MODERNA SPRAK最新文献

{"title":"Pornoterrorismo y praxis queer como resistencias biopolíticas","authors":"Jordi Medel-Bao","doi":"10.58221/mosp.v115i3.6826","DOIUrl":"https://doi.org/10.58221/mosp.v115i3.6826","url":null,"abstract":"El siguiente artículo introduce los conceptos de transfeminismo y postpornografía en tanto que marcos en los que se desarrolla el pornoterrorismo. También define el propio concepto de pornoterrorismo como praxis queer y preámbulo a los antecedentes del cuerpo monstruoso que le es propio. Posteriormente estudia la rabia como origen y motor de la violencia figurada que le es intrínseca. Para ejemplificar traeremos a colación a la artista multidisciplinar Diana J. Torres (Madrid, 1981) y haremos un comentario de su performance Squirting Fontana. \u0000The following article introduces the concepts of transfeminism and post-pornography as frameworks within which pornography takes place. It also defines the very concept of pornoterrorism as queer praxis and preamble to the background of the monstrous body that is its own. Later, he studies rage as the origin and engine of the figurative violence that is intrinsic to it. To exemplify, we will bring up the multidisciplinary artist Diana J. Torres (Madrid, 1981) and we will comment on her performance Squirting Fontana.","PeriodicalId":41279,"journal":{"name":"MODERNA SPRAK","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71362636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Sexualidad y resistencia en Panfleto: Erótica y feminismo, de María Moreno","authors":"Zaradat Domínguez Galván","doi":"10.58221/mosp.v115i3.6817","DOIUrl":"https://doi.org/10.58221/mosp.v115i3.6817","url":null,"abstract":"María Moreno (1947) es una de las escritoras feministas más interesantes y aclamadas literariamente del panorama argentino actual. Vinculada a los movimientos feministas desde finales de los años setenta y al movimiento LGTBI+, ha emprendido una lucha dialéctica en sus crónicas y artículos contra el pensamiento moral y patriarcal del tiempo que le ha tocado vivir. Su libro Panfleto. Erótica y feminismo (2018) es una recopilación de textos publicados en periódicos y revistas a lo largo de cuarenta años, en ellos reflexiona sobre la diferencia sexual, la pornografía, la literatura erótica y el feminismo. En este artículo rastrearemos los planteamientos feministas de María Moreno, en cuanto a su defensa de una construcción propia del deseo femenino, así como del deseo homosexual y transgénero, placeres subalternos que han sido negados por el patriarcado, en una vindicación y conquista de nuevos goces que jadean en los márgenes. \u0000María Moreno (1947) is one of the most interesting and acclaimed feminist writers on the Argentine scene today. Linked to the feminist movements since the end of the seventies and to the LGTBI+ movement, she has undertaken a dialectical struggle in her chronicles and articles against the moral and patriarchal thinking of the time she has lived through. Her book Panfleto. Erotica y feminismo (2018) is a compilation of texts published in newspapers and magazines over forty years, in which she reflects on sexual difference, pornography, erotic literature and feminism. In this article we will trace the feminist approaches of Maria Moreno, in terms of her defense of a construction of feminine desire, as well as of homosexual and transgender desire, subaltern pleasures that have been denied by the patriarchy, in a vindication and conquest of new pleasures that pant on the margins.","PeriodicalId":41279,"journal":{"name":"MODERNA SPRAK","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47775313","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Una lectura postpornográfica de Roberto Bolaño: escritura, feminismo y postcolonialismo","authors":"Josué Hernández Rodríguez","doi":"10.58221/mosp.v115i3.6838","DOIUrl":"https://doi.org/10.58221/mosp.v115i3.6838","url":null,"abstract":"La proliferación de movimientos críticos y creativos postporno, que reivindican la representación de las sexualidades disidentes bajo una nueva perspectiva feminista, queer y transgénero, proporcionan herramientas de análisis para repensar las producciones pornográficas literarias y audiovisuales pretéritas, así como para reformular las actuales. En esta línea de investigación intermedial, entre el cine y la literatura, se plantea una aproximación a la obra del escritor chileno Roberto Bolaño que permita discernir si se le puede considerar un autor postporno emparentado con la Edad Dorada del cine pornográfico de los años 70 y 80. Se estudiarán dos de sus relatos y una novela: “Joanna Silvestri”, del que se hará una lectura de género que problematiza el papel de la mujer dentro de una industria eminentemente heteronormativa, obsesionada con representar la eyaculación masculina; “Prefiguración de Lalo Cura”, analizada bajo una perspectiva postcolonial de apropiación de los cuerpos subalternos