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“Real Time Story Telling”: A Performance-Art Festival in the Context of International Networks during the Transitional Period in Poland before and after 1989 "实时讲故事"：1989 年前后波兰过渡时期国际网络背景下的行为艺术节
IF 0.2 2区 艺术学
ARTMargins Pub Date : 2024-06-21 DOI: 10.1162/artm_a_00381
Małgorzata Kaźmierczak
{"title":"“Real Time Story Telling”: A Performance-Art Festival in the Context of International Networks during the Transitional Period in Poland before and after 1989","authors":"Małgorzata Kaźmierczak","doi":"10.1162/artm_a_00381","DOIUrl":"https://doi.org/10.1162/artm_a_00381","url":null,"abstract":"The article explains the situation of performance artists in Poland during the transition period before and after 1989. Then it focuses on the first large performance art festival in Poland after 1989, Real Time Story Telling. It was organized in Sopot and Gdańsk in 1991 by Galeria Działań and curated by the outstanding artist and art theorist Jan Świdziński. The article explains the idea of the festival and briefly describes the curatorial activity of the invited international performance artists. The article also outlines the international network of connections between performance art festivals, which depended on the personal relationships between artists who organized them. Finally, it shows how the festival influenced the introduction of Polish performance artists to the international circuit and how it influenced the development of the festival network in Poland.","PeriodicalId":41203,"journal":{"name":"ARTMargins","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141510000","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Modern Art, Indigeneity, and Nationalism in Paraguay: An Introduction to Josefina Plá's “Ñandutí Crossroads of Two Worlds” 巴拉圭的现代艺术、土著性和民族主义：Josefina Plá 的 "Ñandutí 两个世界的十字路口 "简介
IF 0.2 2区 艺术学
ARTMargins Pub Date : 2024-06-21 DOI: 10.1162/artm_a_00384
Sofia Gotti
{"title":"Modern Art, Indigeneity, and Nationalism in Paraguay: An Introduction to Josefina Plá's “Ñandutí Crossroads of Two Worlds”","authors":"Sofia Gotti","doi":"10.1162/artm_a_00384","DOIUrl":"https://doi.org/10.1162/artm_a_00384","url":null,"abstract":"This article introduces the first translation of the text “Ñandutí: Crossroads of Two Worlds” by Josefina Plá, pioneer of Paraguayan art and literature. The text offers an overview of this figure's life and politics, in the context of the development of Paraguayan modernism in the 1950s and in the early years of General Alfredo Stroessner's military dictatorship (1954–1989). Particularly, I address her involvement in the First Week of Paraguayan Modern Art as co-founder of the Arte Nuevo group and the close relationship with peers like Olga Blinder and Livio Abramo. Plá's historical study of Ñandutí - lace is typically made by Guaranì women and emblematic of Paraguayan craft - bear particular relevance to the ambitions of Paraguayan modernists. Ñandutí has contested origins between the European and the Indigenous – identities that Paraguayan modernists sought to remap.","PeriodicalId":41203,"journal":{"name":"ARTMargins","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141510002","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Problem with Film: Murayama Tomoyoshi's Variations on the Visible 电影的问题：村山富市的《可见变奏曲
IF 0.2 2区 艺术学
ARTMargins Pub Date : 2024-06-21 DOI: 10.1162/artm_a_00382
André Keiji Kunigami
{"title":"The Problem with Film: Murayama Tomoyoshi's Variations on the Visible","authors":"André Keiji Kunigami","doi":"10.1162/artm_a_00382","DOIUrl":"https://doi.org/10.1162/artm_a_00382","url":null,"abstract":"The article explores the film theory written by the Japanese avant-garde artist Murayama Tomoyoshi (1901–1977). Murayama authored a robust yet understudied body of film writing, in the 1920s and 1930s. Although he had a prolific and stable activity related to film—in criticism, theory, screenplays, and even directing—he held an ambivalent opinion about the medium. For him, film could never fulfill art's political task due to what he saw as the ontological restrictions of the medium: its supposedly incorporeal and incessant display of images. However, he kept repeatedly returning to film, based on the fascination with a certain vitality that he saw in the moving image vis-à-vis other types of images such as photography. By reading his film essays in the larger context of his political engagements and his aesthetic theory, the article argues that the contradictions that animated Murayama's “problem with film”—his ambivalent attachment to the medium—reveal his adherences to the racial logics of the Japanese empire and offer a critical perspective on the broader political stakes of cinematic embodiment.","PeriodicalId":41203,"journal":{"name":"ARTMargins","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141510004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ñandutí: Crossroads of Two Worlds: The Lineage and Magic of Ñandutí 南杜蒂两个世界的十字路口：南都提的血统与魔法
