为教学屏幕写作:扩大编剧从业者的范围

IF 0.4 4区 艺术学 0 FILM, RADIO, TELEVISION
Susan Cake
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引用次数: 0

摘要

在疫情开始时,编剧研究网络的讨论质疑教育学生获得有限的未来编剧职业机会的有效性。对毕业生途径的研究表明,创意从业者的就业机会要复杂得多,因为许多创意从业者都涉足营销、信息技术等不同行业,主要是教育部门。在线教育的快速发展为编剧提供了一个关键的机会,让他们将自己的技能和知识应用到另一个学科背景中。讲故事作为一种吸引学习者或观众的手段,是编剧和教学资源设计师的主要重叠领域。在情感上吸引观众的故事对学习者有更大的影响,有助于保持记忆。情感参与的一个关键工具是幽默的使用,幽默也被证明有助于学习。叙事喜剧作家具备创造幽默情境的技能,可以通过喜剧的视角呈现具有挑战性或严肃的主题。这篇文章认为,在线教育的发展为编剧毕业生提供了独特的机会,可以将他们的技能应用于另一门学科,从而简化他们向传统电影和电视之外的银幕写作职业的过渡。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Writing for instructional screens: Expanding the scope for screenwriting practitioners
At the beginning of the pandemic, discussions in the Screenwriting Research Network questioned the validity of educating students for limited career opportunities as future screenwriters. Research into graduate pathways suggests employment opportunities for creative practitioners are far more complex with many creative practitioners embedded in diverse industries such as marketing, information technology and, primarily, the education sector. The rapid growth of online education presents a key opportunity for screenwriters to apply their craft skills and knowledge to an alternative disciplinary context. Storytelling, as a means of engaging learners or an audience, is a major area of overlap for screenwriters and designers of instructional resources. Stories that emotionally engage an audience have greater impact on the learner and assist in memory retention. A key tool for emotional engagement is the use of humour which has also been shown to facilitate learning. Writers of narrative comedy possess skills in creating humorous situations that can present challenging or serious topics through a comic perspective. This article argues that the growth in online education presents screenwriting graduates with unique opportunities to apply their skills to an alternative discipline that can streamline their transition to a career in writing for screens beyond traditional film and television.
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来源期刊
CiteScore
0.80
自引率
0.00%
发文量
21
期刊介绍: The Journal of Screenwriting aims to explore the nature of writing for the moving image in the broadest sense, highlighting current academic thinking around scriptwriting whilst also reflecting on this with a truly international perspective and outlook. The journal will encourage the investigation of a broad range of possible methodologies and approaches to studying the scriptwriting form, in particular: the history of the form, contextual analysis, the process of writing for the moving image, the relationship of scriptwriting to the production process and how the form can be considered in terms of culture and society. The journal also aims to encourage research in the field of screenwriting and the linking of scriptwriting practice to academic theory, and to support and promote conferences and networking events on this subject.
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