Journal of Screenwriting最新文献

筛选
英文 中文
Editorial 社论
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-07-01 DOI: 10.1386/josc_00090_2
Craig Batty
{"title":"Editorial","authors":"Craig Batty","doi":"10.1386/josc_00090_2","DOIUrl":"https://doi.org/10.1386/josc_00090_2","url":null,"abstract":"","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49431228","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘I wasn’t open to notes’: S. Craig Zahler, Dragged Across Concrete (2018) and the 157-page screenplay “我不愿意接受笔记”:s·克雷格·扎勒,《拖过混凝土》(2018)和157页的剧本
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-04-01 DOI: 10.1386/josc_00080_1
Lee Goodare
{"title":"‘I wasn’t open to notes’: S. Craig Zahler, Dragged Across Concrete (2018) and the 157-page screenplay","authors":"Lee Goodare","doi":"10.1386/josc_00080_1","DOIUrl":"https://doi.org/10.1386/josc_00080_1","url":null,"abstract":"Drawn to its distinctive narrative style and length, in this article I examine writer-director S. Craig Zahler’s third feature screenplay, Dragged Across Concrete. I focus on Zahler’s authorship and creative writing, which flouts many screenwriting conventions. Zahler’s\u0000 screenplay, totalling 157 pages, is considerably longer than the recommended length of 90‐120 pages and it is examined and contextualized here via discussion of length, style, character, scenes, genre and dialogue. This analysis contributes to the formal study of the screenplay as a\u0000 source text and aims to counter what Steven Price has termed the ‘screenplay’s near-invisibility in critical analysis’.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47828250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Hauntological screenwriting: Reflections on writing Render 古生物学编剧:对编剧的思考
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-04-01 DOI: 10.1386/josc_00083_1
Tracy Mathewson
{"title":"Hauntological screenwriting: Reflections on writing Render","authors":"Tracy Mathewson","doi":"10.1386/josc_00083_1","DOIUrl":"https://doi.org/10.1386/josc_00083_1","url":null,"abstract":"A hauntological reflection on the theoretical and practical approaches to developing Render, a feature-length conspiracy screenplay written to discern whether and how it is possible to present viable justice in a conspiracy film amidst a twenty-first-century technological and\u0000 conspiracy culture. Alongside the introduction of new narrative techniques such as ‘corruption of the protagonist’, ‘emergence of the inner voice’, ‘many-headed monster’, and genre-appropriate classifications such as the ‘seen/unseen threat’\u0000 and surveillance capitalism as the logic behind the conspiracy genre’s new behemoth ‘Big Technology’, this article blends academic analysis with personal reflection to involve the reader in the liminal space between theory and practice, the tension between objective and subjective\u0000 and the intuitive and at times designless process that perpetuates each subsequent draft of a feature screenplay. Here, the application of hauntology as a lens through which to view the screenwriting process is explored to characterize the ebb and flow between that which is no longer (the\u0000 previous draft) and that which is still not yet (the next draft).","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46315584","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Little cinemas: Eugene O’Neill as screenwriter 小影院:尤金·奥尼尔担任编剧
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-04-01 DOI: 10.1386/josc_00082_1
Bennet Schaber
{"title":"Little cinemas: Eugene O’Neill as screenwriter","authors":"Bennet Schaber","doi":"10.1386/josc_00082_1","DOIUrl":"https://doi.org/10.1386/josc_00082_1","url":null,"abstract":"In November of 1926, Eugene O’Neill (1888‐1953) wrote photoplays of two of his most successful and ambitious dramas of the 1920s, The Hairy Ape (1922) and Desire under the Elms (1924). O’Neill was motivated in part by the journalist and screenwriter Ralph Block’s promotion of the ‘little cinema’ movement, the prestige model of authorship that accompanied it as well as the movement’s actual momentum in New York in the late 1920s. Thus, optimism about the growth of an increasingly sophisticated audience as well as accounts of the innovative possibilities for film form promoted by the likes of Block and Victor O. Freeburg seem to have encouraged O’Neill to imagine a potential cinema in harmony with his own commitments to experimentalism and aesthetic autonomy. Although neither photoplay was ever produced, both bear the traces of O’Neill’s attentiveness to contemporary, intermedial theories of film and drama as well as the playwright’s own history of film viewing.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45055856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Scripting Bollywood, Anubha Yadav (2021) 编剧宝莱坞,阿努巴·亚达夫(2021)
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-04-01 DOI: 10.1386/josc_00088_5
Y’Dhanna Daniels