concebidos como territorios geográficos, y Una novelita lumpen, en el ámbito de la pedagogía del porno. Los hallazgos resultantes permiten establecer que efectivamente Roberto Bolaño puede considerarse un autor postporno al trasladar las propuestas narrativas del cine porno de la Edad Dorada a su propio proyecto literario, con una intención crítica feminista y postcolonial. \u0000The proliferation of critical and creative post-porn movements, which vindicate the representation of dissident sexualities under a new feminist, queer and transgender perspective, provide tools of analysis to rethink past literary and audiovisual pornographic productions, as well as to reformulate current ones. In this line of intermediate research, between cinema and literature, an approach to the work of Chilean writer Roberto Bolaño is proposed that will allow us to discern whether he can be considered a post-porn author related to the Golden Age of pornographic cinema in the 1970s and 1980s. Two of his stories and a novel will be studied: “Joanna Silvestri”, from which a gender reading will be made that problematizes the role of women within an eminently heteronormative industry, obsessed with representing male ejaculation; “Prefiguración de Lalo Cura”, analyzed under a postcolonial perspective of appropriation of subaltern bodies conceived as geographical territories, and Una novelita lumpen, in the field of porn pedagogy. The resulting findings make it possible to establish that Roberto Bolaño can indeed be considered a post-porn author by translating the narrative proposals of the Golden Age porn films into his own literary project, with a feminist and post-colonial critical intention.","PeriodicalId":41279,"journal":{"name":"MODERNA SPRAK","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71362651","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El placer como estrategia política: la postpornoficción gonza de Gabriela Wiener","authors":"Ángeles Mateo del Pino","doi":"10.58221/mosp.v115i3.6820","DOIUrl":"https://doi.org/10.58221/mosp.v115i3.6820","url":null,"abstract":"El siguiente trabajo se estructura en dos partes. En la primera, se establece un contraste entre los términos erótico y pornográfico, a partir del cual se hace un recorrido por la pornografía, para detenerse en los años setenta del siglo XX, década en la que se producen acalorados debates dentro del feminismo, entre quienes defienden la pornografía y quienes la condenan. Esto dio lugar en los ochenta a una reivindicación del placer femenino y de las dimensiones políticas de la vida erótica, lo que igualmente pondrá de relieve Annie Sprinkle con sus performances y con su manifiesto Post Porn Modernist (1991). Este será el origen de la postpornografía, que cuestiona los códigos estéticos, políticos y discursivos de la pornografía mainstream, rompe con el binarismo sexo/género y apuesta por nuevas narrativas de placer. En la segunda parte, retomando el concepto de “porno gonzo” y de postporno, analizaremos la obra Sexografías (2008) de Gabriela Wiener (Lima, 1975), cuya escritura se revela como una experiencia política construida a base de relatos detallados en los que construye y deconstruye la subjetividad, articulando un discurso crítico que cuestiona la realidad. Escritura de postpornoficción en la que emerge sin tapujos una sujeto deseante. \u0000The following work is structured in two parts. In the first, a contrast is established between the terms erotic and pornographic, from which a tour of pornography is made, to stop in the seventies of the twentieth century, a decade in which heated debates within feminism take place, between those who defend pornography and those who condemn it. This gave rise in the 1980s to a demand for female pleasure and the political dimensions of erotic life, which Annie Sprinkle also highlights with her performances and her Post Porn Modernist manifesto (1991). This will be the origin of postpornography, which questions the aesthetic, political and discursive codes of mainstream pornography, breaks with the sex/gender binarism and opts for new narratives of pleasure. In the second part, taking up again the concept of “gonzo porn” and postporn, we will analyse the work Sexographies (2008) by Gabriela Wiener (Lima, 1975), whose writing reveals itself as a political experience built on detailed accounts in which she constructs and deconstructs subjectivity, thus articulating a critical discourse that raises doubts about reality. Post-pornographic writing in which a desiring subject emerges in an unabashed way.","PeriodicalId":41279,"journal":{"name":"MODERNA SPRAK","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71362601","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Corporalidad, marginalidad y disidencia en Kassandra, de Sergio Blanco","authors":"Cecilia Salerno","doi":"10.58221/mosp.v115i3.6835","DOIUrl":"https://doi.org/10.58221/mosp.v115i3.6835","url":null,"abstract":"La