"我们需要一位灯塔哲学家"：菲利普-塞萨尔和路易斯-亨德森的《太阳石》（2018 年）与镜头媒体的葡萄牙系谱

IF 0.2 2区艺术学 0 ART

ARTMargins Pub Date : 2024-04-10 DOI:10.1162/artm_a_00371

Delinda Collier

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引用次数: 0

摘要

本文讨论了菲利普-塞萨尔（Filipa César）和路易斯-亨德森（Louis Henderson）的数字电影《太阳石》（Sunstone，2018年），将其置于葡萄牙征服中的透镜和灯塔史中进行探讨。影片认为，葡萄牙在塑造海上征服中透镜的使用和概念功能方面发挥了关键作用，但这一作用却被忽视了。特别是，在以透镜为媒介的历史著作中，透镜发出的光被光收集的功能所掩盖。

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“We Need a Lighthouse Philosopher”: Filipa César and Louis Henderson's Sunstone (2018) and the Portuguese Genealogy of Lens-Based Media

This article discusses Filipa César's and Louis Henderson's digital film Sunstone (2018), situating it within a history of lenses and lighthouses in Portuguese conquest. It argues that Portugal has been overlooked as playing a key role in shaping the use and conceptual function of lenses in maritime conquest. In particular, the beaming of light from lenses has been overshadowed by the function of light collection in histories written about lens-based media.

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来源期刊

ARTMargins ART-

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： ARTMargins publishes scholarly articles and essays about contemporary art, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia. The journal acts as a forum for scholars, theoreticians, and critics from a variety of disciplines who are interested in art and politics in transitional countries and regions; postsocialism and neo-liberalism; postmodernism and postcolonialism, and their critiques; and the problem of global art and global art history and its methodologies.