088070","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Sun and Her Stars: Salka Viertel and Hitler’s Exiles in the Golden Age of Hollywood, Donna Rifkin (2020) 《太阳和她的星星:好莱坞黄金时代的萨尔卡·维尔特尔和希特勒的流亡者》，唐娜·里夫金(2020)
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2023-04-13 DOI: 10.1386/josc_00119_5
Rosanne Welch
{"title":"The Sun and Her Stars: Salka Viertel and Hitler’s Exiles in the Golden Age of Hollywood, Donna Rifkin (2020)","authors":"Rosanne Welch","doi":"10.1386/josc_00119_5","DOIUrl":"https://doi.org/10.1386/josc_00119_5","url":null,"abstract":"Review of: The Sun and Her Stars: Salka Viertel and Hitler’s Exiles in the Golden Age of Hollywood, Donna Rifkin (2020)\u0000 New York City: Other Press, 560 pp.,\u0000 ISBN 978-1-59051-721-5, h/bk, $21.00","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48600636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Piloting audience emotion for the television anti-heroine: Gender and immorality 电视反女主角引导观众情绪：性别与不道德
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2023-04-13 DOI: 10.1386/josc_00113_1
Levi Dean
{"title":"Piloting audience emotion for the television anti-heroine: Gender and immorality","authors":"Levi Dean","doi":"10.1386/josc_00113_1","DOIUrl":"https://doi.org/10.1386/josc_00113_1","url":null,"abstract":"The principal aim of this article is to explore how screenwriters can guide audience emotions with respect to the television anti-heroine and encourage their engagement. The model ‘piloting audience emotion for the television anti-heroine’ will be presented as a screenwriting tool to encourage audience engagement by sequencing specific emotional responses at key points in a pilot episode. This framework is the result of the author’s research that explored how audience engagement with a television anti-heroine can be encouraged and comprised of the development of a television show titled Angela. Discoveries made during practice were used to synthesize Aristotle’s understanding of pity, fear and catharsis with Murray Smith’s structure of sympathy. The model that arose is not an absolute approach, but regardless of its veracity, the conclusions drawn will at the very least promote scholarship concerning the creative development of an anti-heroine screenplay. Before the framework and the specific components comprising it are critically unpacked, the term emotion is first defined within the context of this article.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49364121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bryan Fuller’s Hannibal: Cannibalizing the canon 布莱恩·富勒的《汉尼拔:蚕食经典》
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-11-01 DOI: 10.1386/josc_00105_1
Ryan Taylor
{"title":"Bryan Fuller’s Hannibal: Cannibalizing the canon","authors":"Ryan Taylor","doi":"10.1386/josc_00105_1","DOIUrl":"https://doi.org/10.1386/josc_00105_1","url":null,"abstract":"American storytelling has been dominated by White heterosexual men and such scripts/stories disseminate messages that support their authority by narratively or symbolically subjugating competing identities. Consequently, in order to open texts up to diverse meanings/representations, fans create their own works which better serve their desires/needs (what Henry Jenkins referred to as ‘textual poaching’ in 1992). But what happens when, having been given control of a canonical text, the fan becomes the scriptwriter who modifies the source material to reflect their own civic commitments? How might they differently negotiate White heterosexual men’s hierarchical authority and the subjugation of marginalized identities? The scripts for Hannibal (NBC 2013–15) allow us to answer such questions. In adapting Thomas Harris’s Hannibal Lecter novels to television, scriptwriter Bryan Fuller reconfigured and reshaped (rather than retold) the source material in a way which reflects the transformational practices of fan fiction. In what ways might Fuller’s reconfigured teleplays provide a platform for marginalized perspectives (and thus challenge the White heterosexual male’s dominance of the source text)? What is the discursive function of the scriptwriter in reshaping source material in order to speak to/for/about diverse and pluralistic identities? How might (and why does) Bryan Fuller’s scripts cannibalize the canon?","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43579886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
What we cannot see in Sound of Metal and Her Smell: Interplays of awareness, perspective and language in the screenplay text 我们在《金属之声》和《她的气味》中看不到的东西：意识、视角和语言在剧本文本中的互动
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-11-01 DOI: 10.1386/josc_00101_1
Carina Böhm
