Journal of Screenwriting最新文献_第2页

Inclusive Screenwriting for Film and Television, Jess King (2022) 最佳影视编剧:杰斯·金

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2023-07-01 DOI: 10.1386/josc_00125_5

Madison río de Estrellas

引用次数: 0

Editorial 编辑

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2023-07-01 DOI: 10.1386/josc_00127_2

Craig Batty

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Narrative structures in Colombian fictional web series published on YouTube 在YouTube上发布的哥伦比亚虚构网络系列的叙事结构

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2023-06-19 DOI: 10.1386/josc_00123_1

Diego F. Montoya-Bermúdez, María T. Soto-Sanfiel

{"title":"Narrative structures in Colombian fictional web series published on YouTube","authors":"Diego F. Montoya-Bermúdez, María T. Soto-Sanfiel","doi":"10.1386/josc_00123_1","DOIUrl":"https://doi.org/10.1386/josc_00123_1","url":null,"abstract":"This research seeks to contribute to knowledge of the structural characteristics and narrative complexity that define the web series format. To do so, we look at the case of Colombia’s prolific web series production, undertaken by professional and amateur producers and promoted by institutional and educational programmes. This research analyses the structure of 26 productions (thirteen professional, thirteen amateur) using a mixed-methods approach and an exploratory-descriptive scope. It uses analytical tools created inspired by narratology. Specifically, it offers data that allow us to develop the definition of web series: characteristics of their plots, characters, aspects of narration (time, mood, voice) and forms of endings. The results indicate that Colombian web series mostly present traditional serialized narrative structures and plot simplicity. They have linear, chronological and elliptical narratives developed in the present tense. They also tend to tell a single narrative, albeit through different stories, and leave open endings. Finally, there are only slight differences in these aspects between the two types of producers. These results, based on a specific geographical and industrial context, contribute to knowledge of web series form and its relationship to conventional serialized fiction.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46773864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Discontinuous aesthetics as a result of collaborative screenwriting: A genetic approach to John Berger and Alain Tanner’s screenplays1 合作编剧带来的不连续美学:约翰·伯杰和阿兰·坦纳剧本的遗传分析[j]

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2023-06-07 DOI: 10.1386/josc_00120_1

Alain Boillat

{"title":"Discontinuous aesthetics as a result of collaborative screenwriting: A genetic approach to John Berger and Alain Tanner’s screenplays1","authors":"Alain Boillat","doi":"10.1386/josc_00120_1","DOIUrl":"https://doi.org/10.1386/josc_00120_1","url":null,"abstract":"This article examines, through the study of screenplay-related archive documents, the various manifestations of narrative, visual and sound discontinuity in three iconic New Swiss cinema movies directed by Alain Tanner: La Salamandre, Le Milieu du monde, and Jonas qui aura 25 ans en l’an 2000. According to its central hypothesis, the aesthetics of these movies are heavily influenced by the participation of art critic and novelist John Berger as a co-screenwriter, and in particular by the specific modes of writing in tandem developed by Tanner and Berger. The aim is twofold: first, to consider the ways Tanner’s production of a public discourse celebrating ‘auteur cinema’ and the importance of the mise en scène stage has downplayed Berger’s role in the conception of these films; second, to comment on the genesis of the screenplays for those three films by paying attention to the specific ways Berger’s contribution materialized, especially since the art critic’s preoccupations (notably those related to the representation of gender relations) are reflected in these texts. The genetic study of the screenplays, conducted thanks to the director’s personal archives deposited at the Swiss National Film Archive, allowed us also to measure the degree to which Tanner’s first fiction films, although seemingly improvised, were defined in a very precise manner already at the writing stage.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-06-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45419428","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Arc analysis: Redefining character arcs for ‘constant’ characters 弧线分析:重新定义“固定”角色的弧线

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2023-05-24 DOI: 10.1386/josc_00122_1

