我们的角色扮演:秘密故事网络的合作角色扮演诗学

IF 0.4 4区 艺术学 0 FILM, RADIO, TELEVISION
Brad Gyori, A. Zaluczkowska
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引用次数: 0

摘要

2018年,一个由十名学者和行业专业人士组成的小组创建了“秘密故事网络”。这项实践研究计划在社交媒体平台WhatsApp上制作了10款60-90分钟的角色扮演游戏。在这个过程中,我们致力于确定和完善设计策略,以激励人们参与媒体学者通常称之为“集体讲故事”的叙事合作。通过参与式行动研究方法,本研究经历了原型设计、测试、反馈、反思和修改的循环。本文结合金提出的RPG“三重词模型”对我们的研究进行了分析。基于WhatsApp界面的可供性,我们建议对这一概念框架进行修改,这与Edwards、Bøckman和Bowman等学者的观点一致,他们将调查扩展到我们在研究中用来研究故事的四个理论视角。这些模式是(1)戏剧,(2)游戏,(3)模拟和(4)沉浸。所做的观察也为“写作”和创建互动数字叙事提供了新的途径。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
How we role: The collaborative role-playing poetics of the Secret Story Network
In 2018, a group of ten academics and industry professionals created ‘The Secret Story Network’. This practice-research initiative produced ten 60–90-minute role-playing games conducted on the social media platform WhatsApp. In the process, we worked to identify and refine design strategies that incentivize engagement with the type of narrative collaboration that media scholars commonly call ‘collective storytelling’. Via the participatory action research methodology, this study evolved through cycles of prototyping, testing, feedback, reflection and modification. This article analyses our study in relation to the ‘Threefold Word Model’ for RPGs proposed by Kim. Based on the affordances of the WhatsApp interface, we suggest a modification of this conceptual frame, in line with scholars such as Edwards, Bøckman and Bowman that extends investigations into four theoretical lenses that we use to examine the stories in our study. These modes are (1) drama, (2) game, (3) simulation and (4) immersion. The observations made also suggest new avenues for ‘writing’ and creating interactive digital narratives.
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来源期刊
CiteScore
0.80
自引率
0.00%
发文量
21
期刊介绍: The Journal of Screenwriting aims to explore the nature of writing for the moving image in the broadest sense, highlighting current academic thinking around scriptwriting whilst also reflecting on this with a truly international perspective and outlook. The journal will encourage the investigation of a broad range of possible methodologies and approaches to studying the scriptwriting form, in particular: the history of the form, contextual analysis, the process of writing for the moving image, the relationship of scriptwriting to the production process and how the form can be considered in terms of culture and society. The journal also aims to encourage research in the field of screenwriting and the linking of scriptwriting practice to academic theory, and to support and promote conferences and networking events on this subject.
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