ARTMargins最新文献_第7页

Scenes of Access, Politics of Difference 访问场景，差异政治

IF 0.2 2区艺术学

ARTMargins Pub Date : 2022-02-01 DOI: 10.1162/artm_a_00314

Pujan Karambeigi

引用次数: 0

Hidden Green by Miklós Erdély Miklós Erdély的《隐藏的绿色》

IF 0.2 2区艺术学

ARTMargins Pub Date : 2022-02-01 DOI: 10.1162/artm_a_00317

Eszter Bartholyì, Katalin Orbán

引用次数: 0

Madness as a Form of Knowledge: Pavel Ivanovich Karpov's Creativity of the Mentally Ill 疯狂作为一种知识形式:帕维尔·伊万诺维奇·卡尔波夫对精神病患者的创作

IF 0.2 2区艺术学

ARTMargins Pub Date : 2022-02-01 DOI: 10.1162/artm_a_00308

B. Jakovljević

{"title":"Madness as a Form of Knowledge: Pavel Ivanovich Karpov's Creativity of the Mentally Ill","authors":"B. Jakovljević","doi":"10.1162/artm_a_00308","DOIUrl":"https://doi.org/10.1162/artm_a_00308","url":null,"abstract":"Abstract Within the span of only four years, two books on the same subject and with almost identical titles were published on two sides of Europe: Hans Prinzhorn's Artistry of the Mentally Ill (Berlin, 1922) and Pavel Ivanovich Karpov's Creativity of the Mentally Ill (Moscow, 1926). Whereas the first book was recognized as one of the key steps in the “discovery” of the psychotic art and its eventual mainstreaming, the second one quickly fell into obscurity. Its author perished in Stalinist purges of the 1930s, together with a number of his colleagues from the Russian Academy of Artistic Science (RAKhN, 1921-1931), in which he served as the head of the Commission for the Creativity of Mentally Ill. This article is the first in-depth study of Karpov's book and his theory of creativity, which he based on his extensive collection of the works of his patients (which was also lost in the purges). The article argues that his approach to psychotic art is completely independent from Prinzhorn's. Instead, it places this book in the context of the specific form of Kunstwissenschaft that was practiced in RAKhN, suggesting that this placement is of primary importance for understanding Karpov's methods and aims. More specifically, the article argues that in his research on the creativity of the mentally ill, Karpov engages in a productive dialogue with the philosopher and prominent RAKhN member Gustav Shpet's work on epistemology from the same period. The result is an original contribution to the clinical literature on art of the mentally ill patients.","PeriodicalId":41203,"journal":{"name":"ARTMargins","volume":"11 1","pages":"126-151"},"PeriodicalIF":0.2,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42756945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Miklós Erdély, Ernst Bloch, Kurt Gödel, and Hidden Green Miklós erd<s:1>， Ernst Bloch, Kurt Gödel和Hidden Green

IF 0.2 2区艺术学

ARTMargins Pub Date : 2022-02-01 DOI: 10.1162/artm_a_00316

Sándor Hornyik

引用次数: 0

Learning on the Run: From Psycho-Modernism to Fugitive Sociality 逃亡中的学习：从心理现代主义到逃亡社会