marginalidad, la prostitución, la inmigración, la locura y la disidencia sexual son aspectos fundamentales en Kassandra, de Sergio Blanco. A través de una metodología de análisis textual, nos hemos adentrado en el universo que conforma esta pieza teatral, reflexionando sobre el marco autoficcional que el autor propone para abordar su monólogo y dialogando con los conceptos de género e identidad, parodia, biopolítica, sadomasoquismo e histeria femenina, así como con la noción de postpornografía, en tanto da cabida a formas alternativas del deseo. Asimismo, hemos sido testigos de la creación de una protagonista queer o “fuera de la norma” que actualiza al personaje legendario, valiéndose de la exageración del estereotipo de la “loca”, de la simulación, del artificio y de elementos propios de la sensibilidad camp y de lo kitsch, y de cómo la asunción de una corporalidad concebida al margen de la oposición binaria hombre/mujer, masculino/femenino o hetero/homo deviene eje del discurso desde una postura políticamente comprometida. \u0000The most essential ítems in Kassandra by Sergio Blanco are marginality, prostitution, immigration, madness and sexual dissent. Through a textual analysis methodology, we got into the universe that makes up the theatre play, pondering on the self-fictional topic proposed by the autor in order to broach his monologue and dialoguing with identity and gender, biopolitical takeoff, sadomasochism and female hysteria concepts as well as with postpornography ideas while admitting different ways of lusts. Likewise we was witnesses of the creation of a queer or an “out of rule” protagonist that updates the legendary character using the exaggeration of the “crazy” stereotype, the artifice and simulation as well as elements of kitsch and camp sensibility and how the assumption of a conceived corporality out of binary opposition man/woman, male/female or hetero/homo turns into the axis of the speech from an engaged political posture.","PeriodicalId":41279,"journal":{"name":"MODERNA SPRAK","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71362645","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La correspondance entre coordination copulative et disjonctive dans un corpus parallèle suédois-français","authors":"Mårten Ramnäs","doi":"10.58221/mosp.v114i2.7396","DOIUrl":"https://doi.org/10.58221/mosp.v114i2.7396","url":null,"abstract":"Dans la présente étude, nous nous proposons d’analyser les exemples où une conjonction copulative correspond à une conjonction disjonctive ou l’inverse (och ↔ ou, et ↔ eller) dans un corpus parallèle suédois-français, le CPSF (Kortteinen et Ramnäs 2002). L’analyse nous montre que cette équivalence s’explique par deux phénomènes de nature différente : soit les éléments coordonnés se réfèrent à un groupe de participants ou d’événements susceptible de neutraliser la différence entre interprétations exclusive et inclusive, soit la coordination apparaît dans un contexte monotone-décroissant ou modal caractérisé, lui aussi, par une certaine interchangeabilité entre conjonction copulative et disjonctive. L’analyse nous montre aussi que le suédois semble préférer une coordination avec och dans certains contextes où le français se sert plus volontiers de ou. En effet, nous constatons que och se laisse bien plus souvent traduire par ou (182 occurrences) que et ne se laisse traduire par eller (12 occurrences).","PeriodicalId":41279,"journal":{"name":"MODERNA SPRAK","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49292963","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Escrita, masculinidades subversivas e resiliência sob o abrigo da escuridão: Cinema Orly (1999), de Luís Capucho","authors":"A. Alós","doi":"10.58221/mosp.v114i2.7390","DOIUrl":"https://doi.org/10.58221/mosp.v114i2.7390","url":null,"abstract":"\u0000Este trabalho propõe-se discutir a obra literária escrita por Luís Capucho, prosador contemporâneo cujos livros podem ser considerados bastante significativos no campo emergente da literatura de/sobre aids no Brasil. Com quatro romances publicados – Cinema Orly (1999), Rato (2007), Mamãe me adora (2012) e Diário de piscina (2017) – o escritor vem sendo considerado uma das mais singulares vozes no que diz respeito ao gênero literário que vem sendo chamado pelos críticos de autoficção, uma modalidade narrativa que mescla a autoridade narrativa do discurso autobiográfico à liberdade estilística da ficção literária. Nosso objetivo aqui é o de realizar uma proposta de leitura para a primeira narrativa publicada por Capucho, Cinema Orly, usando as noções de heterotopia (proposta por Michel Foucault no ensaio “Espaços outros: heterotopias”, publicado pela primeira vez em 1984) e cronótopo (proposta pela primeira vez, no campo dos estudos literários, por Mikhail Bakhtin) como ferramentas analíticas. Deste modo, acredita-se que seja possível evidenciar o projeto político do