乡村男孩:调查丹尼斯·波特档案,迪恩森林,英格兰

IF 0.4 4区 艺术学 0 FILM, RADIO, TELEVISION
John R. Cook
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引用次数: 0

摘要

本文介绍了与丹尼斯波特档案,迪恩遗产中心,迪恩博物馆信托基金,英格兰进行的工作有关的奖学金。它认为,丹尼斯·波特档案是一个重要的档案,包括著名作家丹尼斯·波特(1935-94)几乎所有作品的手写手稿和笔记本草稿,让我们能够独特地进入他的创造力的引擎室。这篇文章的重点是“发现”以前不为人知和/或难以接近的波特作品,包括未制作的电视剧和未制作的电影剧本的完整草稿。它也为波特最著名的作品《歌唱侦探》(BBC TV 1986)的起源提供了新的线索。它显示了这部剧是如何以“最后一部”电视剧开始的,但随着剧情的发展,波特又回到了他年轻时在几十年前写的一部未出版的小说中首次探索的主题和关注点。将档案中的研究与波特一生中关于他工作的陈述结合起来,本文使用了积累的波特奖学金,以及手稿批判性分析和年代确定,以便更清晰、更全面地了解这位英国电视和电影史上最著名的人物之一的工作生活。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Country Boy: Investigating the Dennis Potter Archive, Forest of Dean, England
This article presents scholarship relating to work conducted in the Dennis Potter Archive, Dean Heritage Centre, Dean Museum Trust, England. It argues that the Dennis Potter Archive is a significant archive consisting of handwritten manuscripts and notebook drafts of virtually all of the work of famed writer Dennis Potter (1935–94), allowing us unique access to the engine room of his creativity. The article focuses on the ‘discovery’ of Potter works previously unknown and/or inaccessible, including completed drafts of unproduced television plays and unproduced film screenplays. It also sheds new light on the genesis of perhaps Potter’s most famous work, The Singing Detective (BBC TV 1986). It shows how this began as a ‘last’ television play, but that as it developed, Potter reached back to themes and preoccupations he first explored as a young man in an unpublished novel, written decades earlier. Marrying research in the archive with statements Potter gave about his work during his lifetime, the article uses accumulated Potter scholarship, together with manuscript critical analysis and dating, in order to piece together a clearer and fuller understanding of the working life of one of the most famous names in British television and film history.
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来源期刊
CiteScore
0.80
自引率
0.00%
发文量
21
期刊介绍: The Journal of Screenwriting aims to explore the nature of writing for the moving image in the broadest sense, highlighting current academic thinking around scriptwriting whilst also reflecting on this with a truly international perspective and outlook. The journal will encourage the investigation of a broad range of possible methodologies and approaches to studying the scriptwriting form, in particular: the history of the form, contextual analysis, the process of writing for the moving image, the relationship of scriptwriting to the production process and how the form can be considered in terms of culture and society. The journal also aims to encourage research in the field of screenwriting and the linking of scriptwriting practice to academic theory, and to support and promote conferences and networking events on this subject.
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