淘汰“根”乐队?移民身份在A.M.巴卡拉的波兰-英国小说

IF 0.3 0 LANGUAGE & LINGUISTICS
Martyna Bryla
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引用次数: 0

摘要

波兰人是英国所有国家和大部分地区最大的非英国出生的民族之一。自2004年5月波兰加入欧盟以来,成千上万的波兰人移民到英国,希望获得更好的职业机会和更高的生活水平。因此,波兰人开始把他们的移民经历写在纸上只是时间问题。一个例子是A.M.。巴卡拉的文学处女作《墨菲斯托夫人》(Madame Mephisto, 2012)被认为是波兰新移民浪潮的代言人,也是波兰自2004年加入欧盟以来第一部由波兰女性作家用英语撰写的小说。这篇文章以巴卡拉尔的主人公为中心,一个30岁的波兰人在伦敦,目的是揭示文化神话和信仰是如何进入身份形成的过程的,以及是什么导致了移民的经历出错。本文通过探究玛格达与母国的问题关系,探究当代移民经历的本质以及民族认同在文化调整过程中所扮演的角色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Weeding out the Roots? Migrant Identity in A.M. Bakalar’s Polish-British Fiction
Poles are one of the largest non-UK born ethnic groups in all countries and most regions of the United Kingdom. Since Poland’s accession to the European Union in May 2004, thousands of Poles have migrated to the UK, hoping for better professional opportunities and higher standards of living. It was thus only a matter of time before Poles started to put their experience of migration on paper. One example is A.M. Bakalar, whose literary debut, Madame Mephisto (2012), was promoted as the voice of the new wave of Polish migration and the first novel to be written in English by a Polish female author since Poland joined the EU in 2004. This article centres on Bakalar’s protagonist, a thirty-year-old Pole in London, with the aim of revealing how cultural myths and beliefs feed into the process of identity formation and what it takes for the experience of migration to go awry. By exploring Magda’s problematic relationship with her home country, represented as oppressive and insular, this article inquiries into the nature of contemporary migrant experience and the role which national identity plays in the process of cultural adjustment.  
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来源期刊
Complutense Journal of English Studies
Complutense Journal of English Studies LANGUAGE & LINGUISTICS-
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