{"title":"Beyond the ‘Glasgow Discourse’? Emotions and Affects in Ellie Harrison’s The Glasgow Effect and Darren McGarvey’s Poverty Safari.","authors":"C. Sassi","doi":"10.5209/cjes.77955","DOIUrl":"https://doi.org/10.5209/cjes.77955","url":null,"abstract":"The present article investigates two recently published essayistic memoirs, Ellie Harrison’s The Glasgow Effect (2019) and Darren McGarvey’s Poverty Safari (2017), and the debate between the two writers/artists within the wider framework of the Glasgow discourse, a manneristic imagination of the city shaped by the Glasgow novel in the course of the twentieth century. Focusing on issues of representation of traumatic historical memory, it relies especially on Myriam Jimeno’s idea of emotional community and presents the Glasgow novel as an example of such community, originally designed to make the predicament of the working classes visible. The article contends that many contemporary novels posit deviance from the genre’s original function of voicing the subaltern, exploiting instead a popular literary cliché. It also argues that both the texts, by representing their authors’ emotions and life stories as embedded in the city’s social and cultural landscape, dis/place the borders of the city’s imagination, simultaneously stumbling upon and pushing back the limits of the Glasgow discourse","PeriodicalId":40655,"journal":{"name":"Complutense Journal of English Studies","volume":"14 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84708127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Incidental + Intentional’ vs ‘Intentional + Incidental’ Vocabulary Learning: Which is More Effective?","authors":"Ekaterina Sinyashina","doi":"10.5209/cjes.66685","DOIUrl":"https://doi.org/10.5209/cjes.66685","url":null,"abstract":"This study compares the effectiveness of two combinations of new vocabulary learning techniques: ‘incidental + intentional’ and ‘intentional + incidental’. For the incidental part, the participants viewed 3 hours of captioned authentic videos, whereas for the intentional one they were asked to do a set of tasks with the target vocabulary at home. Three aspects of the target words were tested: form recognition, meaning recall and written use in a sentence. The overall scores revealed better performance of the ‘incidental + intentional’ condition in the three tests. Nevertheless, a variety of scores in the sample for the three aspects of word knowledge and the lack of statistical evidence did not allow us to conclude with certainty which combination is more or less effective for new vocabulary learning.","PeriodicalId":40655,"journal":{"name":"Complutense Journal of English Studies","volume":"68 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79605696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Ideological Discourse of Charlotte Brontë in 'Shirley'","authors":"Vicente Segura Martínez","doi":"10.5209/cjes.66924","DOIUrl":"https://doi.org/10.5209/cjes.66924","url":null,"abstract":"This paper analyses the linguistic changes arising from the formation of workers’ culture during the Industrial Revolution, as well as the effects of the pastoral work of the Anglican church, and its reflection on the Victorian literature produced by Charlotte Brontë. Specifically, this analysis is based on the parallelism established by this novelist between the values that lie behind the concepts of unionism and solidarity and her fight against the social conventions concerning marriage, as reflected in the novel Shirley. In fact, the human values that derive from these concepts were an inspiration that Brontë uses to provide cohesion and coherence to the plot of the novel within a narrative framework in which she minimizes the class difference between two young women: Caroline and Shirley. Brontë thereby shows that this class difference is not an obstacle for both women to share and feel the positive effects of these values within a social context dominated by social conventions regarding marriage. \u0000Key Words: democracy, culture, Luddites, unionism and solidarity.","PeriodicalId":40655,"journal":{"name":"Complutense Journal of English Studies","volume":"42 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90470710","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Pre-Raphaelites and their Keatsian Romanticism: An Analysis of the Renderings of 'The Eve of St Agnes and Isabella'","authors":"Ester Díaz Morillo","doi":"10.5209/cjes.66142","DOIUrl":"https://doi.org/10.5209/cjes.66142","url":null,"abstract":"This research examines the influence of Romantic poet John Keats on the Pre-Raphaelite Brotherhood, a Victorian artistic and literary movement. The aim of this paper is to prove how Keats became, moreover, a major connecting link between Romanticism and the Victorian era, thus enabling the continued existence of certain Romantic aesthetic features until the beginning of the twentieth century. In that sense, we will explore how this influence took shape and we will analyse Pre-Raphaelite works of