{"title":"Scripting Bollywood, Anubha Yadav (2021)","authors":"Y’Dhanna Daniels","doi":"10.1386/josc_00088_5","DOIUrl":"https://doi.org/10.1386/josc_00088_5","url":null,"abstract":"Review of: Scripting Bollywood, Anubha Yadav (2021)New Dehli: Women Unlimited, 318 pp.,ISBN: 978-9-38560-633-5, p/bk, $24.16","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49259002","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Screenwriting is Filmmaking: The Theory and Practice of Writing for the Screen, Brian Dunnigan (2019) 编剧就是电影制作:为银幕写作的理论与实践,布莱恩·邓尼根(2019)
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-04-01 DOI: 10.1386/josc_00089_5
Misty Brawner
{"title":"Screenwriting is Filmmaking: The Theory and Practice of Writing for the Screen, Brian Dunnigan (2019)","authors":"Misty Brawner","doi":"10.1386/josc_00089_5","DOIUrl":"https://doi.org/10.1386/josc_00089_5","url":null,"abstract":"Review of: Screenwriting is Filmmaking: The Theory and Practice of Writing for the Screen, Brian Dunnigan (2019)Marlborough: The Crowood Press Ltd., 168 pp.,ISBN: 978-1-78500-609-8, p/bk, USD$22.88","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45864654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editorial 编辑
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-04-01 DOI: 10.1386/josc_00079_2
Craig Batty
{"title":"Editorial","authors":"Craig Batty","doi":"10.1386/josc_00079_2","DOIUrl":"https://doi.org/10.1386/josc_00079_2","url":null,"abstract":"","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44767235","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Robert De Niro at Work From Screenplay to Screen Performance, Adam Ganz and Steven Price (2020) 罗伯特·德尼罗的作品从剧本到银幕表演,亚当·甘茨和史蒂文·普莱斯(2020)
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-04-01 DOI: 10.1386/josc_00086_5
Laura Kirk
{"title":"Robert De Niro at Work From Screenplay to Screen Performance, Adam Ganz and Steven Price (2020)","authors":"Laura Kirk","doi":"10.1386/josc_00086_5","DOIUrl":"https://doi.org/10.1386/josc_00086_5","url":null,"abstract":"Review of: Robert De Niro at Work From Screenplay to Screen Performance, Adam Ganz and Steven Price (2020)London: Palgrave Macmillan, 212 pp.,ISBN: 978-3-03047-960-2, p/bk, $29.99, digital $23.98","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47316333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Roundtable: Pushing the boundaries of the Screenwriting Research Network 圆桌会议:推动编剧研究网络的边界
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-04-01 DOI: 10.1386/josc_00085_1
P. Russo, Rosamund Davies, A. Ksenofontova, Rafael Leal, Ian W. Macdonald, Steven Maras, Claus Tieber
{"title":"Roundtable: Pushing the boundaries of the Screenwriting Research Network","authors":"P. Russo, Rosamund Davies, A. Ksenofontova, Rafael Leal, Ian W. Macdonald, Steven Maras, Claus Tieber","doi":"10.1386/josc_00085_1","DOIUrl":"https://doi.org/10.1386/josc_00085_1","url":null,"abstract":"This is an abridged and partially elaborated version of a roundtable discussion that took place via Zoom on 17 September 2021 as part of the SRN2021 Research Seminar Series Online and of a follow-up session held via Zoom on 15 November 2021. In keeping with the theme of SRN2021,\u0000 ‘Pushing Boundaries’, this discussion was an opportunity to raise a few questions about whether and how, as Screenwriting Research Network (SRN), over the years we have defined our own boundaries in terms of scholarship and as a field, as well as how we can keep challenging ourselves\u0000 when looking at the future. Involving both veterans and younger members of the SRN, it sets forth by taking stock of some significant achievements of the past fifteen years or so to then focus on issues of global outreach as well as methodological openness and rigour. After acknowledging some\u0000 of the most pressing obstacles and opportunities within and outside academia, the discussion wraps up by looking at the distinctiveness of the SRN as an arena for research and discussion.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47910782","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Script Development: Critical Approaches, Creative Practices, International Perspectives, Craig Batty and Stayci Taylor (eds) (2021) 剧本发展:关键方法,创造性实践,国际视角,克雷格·巴蒂和斯泰西·泰勒(编)(2021)
IF 0.2 4区 艺术学
Journal of Screenwriting Pub Date : 2022-04-01 DOI: 10.1386/josc_00087_5
T. Carter
{"title":"Script Development: Critical Approaches, Creative Practices, International Perspectives, Craig Batty and Stayci Taylor (eds) (2021)","authors":"T. Carter","doi":"10.1386/josc_00087_5","DOIUrl":"https://doi.org/10.1386/josc_00087_5","url":null,"abstract":"Review of: Script Development: Critical Approaches, Creative Practices, International Perspectives, Craig Batty and Stayci Taylor (eds) (2021)Cham: Palgrave Macmillan, 296 pp.,ISBN: 978-3-030-48712-6, h/bk, $119.99,ISBN: 978-3-030-48715-7, p/bk, $84.99","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45328292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信