A. Mullins

{"title":"Arc analysis: Redefining character arcs for ‘constant’ characters","authors":"A. Mullins","doi":"10.1386/josc_00122_1","DOIUrl":"https://doi.org/10.1386/josc_00122_1","url":null,"abstract":"A frequent assumption made in Anglo-American screenwriting manuals asserts that in most, if not all, ‘successful’ screen stories, the protagonist goes through a significant emotional transformation, sometimes referred to as a ‘character arc’. However, many classic, highly profitable and critically acclaimed feature films centre on protagonists who are emotionally ‘constant’, in that they do not appear to emotionally transform. As a result, these otherwise successful narratives have either been omitted from analysis or their analysis has been distorted to fit the orthodox yet vaguely defined understanding of a character arc. In this article, I will outline a new model of character arcs called ‘Arc Analysis’ that, by taking account of both the ‘internal’ and ‘external’ worlds of the protagonist, has the capacity to accurately describe the arcs of emotionally ‘constant’ characters. I will demonstrate the Arc Analysis model using an analysis of Jaws (1975), a highly successful film that, I will argue, features a protagonist who does not emotionally transform and, as a result, is frequently misinterpreted. Furthermore, I will, using the key components of Arc Analysis, propose a new and more precise definition of a character arc.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48458001","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Character composition: A new framework for TV serial drama characters 人物构成：电视连续剧人物塑造的新框架

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2023-05-24 DOI: 10.1386/josc_00121_1

M. Ianniello

引用次数: 0

En Cas De Malheur, De Simenon A Autant-Lara (1956-1958): Essai De Genetique Scenaristique, Alain Boillat (2020)1 En Cas De Malheur, De Simenon A Autant-Lara(1956-1958):风景遗传学论文，Alain Boillat (2020

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2023-04-13 DOI: 10.1386/josc_00118_5

Ian W. Macdonald

引用次数: 0

The case for team-based learning in higher education scriptwriting programmes: A narrative literature review 高等教育编剧课程中团队学习的案例:叙述文献综述

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2023-04-13 DOI: 10.1386/josc_00115_1

Dee Hughes

{"title":"The case for team-based learning in higher education scriptwriting programmes: A narrative literature review","authors":"Dee Hughes","doi":"10.1386/josc_00115_1","DOIUrl":"https://doi.org/10.1386/josc_00115_1","url":null,"abstract":"Team-based learning (TBL) is a collaborative learning method that has been successfully adopted across a number of disciplines since its inception in the early 1970s. This article provides an exploration as to how it has been implemented and why it has not been adopted by arts-based disciplines on quite the same scale as those of scientific, medical, engineering and business-related subjects. The findings indicate that the time required to design a TBL course is a major hindrance to adoption. Other factors such as students’ reluctance to engage with the unfamiliar, unsuitable working spaces; the lack of guidance as to how to design the integral problem-solving exercises; an institutional culture not open to adopting new working practices and limited empirical evidence of the impact of TBL in arts and creative disciplines such as scriptwriting are all reasons given as to why TBL has not crossed wholesale into the study of arts-based subjects. Students are changing and it is therefore imperative that as educators we investigate and discover new ways to teach scriptwriting and arts-based subjects that meet the needs of the requirements of future generations.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46321256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Bringing queerness to the surface: Truman Capote’s November 1971 screenplay adaptation of F. Scott Fitzgerald’s The Great Gatsby 把酷儿带到表面:杜鲁门·卡波特1971年11月改编自f·斯科特·菲茨杰拉德的《了不起的盖茨比》的剧本

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2023-04-13 DOI: 10.1386/josc_00112_1

Emily G. Furlich

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The Country Boy: Investigating the Dennis Potter Archive, Forest of Dean, England 乡村男孩:调查丹尼斯·波特档案，迪恩森林，英格兰

IF 0.2 4区艺术学

Journal of Screenwriting Pub Date : 2023-04-13 DOI: 10.1386/josc_00114_1

John R. Cook

{"title":"The Country Boy: Investigating the Dennis Potter Archive, Forest of Dean, England","authors":"John R. Cook","doi":"10.1386/josc_00114_1","DOIUrl":"https://doi.org/10.1386/josc_00114_1","url":null,"abstract":"This article presents scholarship relating to work conducted in the Dennis Potter Archive, Dean Heritage Centre, Dean Museum Trust, England. It argues that the Dennis Potter Archive is a significant archive consisting of handwritten manuscripts and notebook drafts of virtually all of the work of famed writer Dennis Potter (1935–94), allowing us unique access to the engine room of his creativity. The article focuses on the ‘discovery’ of Potter works previously unknown and/or inaccessible, including completed drafts of unproduced television plays and unproduced film screenplays. It also sheds new light on the genesis of perhaps Potter’s most famous work, The Singing Detective (BBC TV 1986). It shows how this began as a ‘last’ television play, but that as it developed, Potter reached back to themes and preoccupations he first explored as a young man in an unpublished novel, written decades earlier. Marrying research in the archive with statements Potter gave about his work during his lifetime, the article uses accumulated Potter scholarship, together with manuscript critical analysis and dating, in order to piece together a clearer and fuller understanding of the working life of one of the most famous names in British television and film history.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66733909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0