autor que reside na narrativização das experiências corpóreas, de caráter sexual, praticadas entre homens em um espaço de socialização marcadamente gay. \u0000","PeriodicalId":41279,"journal":{"name":"MODERNA SPRAK","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71362677","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Storytelling in English and Russian-language lecture discourse","authors":"I. Khoutyz","doi":"10.58221/mosp.v114i2.7399","DOIUrl":"https://doi.org/10.58221/mosp.v114i2.7399","url":null,"abstract":"\u0000The advantages of using storytelling as a communication strategy are currently discussed in marketing, psychology, advertising, medicine, and education. It is described as an inborn skill that people relate to and which makes people listen. Storytelling is also described as an educational method (Dumović 2006, Pedersen 1995) and as a communication tool (Dahlstrom 2014, Sundin 2018) that can be used widely in education. The purpose of this paper is to analyze features and functions of storytelling used in academic lectures. For this purpose, three lecturers in Russian and three lecturers in English were analyzed. By means of a mixed-method approach, including discourse analysis and content analysis, it was established that all the lecturers used storytelling as a communication strategy for explanatory and contact-establishing purposes. The conclusion is made that storytelling was used by the Russian and the English-language lecturers to provide their audience with clear and engaging explanations. The lecturers constructed their stories using factual information, emotional and evaluative lexis, verbs of action, as well as discursive strategies that helped them to engage the audience in the topic of the lecture (e.g., the inclusive pronoun we and different kinds of questions). Though the stories have much in common, some differences between the stories in Russian and in English are identified. Based on these results, it is suggested that further contrastive studies of storytelling in academic settings can benefit those who are planning on presenting to an international audience or preparing to teach in an intercultural context. \u0000","PeriodicalId":41279,"journal":{"name":"MODERNA SPRAK","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71362693","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Cuerpo, ideología y narrativa publicitaria: Contexto, dialéctica del sentido y riesgo interpretativo","authors":"J. Finol, Elder-Alejandro Cuevas-Calderón","doi":"10.58221/mosp.v114i2.7387","DOIUrl":"https://doi.org/10.58221/mosp.v114i2.7387","url":null,"abstract":"El presente trabajo analiza desde un punto de vista semiótico algunas representaciones del cuerpo en la publicidad oblicua, y las relaciona con la representación del producto anunciado. Para situar el análisis se proponen cuatro escenarios de realización corporal y se los relaciona con la narratividad en el discurso publicitario, así como con las funciones del lenguaje (Jakobson 1988). Luego se presentan las cuatro ideologías propuestas por Floch (1993), las cuales sirven de marco para el análisis de dos anuncios. Finalmente se propone el concepto de riesgo interpretativo en el marco de las funciones dialécticas que cumplen los contextos en los textos publicitarios analizados.","PeriodicalId":41279,"journal":{"name":"MODERNA SPRAK","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48388923","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Grenze: Der neue Diskurs über ein altes Konzept: Am Beispiel eines deutschen und polnischen Online-Berichtes im Zeitalter des Coronavirus","authors":"Roman Opiłowski, Elżbieta Opiłowska","doi":"10.58221/mosp.v114i2.7393","DOIUrl":"https://doi.org/10.58221/mosp.v114i2.7393","url":null,"abstract":"\u0000Die Corona-Pandemie und ihre Folgen haben dem alten Thema Grenze auf der ganzen Welt, aber auch in ganz Europa, ja sogar innerhalb vieler europäischer Länder eine kaum für möglich gehaltene neue Aktualität verliehen. Deutlich wurde dies für breite Bevölkerungskreise, aber natürlich vor allem für die von den Grenzschließungen betroffenen Bürger, u.a. in einer Vielzahl von deutschen wie polnischen Mediendiskursen. Sie zeigen, wie das alte Konzept der Grenze in der Zeit der Coronakrise eine weithin überwunden geglaubte Rolle wiedererlangt hat. Um dem sich zwischenzeitlich daraus veränderten Konzept der Grenze nachgehen zu können, soll exemplarisch auf einen deutschen und polnischen Online-Bericht (Spiegel+ und Polityka.pl) näher eingegangen werden. Den beiden Online-Texten liegt ein Vorfall zugrunde, der in den beiden Presseorganen dargestellt wird: Warnschüsse polnischer Soldaten wegen eines Deutschen an der polnisch-tschechischen Grenze am 28. April 2020. \u0000","PeriodicalId":41279,"journal":{"name":"MODERNA SPRAK","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71362686","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}