历史危机时刻的艺术与学术

IF 0.2 2区艺术学 0 ART

ARTMargins Pub Date : 2021-10-01 DOI:10.1162/artm_a_00304

Vardan Azatyan, F. Schwartz, T. Clark, Sami R. Khatib, M. Šuvaković, Ursula Frohne

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引用次数: 0

摘要

考虑艺术和艺术史学术在当前的性质和功能:是否仍然存在一条线——即使是精细的或松散的——以确保艺术和人文学科在后期资本主义的商品化中脆弱的自主性?在社会生活看似完全商品化和技术化的情况下，艺术还能作为现实的一面消极的、批判的镜子吗?时至今日，艺术和艺术史研究还有存在的必要吗?艺术和人文学科能否为解放社会的议程服务?如果可以，如何服务?曾经被自由主义者和共产主义者共享的人文主义理想在今天艺术和学术的重塑中可能发挥什么作用?

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Art and Scholarship in Moments of Historical Danger

Abstract Consider the nature and function of art and art historical scholarship in the present: Is there still a line—even fine or porous—securing the fragile autonomy of the arts and humanities from commodification in late capitalism? Can art still serve as a negative and critical mirror for reality under the seemingly complete commodification and technological mediation of social life? Is there any real need for art and art historical scholarship even to exist today? Can the arts and humanities serve an emancipatory social agenda, and, if so, how? What role might the humanist ideals once shared by liberals and communists play in the reformulation of art and scholarship today?

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来源期刊

ARTMargins ART-

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： ARTMargins publishes scholarly articles and essays about contemporary art, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia. The journal acts as a forum for scholars, theoreticians, and critics from a variety of disciplines who are interested in art and politics in transitional countries and regions; postsocialism and neo-liberalism; postmodernism and postcolonialism, and their critiques; and the problem of global art and global art history and its methodologies.