ARTMargins最新文献_第6页

Introduction: Art's Histories Without Art History 导论:没有艺术史的艺术史

IF 0.2 2区艺术学

ARTMargins Pub Date : 2022-10-01 DOI: 10.1162/artm_a_00329

Kaira M. Cabañas

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引用次数: 1

Lend Me Your Eyes 借我你的眼睛

IF 0.2 2区艺术学

ARTMargins Pub Date : 2022-10-01 DOI: 10.1162/artm_a_00330

Gina Ferreira

引用次数: 0

Retraction of Holmes, Ros. 2018. “Meanwhile in China … Miao Ying and the Rise of Chinternet Ugly.” Artmargins 7 (1): 31–57 《福尔摩斯，罗斯，2018》撤回。“与此同时，在中国……苗英和中国丑网的崛起。”artmargin 7 (1): 31-57

IF 0.2 2区艺术学

ARTMargins Pub Date : 2022-07-19 DOI: 10.1162/artm_e_00332

引用次数: 0

Contributors 贡献者

IF 0.2 2区艺术学

ARTMargins Pub Date : 2022-06-01 DOI: 10.1162/artm_x_00321

引用次数: 0

From the Editors 来自编辑

IF 0.2 2区艺术学

ARTMargins Pub Date : 2022-02-15 DOI: 10.1162/artm_e_00300

{"title":"From the Editors","authors":"","doi":"10.1162/artm_e_00300","DOIUrl":"https://doi.org/10.1162/artm_e_00300","url":null,"abstract":"Ten years ago, the printed version of ARTMargins joined its sister publication, ARTMargins Online. The idea of the three founding editors— Sven Spieker, Angela Harutyunyan, and Octavian Esanu—was to create an innovative art historical journal with a broad remit that would offer some measure of correction to the euphoria surrounding globalized art at the time, and that would include contributions from the perspectives of artists, scholars, and critics. Would this hybrid publication model, which was somewhat unusual for an academic journal, be acceptable to its future publisher and readers? More importantly, would it find a place among already-existing publications that covered related ground in different ways, and often from angles we felt were close to our own? We have been finding or (re)formulating answers to these questions ever since, in ten rewarding years of collaboration, encounter, and conversation, both within the evolving editors’ collective—which currently comprises Karen Benezra, Pedro Erber, Elizabeth Harney, and Saloni Mathur, in addition to the three founding editors11—and outside it, with the artists, art historians, curators, and critics who have generously opted to publish their work in the journal or who have collaborated with us in other ways. ARTMargins could not have launched or thrived without the help and encouragement of all these colleagues and friends, several of whom subsequently agreed to join the journal's editorial board. We are also deeply grateful to the MIT Press and its dedicated staff, for being receptive to our initial ideas and for steadfastly nurturing the publication from the beginning. We also happily acknowledge financial and logistical support from the University of California, Santa Barbara and, for a period of four years, from the American University in Beirut.","PeriodicalId":41203,"journal":{"name":"ARTMargins","volume":"36 4","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138506114","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

In The Vortex of Institutional Lives 在制度生活的漩涡中

IF 0.2 2区艺术学

ARTMargins Pub Date : 2022-02-01 DOI: 10.1162/artm_a_00313

A. Krauss, F. Thajib

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引用次数: 0

Erratum: Introduction to Jalal Al-e Ahmade “To Mohassess, for the Wall” 勘误表：Jalal Al-e Ahmade“致莫哈塞斯，为长城”简介

IF 0.2 2区艺术学

ARTMargins Pub Date : 2022-02-01 DOI: 10.1162/artm_e_00320

引用次数: 0

The Heresy of Didactic Art 说教艺术的异端

IF 0.2 2区艺术学

ARTMargins Pub Date : 2022-02-01 DOI: 10.1162/artm_e_00312

Sven Spieker, T. Holert

引用次数: 0

Between the Personal and the Political: On Marianne Wex's Let's Take Back Our Space 在个人与政治之间：论玛丽安·韦的《让我们夺回我们的空间》

IF 0.2 2区艺术学