art which have as source of inspiration some of Keats’s well-known poems (“Isabella; or, The Pot of Basil” and “The Eve of St. Agnes”). This examination will allow us to perceive the manner in which these artists devised their pictorial style based on Keatsian pictorialism in poetry, with a special emphasis on the significance of medievalism, and the beauty and sensuousness of his verses, and how they were transferred into their canvases.","PeriodicalId":40655,"journal":{"name":"Complutense Journal of English Studies","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91278480","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Effective and the Controversial Uses of Code-Switching: Edwidge Danticat’s 'Claire of the Sea Light' as Case Study","authors":"Aitor Ibarrola-Armendariz","doi":"10.5209/cjes.61429","DOIUrl":"https://doi.org/10.5209/cjes.61429","url":null,"abstract":"This article explores the different uses that Haitian-American author Edwidge Danticat makes of code-switching in her last novel Claire of the Sea Light (2013). It also delves into the effects Danticat seeks to produce on her readers by the introduction of Creole words and expressions. While the incorporation of the mother tongue is not new in Danticat’s fiction, critics have paid little attention to the diverse purposes such a tongue purports to serve in her books and to the kind of responses it has aroused from her audience. Her uses of code-switching are observed to pursue various purposes: some purely mimetic, others more closely related to her stylistic ambitions, and still others out of motivations that may be deemed debatable, as they pertain to the “exoticization” of her homeland. Ultimately, the use of code-switching in Claire of the Sea Light should be viewed as one of the most effective strategies that diasporic writers envisage to satisfy a number of important socio-pragmatic and rhetorical functions that are usually expected in ethnic fiction. These strategies also aim to guide the (mainstream) readers’ affective responses to their work in the way(s) “minority” authors believe best suit their aesthetic and ethical goals.","PeriodicalId":40655,"journal":{"name":"Complutense Journal of English Studies","volume":"140 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77542464","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Secrecy, Community and Counter-History in Arundhati Roy’s 'The God of Small Things' (1997)","authors":"María Valero Redondo","doi":"10.5209/cjes.63856","DOIUrl":"https://doi.org/10.5209/cjes.63856","url":null,"abstract":"This article explores the different types of communities and the role of secrecy and counter-history in Arundhati Roy’s The God of Small Things (1997), a novel in which secrecy plays a crucial role and in which the most genuine human relations are characterized by a desire to participate in otherness. This article examines Roy’s subversion of the operative community by considering: (a) the different communitarian organizations in The God of Small Things, from the most organic (the caste system, patriarchy, religious institutions, communism and the commodification of culture) to the least organic (the community of Others and the community of lovers); (b) the connection between alterity, finitude and secrecy as preventing the unworked community from organicist fusion; (c) the link between alterity, finitude, secrecy and counter-history. Although ingrained within a deeply organicist community, the main characters in Roy’s novel prove to have a vigorous capacity to trespass communitarian boundaries and to expose themselves to otherness.","PeriodicalId":40655,"journal":{"name":"Complutense Journal of English Studies","volume":"120 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86803432","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Weeding out the Roots? Migrant Identity in A.M. Bakalar’s Polish-British Fiction","authors":"Martyna Bryla","doi":"10.5209/cjes.61109","DOIUrl":"https://doi.org/10.5209/cjes.61109","url":null,"abstract":"Poles are one of the largest non-UK born ethnic groups in all countries and most regions of the United Kingdom. Since Poland’s accession to the European Union in May 2004, thousands of Poles have migrated to the UK, hoping for better professional opportunities and higher standards of living. It was thus only a matter of time before Poles started to put their experience of migration on paper. One example is A.M. Bakalar, whose literary debut, Madame Mephisto (2012), was promoted as the voice of the new wave of Polish migration and the first novel to be written in English by a Polish female author since Poland joined the EU in 2004. This article centres on Bakalar’s protagonist, a thirty-year-old Pole in London, with the aim of revealing how cultural myths and beliefs feed into the process of identity formation and what it takes for the experience of migration to go awry. By exploring Magda’s problematic relationship with her home country, represented as oppressive and insular, this article inquiries