Militant Mappings: A Template Toolkit

IF 0.2 2区 艺术学 0 ART
ARTMargins Pub Date : 2024-06-21 DOI:10.1162/artm_a_00387
Cian Dayrit
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引用次数: 0

Abstract

The rise of Duterte's authoritarian regime, and a series of violent dispersals to peasant-led mobilizations, prompted counter-mapping workshops in protest camps and rural communities. These workshops evolved out of the need to gather and visualize shared experiences and collective aspirations of the basic sectors-peasants, indigenous groups, and workers-who bear the brunt of oppression in a neocolonial society such as that of the Philippines. Additionally, these mapping sessions have become a potent method in exposing rights abuses, land grabbing, extractive industries, development aggression and other forms of violence perpetrated by centralized bodies. Moreover, the goal of the workshop is to find discursive ways for marginalized populations to assert their rights and author representations of their own lived environments.
好战的映射:模板工具包
杜特尔特独裁政权的崛起,以及一系列暴力驱散农民领导的动员活动,促使在抗议营地和农村社区举办反绘图研讨会。在菲律宾这样一个新殖民主义社会中,农民、原住民群体和工人首当其冲地受到压迫,而这些基本阶层的共同经验和集体愿望需要收集和形象化。此外,这些绘图会议已成为揭露侵犯权利、掠夺土地、采掘业、发展侵略和中央机构实施的其他形式暴力的有效方法。此外,研讨会的目标是为边缘化人群找到维护自身权利的话语方式,并为他们自己的生活环境创作代表作。
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来源期刊
ARTMargins
ARTMargins ART-
CiteScore
0.10
自引率
0.00%
发文量
16
期刊介绍: ARTMargins publishes scholarly articles and essays about contemporary art, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia. The journal acts as a forum for scholars, theoreticians, and critics from a variety of disciplines who are interested in art and politics in transitional countries and regions; postsocialism and neo-liberalism; postmodernism and postcolonialism, and their critiques; and the problem of global art and global art history and its methodologies.
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