Contributors

IF 0.2 2区艺术学 0 ART

ARTMargins Pub Date : 2022-06-01 DOI:10.1162/artm_x_00321

引用次数: 0

Abstract

Greg Burris teaches at the American University of Beirut and is the author of The Palestinian Idea: Film, Media, and the Radical Imagination (2019). His other writings on film, culture, and politics have appeared in such publications as Bright Lights Film Journal, CineAction, Cinema Journal, Film International, The Guardian, Jadaliyya, Journal of Islamic and Muslim Studies, Quarterly Review of Film and Video, and the anthologies Futures of Black Radicalism (2017) and Global Raciality: Empire, PostColoniality, and DeColoniality (2018).

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贡献者

格雷格·伯里斯(Greg Burris)在贝鲁特美国大学任教，著有《巴勒斯坦思想:电影、媒体和激进想象》(2019)。他在电影、文化和政治方面的其他著作出现在诸如《亮灯电影杂志》、《电影行动》、《电影杂志》、《国际电影》、《卫报》、《贾达利亚》、《伊斯兰和穆斯林研究杂志》、《电影和视频季刊评论》以及《黑人激进主义的未来》(2017年)和《全球种族性:帝国、后殖民主义和去殖民主义》(2018年)等出版物上。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

ARTMargins ART-

CiteScore

0.10

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0.00%

发文量

期刊介绍： ARTMargins publishes scholarly articles and essays about contemporary art, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia. The journal acts as a forum for scholars, theoreticians, and critics from a variety of disciplines who are interested in art and politics in transitional countries and regions; postsocialism and neo-liberalism; postmodernism and postcolonialism, and their critiques; and the problem of global art and global art history and its methodologies.