into the nature of contemporary migrant experience and the role which national identity plays in the process of cultural adjustment. \u0000 ","PeriodicalId":40655,"journal":{"name":"Complutense Journal of English Studies","volume":"5 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78478021","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Translation of Samuel Beckett’s 'mirlitonnades' by Three Spanish Authors","authors":"Marlen Garcia","doi":"10.5209/cjes.65523","DOIUrl":"https://doi.org/10.5209/cjes.65523","url":null,"abstract":"The mirlitonnades are short poems written by Samuel Beckett between 1976 and 1978. These minimalistic pieces reflect the poetic idiosyncrasies in his literary career and also in his personal life. Although Spanish literary culture has not been significantly affected by the work of Samuel Beckett —with some notable exceptions— it is surprising that the mirlitonnades have been translated five times into Spanish. In this study, I will focus on three of those versions —Loreto Casado (1998), Jenaro Talens (2000) and José Luis Reina Palazón (2014)— with the objective of identifying common sources of interest for these translators in Beckett's poems. Attention will also be paid to the main points of convergence among the different versions, as well as their dissimilarities. In addition, the predominant methods that they adopted in translating the mirlitonnades will be examined. The study of their lexical choices will ultimately reveal different approaches to Beckett’s work, as well as the various images of Beckett as a poet that Spanish readers might have acquired through each of these versions.","PeriodicalId":40655,"journal":{"name":"Complutense Journal of English Studies","volume":"90 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83333538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A SWOT analysis of the Communicative English Language Skills Improvement Programme: A Tool for Autonomous EFL Learning","authors":"Betlem Soler Pardo, M. Díaz","doi":"10.5209/cjes.63845","DOIUrl":"https://doi.org/10.5209/cjes.63845","url":null,"abstract":"The digital revolution of recent years has led to new ways of learning by combining innovative and traditional methods. In order to engage the students in these new methods, a pilot project called the Communicative English Language Skills Improvement Programme (CELSIP) has been designed. Thus the learners will be able to achieve a higher level of communication in English through a wide range of multimedia resources, such as audio-books, learning apps, educational websites, TV series, films, board games, and music. These multimodal tools are of easy access to students since the vast majority are user-friendly. Hence, the main objective of this paper is to analyse and verify the feasibility of the CELSIP using a SWOT framework analysis to show the self-learning potential regarding English as a foreign language. In order to do so, we shall first describe the characteristics of the project named CELSIP. It is hoped that the SWOT analysis will provide an objective and critical perspective of the Programme's usefulness and effectiveness as a whole. Also, this analysis could offer prompts involved in the analysis of what is effective and less effective in the programme sections and procedures.","PeriodicalId":40655,"journal":{"name":"Complutense Journal of English Studies","volume":"44 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79849727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"An Exploration of Queer Diasporic Subjectivities in Shani Mootoo’s 'Out on Main Street'","authors":"Cristina Salcedo González","doi":"10.5209/cjes.66756","DOIUrl":"https://doi.org/10.5209/cjes.66756","url":null,"abstract":"In view of the acute lack of analyses of Indian-Trinidadian queer diasporic subjectivities, this article will focus on Shani Mootoo’s “Out on Main Street” by using a queer diasporic theoretical framework, one which hinges on unveiling the violent practices to which sexually and racially marginalized communities are exposed and on exploring the ways by which queer diasporic subjects subvert dominant assumptions. In order to carry out the analysis, I will, first, offer an overview of the uses and implications for invoking the concept of a queer diaspora to study Mootoo’s story; second, I will scrutinize the manner in which the queer diasporic narrator is affected by exclusivist definitions of gender and national identities, and, third, I will examine the specific tactics through which she unsettles the normative logic. Ultimately, the study of Mootoo’s story under a queer diasporic approach will offer a further insight into the diaspora experience, one which considers both sexuality and translocation as crucial factors shaping the way the narrator inhabits the city.","PeriodicalId":40655,"journal":{"name":"Complutense Journal of English Studies","volume":"130 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75934238","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}