在个人与政治之间：论玛丽安·韦的《让我们夺回我们的空间》

IF 0.2 2区艺术学 0 ART

ARTMargins Pub Date : 2022-02-01 DOI:10.1162/artm_a_00319

Judith F. Rodenbeck

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引用次数: 0

摘要

从1972年到1977年，西德艺术家玛丽安·韦克斯(1937-2020)进行了一项广泛的摄影研究项目，最终以一本书的形式出版:《让我们夺回我们的空间:父权结构下的“女性”和“男性”肢体语言》(1979)。无论是视觉分析还是顺势疗法，都展示了男权国家对躯体身体表达的表演效果，这本书既是一部叛逆的女性主义社会学作品，也是一部照片概念主义作品。本文对《让我们夺回我们的空间》进行了考古研究，将其置于当代的美学政治话语(包括女权主义自主教育主义)的语境中进行解读。

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Between the Personal and the Political: On Marianne Wex's Let's Take Back Our Space

Abstract From 1972 to 1977 the West German artist Marianne Wex (1937-2020) undertook an extensive photographic research project that eventually was published as a book: Let's Take Back Our Space: “Female” and “Male” Body Language as a Result of Patriarchal Structures (1979). Both visual analysis and homeopathic demonstration of the patriarchal state's performative effect on somatic physical expression, the book is as much a work of renegade feminist sociology as it is a work of photo-conceptualism. This essay performs an archaeology of Let's Take Back Our Space, reading it in the context of contemporaneous aestheticopolitical discourses, including feminist autodidacticism.

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来源期刊

ARTMargins ART-

CiteScore

0.10

自引率

0.00%

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期刊介绍： ARTMargins publishes scholarly articles and essays about contemporary art, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia. The journal acts as a forum for scholars, theoreticians, and critics from a variety of disciplines who are interested in art and politics in transitional countries and regions; postsocialism and neo-liberalism; postmodernism and postcolonialism, and their critiques; and the problem of global art and global art history and its methodologies.