{"title":"What we cannot see in Sound of Metal and Her Smell: Interplays of awareness, perspective and language in the screenplay text","authors":"Carina Böhm","doi":"10.1386/josc_00101_1","DOIUrl":"https://doi.org/10.1386/josc_00101_1","url":null,"abstract":"A common belief in screenwriting practice dictates that a screenplay should only include what can be heard and seen, keep emotions at bay and avoid literary inflections. Perspective, however, only becomes visible with the limitations of its visibility. What cannot be seen can be as meaningful for the story as what can. In considering the collaborative translation process from what is written to what is filmed, I will investigate the communicative effects of using different storytelling languages in the writing of perspective. Establishing the interrelationship of perspective, awareness and languages, this article will analyse examples from two screenplays, The Sound of Metal and Her Smell, to explore the different impacts of writing styles on awareness and perspective in telling the screen story. I will argue that processes of individual and collaborative awareness play a crucial role in screenwriting to communicate outside and inside perspectives of character.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47905431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The power of schism: Unconventional narrative structure in No Country for Old Men 分裂的力量：《老无所依》的非传统叙事结构
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-11-01 DOI: 10.1386/josc_00103_1
Christopher Neilan
{"title":"The power of schism: Unconventional narrative structure in No Country for Old Men","authors":"Christopher Neilan","doi":"10.1386/josc_00103_1","DOIUrl":"https://doi.org/10.1386/josc_00103_1","url":null,"abstract":"Whilst screenwriting handbooks have popularized and disseminated practical approaches to writing the screenplay and, to a certain extent, demystified and perhaps even democratized the process of screenplay creation and development, they have also solidified a restrictive doxa which delegitimizes unconventional structural approaches and, in doing so, solidifies a homogenized story product which tends to replicate different variations of the same dominant ideology. In this article I argue for a change in focus within screenwriting theory and the development process, towards an understanding of the meaning produced by the conventional model and the meanings that can be produced by alternative models, and away from the replication of the conventional, through an analysis of a particularly unconventional structural schism in the Coen brothers’ .","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45609696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Scene Writing: The Missing Manual for Screenwriters, Chris Perry and Eric Henry Sanders (2022) 《遗失的编剧手册》克里斯·佩里、埃里克·亨利·桑德斯(2022)
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-11-01 DOI: 10.1386/josc_00108_5
Warren Lewis
{"title":"Scene Writing: The Missing Manual for Screenwriters, Chris Perry and Eric Henry Sanders (2022)","authors":"Warren Lewis","doi":"10.1386/josc_00108_5","DOIUrl":"https://doi.org/10.1386/josc_00108_5","url":null,"abstract":"Review of: Scene Writing: The Missing Manual for Screenwriters, Chris Perry and Eric Henry Sanders (2022)\u0000 London: Bloomsbury Academic, 245 pp.\u0000 ISBN 978-1-50135-212-6, p/bk, USD 24.95, CAD 32.76","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41267793","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Textual perspectives: Screenwriting styles, modes and languages 文本视角：编剧风格、模式和语言
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-11-01 DOI: 10.1386/josc_00100_2
Romana Turina, Gabrielle Tremblay
{"title":"Textual perspectives: Screenwriting styles, modes and languages","authors":"Romana Turina, Gabrielle Tremblay","doi":"10.1386/josc_00100_2","DOIUrl":"https://doi.org/10.1386/josc_00100_2","url":null,"abstract":"While addressing the question of screenplay textuality, this Special Issue takes a close interest in the ‘media thickness’ of the screenplay in its textual form. In doing so, we wish to contribute to the exploration and affirmation of scenaristic processes as both cultural and intermedial practices, as in general, screenwriting and screenplays are indeed to be considered at the crossroads of different artistic, mediatic and social fields. This is a flexible editorial posture and assumed as such, one which above all aims to consider the constitutive plurality of given textual practices, not only in terms of conceptual and social anchoring, but also of styles, modes and languages.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43648449","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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