IF 0.2 2区 艺术学
ARTMargins Pub Date : 2024-06-21 DOI: 10.1162/artm_a_00385
Josefina Plá
{"title":"Ñandutí: Crossroads of Two Worlds: The Lineage and Magic of Ñandutí","authors":"Josefina Plá","doi":"10.1162/artm_a_00385","DOIUrl":"https://doi.org/10.1162/artm_a_00385","url":null,"abstract":"This article introduces the first translation of the text “Ñandutí: Crossroads of Two Worlds” by Josefina Plá, pioneer of Paraguayan art and literature. The text offers an overview of this figure's life and politics, in the context of the development of Paraguayan modernism in the 1950s and in the early years of General Alfredo Stroessner's military dictatorship (1954–1989). Particularly, I address her involvement in the First Week of Paraguayan Modern Art as co-founder of the Arte Nuevo group and the close relationship with peers like Olga Blinder and Livio Abramo. Plá's historical study of Ñandutí - lace is typically made by Guaranì women and emblematic of Paraguayan craft - bear particular relevance to the ambitions of Paraguayan modernists. Ñandutí has contested origins between the European and the Indigenous – identities that Paraguayan modernists sought to remap.","PeriodicalId":41203,"journal":{"name":"ARTMargins","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141510001","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Militant Mappings: A Template Toolkit 好战的映射：模板工具包
IF 0.2 2区 艺术学
ARTMargins Pub Date : 2024-06-21 DOI: 10.1162/artm_a_00387
Cian Dayrit
{"title":"Militant Mappings: A Template Toolkit","authors":"Cian Dayrit","doi":"10.1162/artm_a_00387","DOIUrl":"https://doi.org/10.1162/artm_a_00387","url":null,"abstract":"The rise of Duterte's authoritarian regime, and a series of violent dispersals to peasant-led mobilizations, prompted counter-mapping workshops in protest camps and rural communities. These workshops evolved out of the need to gather and visualize shared experiences and collective aspirations of the basic sectors-peasants, indigenous groups, and workers-who bear the brunt of oppression in a neocolonial society such as that of the Philippines. Additionally, these mapping sessions have become a potent method in exposing rights abuses, land grabbing, extractive industries, development aggression and other forms of violence perpetrated by centralized bodies. Moreover, the goal of the workshop is to find discursive ways for marginalized populations to assert their rights and author representations of their own lived environments.","PeriodicalId":41203,"journal":{"name":"ARTMargins","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141510003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“We Need a Lighthouse Philosopher”: Filipa César and Louis Henderson's Sunstone (2018) and the Portuguese Genealogy of Lens-Based Media "我们需要一位灯塔哲学家"：菲利普-塞萨尔和路易斯-亨德森的《太阳石》（2018 年）与镜头媒体的葡萄牙系谱
IF 0.2 2区 艺术学
ARTMargins Pub Date : 2024-04-10 DOI: 10.1162/artm_a_00371
Delinda Collier
{"title":"“We Need a Lighthouse Philosopher”: Filipa César and Louis Henderson's Sunstone (2018) and the Portuguese Genealogy of Lens-Based Media","authors":"Delinda Collier","doi":"10.1162/artm_a_00371","DOIUrl":"https://doi.org/10.1162/artm_a_00371","url":null,"abstract":"This article discusses Filipa César's and Louis Henderson's digital film Sunstone (2018), situating it within a history of lenses and lighthouses in Portuguese conquest. It argues that Portugal has been overlooked as playing a key role in shaping the use and conceptual function of lenses in maritime conquest. In particular, the beaming of light from lenses has been overshadowed by the function of light collection in histories written about lens-based media.","PeriodicalId":41203,"journal":{"name":"ARTMargins","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140603068","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Abstract States: Modernism in Lebanon, Syria, and Turkey 抽象的国家：黎巴嫩、叙利亚和土耳其的现代主义
IF 0.2 2区 艺术学
ARTMargins Pub Date : 2024-04-10 DOI: 10.1162/artm_r_00375
Gemma Sharpe
