Henson和Juhl的《沙的故事》:从丢失的档案到平面小说和插图剧本

IF 0.4 4区 艺术学 0 FILM, RADIO, TELEVISION
C. Figueiredo
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引用次数: 0

摘要

在短片《Time Piece》(1965年上映)和《the Cube》(1969年上映)的制作间隙,吉姆·亨森和杰里·尤尔撰写了《沙的故事》的初稿,目的是有朝一日将其改编成长篇电影。然而,Henson和Juhl最终都参与了其他项目,因此他们的手稿被遗忘了好几年,电影也从未制作出来。在吉姆·汉森公司的档案中发现了几十年后,该剧本于2011年被改编成一部获奖的平面小说,三年后以插图剧本的形式出版,两部电影都有拉蒙·K·佩雷斯的插图。在这篇文章中,我分析了这部改编自原剧本的平面小说,简要地关注了它是如何将不同的媒体类型和制作副文本结合在一起的。然后,我检查了插图剧本,它的中间特征以及它在改编/编辑项目中的相关性。调查考虑了电影剧本制作和出版的文化和经济背景,以及它们对适应性选择和实践的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Henson and Juhl’s Tale of Sand: From lost archive to graphic novel and illustrated screenplay
In the interval between the production of the short films Time Piece (released in 1965) and The Cube (released in 1969), Jim Henson and Jerry Juhl wrote the first draft of Tale of Sand, with the aim of adapting it into a feature-length film one day. However, both Henson and Juhl eventually became involved in other projects, so their manuscript remained forgotten for several years and the film was never produced. Found after some decades in The Jim Henson Company’s archives, the screenplay was adapted into an award-winning graphic novel in 2011 and three years later it was published as an illustrated screenplay, both with illustrations by Ramon K. Pérez. In this article, I analyse the graphic novel as an adaptation of the original screenplay, briefly focusing on how it combines different media types and production paratexts. Then, I examine the illustrated screenplay, its medial characteristics as well as its relevance within the adaptive/editorial project. The investigation considers the cultural and economic contexts of production and publication of screenplays, and their impact on adaptive choices and practices.
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来源期刊
CiteScore
0.80
自引率
0.00%
发文量
21
期刊介绍: The Journal of Screenwriting aims to explore the nature of writing for the moving image in the broadest sense, highlighting current academic thinking around scriptwriting whilst also reflecting on this with a truly international perspective and outlook. The journal will encourage the investigation of a broad range of possible methodologies and approaches to studying the scriptwriting form, in particular: the history of the form, contextual analysis, the process of writing for the moving image, the relationship of scriptwriting to the production process and how the form can be considered in terms of culture and society. The journal also aims to encourage research in the field of screenwriting and the linking of scriptwriting practice to academic theory, and to support and promote conferences and networking events on this subject.
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