IF 0.2 2区艺术学

ARTMargins Pub Date : 2022-02-01 DOI: 10.1162/artm_r_00315

Timothy Ridlen

{"title":"Learning on the Run: From Psycho-Modernism to Fugitive Sociality","authors":"Timothy Ridlen","doi":"10.1162/artm_r_00315","DOIUrl":"https://doi.org/10.1162/artm_r_00315","url":null,"abstract":"Abstract Two exhibition and research projects, Creativity Exercises and Back to the Sandbox, are united by the history of reform pedagogy, Friederich Fröbel, and the legacy of the Bauhaus. The books related to the projects explore didactic and participatory art, questioning how to teach art, how to reform or radicalize education, and what participatory art practices share with pedagogy. The centerpiece of the first project is the work of Miklós Erdély and Dora Maurer, specifically the classes they organized at the Ganz-MAVAG factory in Budapest from 1975–1977. Although framed as part of an international turn toward creativity research during the cold war, a framing that crosses any East/West divide, the workshops and related projects reveal an interest in the psychology of creativity, focusing on the social subjects produced as Bauhaus-style education turned inside out. The second publication uses the sandbox as an object lesson and figure of thought to learn from the past of reform education while looking to the future. Although both projects highlight the contradictions and constraints of pedagogy, they succeed where they provide direction for the work of learning and leave the question of education's paradoxes behind.","PeriodicalId":41203,"journal":{"name":"ARTMargins","volume":"11 1","pages":"81-93"},"PeriodicalIF":0.2,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49323620","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Dreams/Cinema/Palestine: Unoccupied Spaces in The Dream and My Love Awaits Me by the Sea 梦想/电影/巴勒斯坦：《梦想》中无人居住的空间和我的爱在海边等着我

IF 0.2 2区艺术学

ARTMargins Pub Date : 2022-02-01 DOI: 10.1162/artm_a_00309

Greg Burris

引用次数: 0

Photography Against Reproduction: Željko Jerman's My Year, 1977 反对复制的摄影:Željko Jerman's My Year, 1977

IF 0.2 2区艺术学

ARTMargins Pub Date : 2022-02-01 DOI: 10.1162/artm_a_00311

Adair Rounthwaite

{"title":"Photography Against Reproduction: Željko Jerman's My Year, 1977","authors":"Adair Rounthwaite","doi":"10.1162/artm_a_00311","DOIUrl":"https://doi.org/10.1162/artm_a_00311","url":null,"abstract":"Abstract As a young artist active in socialist Zagreb in the 1970s, Željko Jerman subjected photographic prints and negatives to destructive techniques such as scratching, scribbling, and intentionally poor development. Jerman's work was heralded by curator Radoslav Putar as an attempt to “cross the boundaries and overcome the limitations of classical photography,” but also met with dismissal from less open-minded critics due to its rejection of traditional aesthetics. This article shows how through his destructive tactics, Jerman enacted a formal “death” of the photograph, while also taking death as a central philosophical and representational theme at the level of the image. His work ultimately rendered photographic development a performative act, which was intimately tied to his identity as an author and to questions about his own mortality. Via a close reading of Jerman's magnus opus My Year, 1977, the essay moreover demonstrates how he didn't dispense with notions of beauty but rather resituated them relative to questions about desire, masculinity, and the fallibility of artistic authorship. Closely connected to the New Art Practice yet more romantic and introspective in its mentality, Jerman's art adds important nuance to understandings of the role of images for Yugoslavia's famous conceptual generation.","PeriodicalId":41203,"journal":{"name":"ARTMargins","volume":"11 1","pages":"201-225"},"PeriodicalIF":0.2,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41662391","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Reassessing Moscow Conceptualism: The View from the Nest 重新评估莫斯科的观念主义:从巢的角度看

IF 0.2 2区艺术学

ARTMargins Pub Date : 2022-02-01 DOI: 10.1162/artm_a_00310

Mary A. Nicholas

引用次数: 1

What is Radical? 什么是Radical？

IF 0.2 2区艺术学

ARTMargins Pub Date : 2021-10-01 DOI: 10.1162/artm_a_00301

A. Alberro, Homi K. Bhabha, A. Castillo, Keti Chukhrov, T. Demos, Keyna Eleison, Irmgard Emmelhainz, D. English, P. Flores, Jennifer A. González, Boris Groys, T. Holert, Andreas Huyssen, Amelia Jones, D. Joselit, Joan Kee, N. Mirzoeff, P. Osborne, J. Roberts, Nizan Shaked, Terry Smith, K. Stiles, Ming Tiampo, A. Wagner

引用次数: 1

The Ghosts of Past Events in the Hall of Mirrors 镜堂往事的幽灵

IF 0.2 2区艺术学

ARTMargins Pub Date : 2021-10-01 DOI: 10.1162/artm_a_00305

Anna Boghiguian

引用次数: 0