{"title":"Abstract States: Modernism in Lebanon, Syria, and Turkey","authors":"Gemma Sharpe","doi":"10.1162/artm_r_00375","DOIUrl":"https://doi.org/10.1162/artm_r_00375","url":null,"abstract":"A decade after modernist art history's tentative embrace of postcolonial modernisms, a new crop of books are leveraging this disciplinary acceptance to examine hitherto shrouded aspects of the field. Anneka Lenssen's, Beautiful Agitation: Modern Painting and Politics in Syria (2020), Zeina Maasri's, Cosmopolitan Radicalism: The Visual Politics of Beirut's Global Sixties (2020) and Sarah-Neel Smith's, Metrics of Modernity: Art and Development in Postwar Turkey, (2022) offer candid appraisals of postcolonial modernism's exposure to colonial and nationalist institutions, Cold War cultural networks, and the hierarchical effects of canonical modernism. Reviewed together in this article, these books reveal the distinctive orientations of modernism in contiguous Syria, Lebanon and Turkey along with the methodological value of formalist methods to assert artistic agency. Through refractive readings of artworks and other materials, Lenssen, Maasri and Smith invert disciplinary anxieties about postcolonial art's political subjection, making a case for postcolonial art's perceptiveness to the instability and abstraction of the institutional forces to which they are subject.","PeriodicalId":41203,"journal":{"name":"ARTMargins","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140571843","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
As the Nile Flows or the Camel Walks 尼罗河流淌或骆驼行走
IF 0.2 2区 艺术学
ARTMargins Pub Date : 2024-02-01 DOI: 10.1162/artm_a_00376
Dawit L. Petros, Black Athena Collective
{"title":"As the Nile Flows or the Camel Walks","authors":"Dawit L. Petros, Black Athena Collective","doi":"10.1162/artm_a_00376","DOIUrl":"https://doi.org/10.1162/artm_a_00376","url":null,"abstract":"<p>Between 1884–1885, Britain requested a contingent of boatmen – “voyageurs” – from Canada to assist transport troops and supplies through the Nile's system of cataracts (rapids). The expedition's cross section of participants included Egyptians, Sudanese, roughly one hundred indigenous subjects from Canada and subjects from across Britain's empire. Primary sources authored by four participants are central to understanding how the role of travelogues and their accompanying illustrations and photographs combine with discourses of imperialism to establish a foundational framework for the discursive practice of colonialism. Two authors – Louis Jackson's <em>Our Gaughnawagas in Egypt</em> (1885) and James D. Deer's <em>The Canadian Voyageurs in Egypt</em> (1885) – were members of the Mohawk community of Kahnawake near Montreal, Quebec. This visual essay is interested in the way in which indigeneity is produced through contact and exchange under conditions of imperial conquest. It intersperses maps, historical illustrations, photographs, fragments of musical transcription texts and travelogues that were produced in Canada, Britain, Egypt, and Sudan during the 19<sup>th</sup> and 20<sup>th</sup> centuries.</p>","PeriodicalId":41203,"journal":{"name":"ARTMargins","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140571938","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Contributors 贡献者
IF 0.2 2区 艺术学
ARTMargins Pub Date : 2024-02-01 DOI: 10.1162/artm_x_00379
{"title":"Contributors","authors":"","doi":"10.1162/artm_x_00379","DOIUrl":"https://doi.org/10.1162/artm_x_00379","url":null,"abstract":"<span><strong>Black Athena Collective</strong>, founded in 2015 by artists Heba Y. Amin and Dawit L. Petros, is a research and artistic laboratory for experimentation that engages political discourse and practices of spatial construction connected to the Red Sea region from Eritrea to Egypt through multidisciplinary perspectives, including geography, archaeology, and history.</span>","PeriodicalId":41203,"journal":{"name":"ARTMargins","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140571844","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bags of Stories: Thinking with Household Casebearers in the Anthropocene 一袋袋的故事:与人类世的家庭持卡人一起思考
IF 0.2 2区 艺术学
ARTMargins Pub Date : 2023-11-29 DOI: 10.1162/artm_a_00364
Tan Zi Hao
{"title":"Bags of Stories: Thinking with Household Casebearers in the Anthropocene","authors":"Tan Zi Hao","doi":"10.1162/artm_a_00364","DOIUrl":"https://doi.org/10.1162/artm_a_00364","url":null,"abstract":"Household casebearers are a genus of moths primarily distinguished by the spindle-shaped cases they carry and live in throughout their larval life. The cases, woven from household dust, typically comprise an array of materials from textile fibers to dead insect parts. As they thrive in domestic spaces in tropical climates, they are commonly viewed as a domestic pest. Anthropocentrism as such has led to a fundamental imbalance of knowledge concerning these creatures: we are more knowledgeable in their capacity for damage than we are in understanding how they live, even as we cohabit with them very closely, at home. In presenting a series of macro photography of their larval cases, this project invites readers to be attentive to the material and ecological entanglements on display on their intricate creations. The home is already a wilderness as household casebearers rebuild their houses from the dusty ruins of ours.","PeriodicalId":41203,"journal":{"name":"ARTMargins","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138537568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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